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Technologies of enchantment?: exploring Celtic art: 400 BC to AD 100 PDF

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TECHNOLOGIES OF ENCHANTMENT? This page intentionally left blank Technologies of Enchantment? Exploring Celtic Art: 400 BC to AD 100 DUNCAN GARROW AND CHRIS GOSDEN 1 3 GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries #DuncanGarrowandChrisGosden2012 Themoralrightsoftheauthorshavebeenasserted FirstEditionpublishedin2012 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressCataloginginPublicationData Dataavailable ISBN 978–0–19–954806–4 PrintedinGreatBritain onacid-freepaperby MPGBooksGroup,BodminandKing’sLynn Contents ListofFigures ix ListofTables xiv ListofAppendices xv Acknowledgements xvi 1. PeopleandMaterialsintheIronAgeandEarly RomanPeriod 1 AspectsoftheIronAge 6 ReciprocityandReproduction 7 BronzeandIron 14 SocialOntologies 21 TheLaterIronAgeandRomano-BritishPeriods 28 TheStructureoftheBook 35 2. ButisitArt?PastandPresentApproaches toCelticArt 38 ApproachestoPrehistoricArt 39 Philosophical,Anthropological,andArt-Historical ApproachestoArt 43 CelticArt? 46 PastApproachestoCelticArt 48 ASummaryofOurApproach 57 3. TheDatabaseandOurMethodology 60 DecidingWhattoInclude 61 ConstructingtheDatabase 62 CelticArt:TheBasics 64 BiasestoConsider 66 TheSpatialDistributionofObjects 68 TheTemporalDistributionofObjects 70 DatingStylisticChange 79 ConcludingDiscussion 84 4. MakingMaterials 87 MakingIron 89 MakingBronze 93 MakingDeposits:TheBeatenandtheCast 97 MakingDecoration 100 ConcludingDiscussion 107 vi Contents 5. ArtefactualTimes:Swords,Torcs,andCoins 112 Swords 114 LateIronAgeSwords 119 SwordDeposition 123 TheLifeHistoriesofSwords 128 Torcs 134 TorcDecorations 141 CoinsandTorcs 143 Summary 149 ConcludingDiscussion 152 6. Hoards 155 Hoarding:RecentDiscussions 158 HoardsandCelticArt:BroadPatterns 160 ObjectNetworks 163 ObjectTypes 166 ObjectConnections 167 Summary 169 MaterialNetworks 170 Fragmentation,Attrition,andWear 172 CaseStudy1:An‘Early’HoardatRingstead,Norfolk 179 ObjectConnections 179 Interpretations 182 CaseStudy2:A‘Late’Hoardat‘PoldenHill’,Somerset 185 ObjectConnections 185 Interpretations 189 ConcludingDiscussion 191 7. Burials 194 IronAgeBurial:RecentDiscussions 197 BurialsandCelticArt:BroadPatterns 199 BurialTypes 202 ObjectNetworks 205 Object–ObjectConnections 205 Object–HumanandObject–AnimalConnections 206 Summary 208 IntroductiontotheCaseStudies 209 CaseStudy1:AChariotBurialfromKirkburn,East Yorkshire 210 TheBurialProcess 210 ObjectandHumanHistories 214 Object–HumanConnections 216 Horse/ChariotGear 217 MailCloak 219 PigBones 220 Contents vii D-ShapedBox 221 ConnectionsBeyondtheGrave 222 Summary 224 CaseStudy2:AWarriorBurialatMillHill,Deal,Kent 226 TheBurialProcess 226 ObjectandHumanHistories 229 AssemblageHistory 235 Constructingthe‘Warrior’withintheGrave 236 Summary 240 CaseStudy3:AWelwyn-typeBurialfromBaldock, Hertfordshire 241 TheBurialProcess 241 Object–ObjectConnections 243 Object–HumanConnections 246 Summary 247 CaseStudy4:AMirrorBurialatPortesham,Dorset 249 TheBurialProcess 250 ObjectandHumanHistories 252 Summary 254 ConcludingDiscussion 255 8. Settlements 258 Settlements:RecentDiscussions 259 SettlementsandCelticArt:BroadPatterns 261 IntroductiontoCaseStudies1and2 264 WessexintheIronAge 264 MetalworkinginWessex 266 CelticArtinWessex 266 CaseStudy1:TheManufactureofCelticArtatGussage AllSaints 267 AnIntroductiontoGussage 267 CelticArtatGussage 269 MetalworkingEvidence 271 Pit209 271 Summary 276 CaseStudy2:HorseGear(andHorses)atBuryHill 280 AnIntroductiontoBuryHill 280 CelticArtatBuryHill 281 PitsP23,P24,P45,andP57 283 SpecialDeposits? 284 Summary 285 IntroductiontoCaseStudy3:NewsteadRomanFort 287 CelticArtinRomanForts 290 CaseStudy3:CelticArtandRomanIdentitiesatNewstead 291 AnIntroductiontoNewstead 291 ArtefactAssemblagesandInterpretations 292 CelticArtatNewstead 294 Fragmentation,Attrition,andWear 297 viii Contents BroaderAssemblages 299 Summary 300 ConcludingDiscussion 304 9. TheArtofCommunity 307 DispersedCommunities 311 TheatreandPerformance 313 MultipleMeaningsandCumulativeStyles 316 NegotiatingIdentities 318 TheDinningtonTorc 323 Appendix1 327 Appendix2 331 Appendix3 336 Appendix4 338 Bibliography 342 Index 367 List of Figures 1.1 HoardLSnettisham,upperdeposit 2 1.2 HoardLSnettisham,lowerdeposit(Stead1991d:Plate8) 3 1.3 HoardLSnettisham,the‘Grotesque’torc 3 1.4 Detailofthe‘Grotesque’torc,withapossiblehumanface (Stead1991a:Fig.11) 4 1.5 Linchpinsandterrets(Stead1985b:Fig.88) 18 1.6 TowerHillhoard,socketedaxes 19 1.7 TheDesboroughmirror 30 1.8 ADragonesquebrooch 34 2.1 Fox’s‘GrammarofBritishEarlyCelticOrnament:I’ (Fox1958:Fig.82) 51 2.2 AspectsofJope’s‘AnatomyofEarlyCelticOrnament’ (Jope2000:PlateIV) 53 2.3 DecorationontheWithamscabbard(Stead2006:217) 54 2.4 TheCerrigydrudion‘crown’(detail) 56 2.5 TheBatterseashield(Stead1985a:Plate13) 57 3.1 Quantitiesofdifferentobjecttypeswithinthedatabase (totalno.2,580) 64 3.2 Overalldistributionoffindspotswithinthedatabase (totalno.2,530) 65 3.3 Percentageofartefactswithineachcontext(totalno.1,679) 66 3.4 DistributionofIronAgebrooches(blacksquares)inrelation toallobjectswithinthedatabase(greysquares) 67 3.5 DistributionofIronAgecoins(blackdots)inrelationto allobjectswithinthedatabase(greysquares) 68 3.6 Amountsofallhorsegearwithineachcontext(totalno.400) 70 3.7 Percentageofarmringswithineachcontext(totalno.21) 70 3.8 Percentageofmassivearmletswithineachcontext(totalno.18) 71 3.9 Numbersofobjectsdepositedperphase(totalno.1,491) 72

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