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Television and the Second Screen: Interactive TV in the age of social participation PDF

207 Pages·2016·1.51 MB·English
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Television and the Second Screen Television is changing almost beyond recognition. Smart phones and tablet computers have become rivals to the traditional TV set in the battle for consumers. However, audiences and producers are also embracing social media sites and mobile platforms to enhance TV viewing itself. This book examines the emerging phenomenon of the second screen: where users are increasingly engaging with content on two screens concurrently. The practice is transforming television into an interactive, participatory and social experience. This book analyses these new patterns of audience behaviour within the framework of user agency and discusses recasting the notion of viewer activity. It studies the impact of the second screen on theoretical models including audience reception and transmedia storytelling. In researching this work, James Blake has interviewed more than 25 people in the TV industry – across the major UK broadcasters – including commissioning editors, digital directors, producers and advertising executives. In doing so, he has been able to track the evolution of interactive TV and examine the successes and failures of recent experiments and innovations in second screen projects. As the second screen becomes second nature for viewers and producers, the risks and opportunities for the future of television are slowly beginning to emerge. Television and the Second Screen offers students and scholars of television theory and practice an accessible and illuminating guide to this important cultural shift. James Blake is the Director of the Centre for Media and Culture at Edinburgh Napier University where he is a senior lecturer in TV and journalism. He spent more than 15 years in the TV industry and still works regularly for Channel 4 News and STV. Television and the Second Screen Interactive TV in the age of social participation James Blake First published 2017 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2017 James Blake The right of James Blake to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data A catalog record for this book has been requested ISBN: 978-1-138-91432-2 (hbk) ISBN: 978-1-138-91433-9 (pbk) ISBN: 978-1-315-69090-2 (ebk) Typeset in Sabon by Saxon Graphics Ltd, Derby To my amazing family – Gill, Harry and Robyn. (OK kids: can you put the screens down now?) Contents List of fi gures ix Acknowledgements xi Introduction 1 1 The evolution of interactive TV 9 2 Recasting the active audience 29 3 Entertaining the interactive user: play-along, voting and gossip 48 4 Participating in the news agenda 72 5 Factual television: reinventing the digital public space 94 6 Second screen as multi-platform transmedia storytelling 112 7 Monetising second screen gameplay 130 8 Advertising: ‘Disruption is at a maximum!’ 149 9 The future for social participation in TV 171 Index 188 Figures 3.1 Screen shot from the companion app for Channel 4’s Million Pound Drop. Image courtesy of Endemol/Shine group 50 3.2 Screen shot from the companion app for Channel 4’s Million Pound Drop. Image courtesy of Endemol/Shine group 50 3.3 Phone screen shot from a companion app for ITV’s The X Factor. Image courtesy of Fremantle Media 57 3.4 Phone screen shot from the companion app for ITV’s The X Factor. Image courtesy of Fremantle Media 59 3.5 iPad screen shot from the companion app for Channel 4’s The Singer Takes It All. Image courtesy of Endemol/Shine group 65 3.6 Phone screen shot from the companion app for Channel 4’s The Singer Takes It All. Image courtesy of Endemol/ Shine group 66 8.1 iPad screen shot from the companion app for ITV’s The X Factor. Image courtesy of Fremantle Media 151

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.