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Terror and joy: the films of Dušan Makavejev PDF

353 Pages·2009·3.268 MB·English
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terror and joy This page intentionally left blank terror and joy The Films of Dušan Makavejev orraine ortimer L M university of minnesota press minneapolis london • Chapter7was previously published as “Our Carnal Nature and Cosmic Flow: WR Mysteries of the Organismas a Film for Our Time,” The Massachusetts Review43, no. 1(Spring 2002):107–34; reprinted with permission from The Massachusetts Review.Chapter9was previously published as “Pigs and Pearls: Art and Life in Montenegro,”Arena Journal,no. 20(2003):141–66; reprinted with permission of Arena Journal. Copyright2009by Lorraine Mortimer All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Mortimer, Lorraine. Terror and joy : the films of Dušan Makavejev / Lorraine Mortimer. p. cm. Includes bibliographical references and index. ISBN978-0-8166-4886-3(hc : alk. paper) — ISBN978-0-8166-4887-0(pb : alk. paper) 1. Makavejev, Dušan—Criticism and interpretation. I. Title. PN1998.3.M337M672009 791.4302'33092—dc22 2008036911 Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. 15 14 13 12 11 10 09 10 9 8 7 6 5 4 3 2 1 To Cass and Declan This page intentionally left blank contents Acknowledgments ix Introduction xi 1. Dušan Makavejev and His Context 1 2. The Country of Movies 23 3. In Search of Understanding 43 4. The Fire in Us 66 5. With Eggs, Flour, Sugar, and Berries— and a Certain Dose of Modesty 95 6. Alchemists and Artisans 125 7. Our Carnal Nature and Cosmic Flow 153 Interlude 186 8. The World Tasted 192 9. Pigs, Pearls, and Immigrants 225 10. The Soul Battered 253 Epilogue 281 Notes 285 Filmography of Dušan Makavejev 325 Index 331 acknowledgments This book is a labor of love; it has been “cooking” for many years since I wasfirst provoked, puzzled, and captured by WR: Mysteries of the Organism as a new graduate student. After that initial experience, I discussed Maka- vejev’s film with a new friend, Michael Matteson, who had seen it five nights running at our Sydney University Film Group screenings. He knew more about Yugoslavia and revolutionary politics than I but was unsympathetic to the ideas of Wilhelm Reich (the “WR” of the film’s title). He found the film interesting. On the other hand, good friends Bob and Judy Hill, who saw the film on my recommendation, suggested that the experience was a bit like trying root beer. I must not have wanted, they thought, to keep such a dreadful experience to myself but needed others to taste it, too! (Maka- vejev’s films divided and continue to divide people, but they always make an impression.) Already full of enthusiasm for Reich, my husband, Chris Eipper, was fascinated by the film. He had brought Reich into his essays in various undergraduate subjects, often to the consternation of his teachers. At that time, he had no idea of the punishment ahead of him—of the required viewings, “seminars,” and reading of drafts of my work on the Makavejev films I came to know and care for. Our sons, Declan and Cass, have also watched and talked about the films and generously read the manuscript and made valuable suggestions. Thanks to all of them. Thanks are also due Gary Schliemann, MacGregor Rose, Eden Cooper, Gabrielle Murray, Rolando Caputo, Lea Campbell, John Miller, Charles Ambrose, David MacDougall, Yvette Biró, Herbert Eagle, and students to ix

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