Table Of Content

TD&T INDEX ‘93 ARTICLES BY TITLE “Our Legacy for the 21st Century,” S. “Wither to Move?” Charlie Richmond, Leonard Auerbach, Summer, p. 9. Winter, p. 46. “A Costume Facilities Checklist,” “Permanently Installed Audio Systems Martha Marking, Winter, p. 43. for Performing Arts Facilities,” Bob ARTICLES BY AUTHOR “A Designer’s Workstation,” William R. Green, Spring, p. 39. Johnson, Jr., Spring, p. 33. “Protecting and Energizing the Auerbach, S. Leonard, “Our Legacy for “A New Way to Corset,” Josie Gardner, Shakespeare Experience,” Jenay S. the 21st Century,” Summer, p. 9. Jim Wauford & Laurie Kurutz, Fall, Cottrell, Spring, p. 15. Bailey, Douglas, “Who Needs p. 43. “Remembering Denis Bablet,” Mary Theatre?,” Winter, p. 37. “A Notion of Digital Ethics,” Patrick Beth Tallon, Winter, p. 27. Braddy, Robert E., Annie O. Cleveland, Gill, Fall, p. 29. “Remembering Ned Bowman: In & M. Barrett Cleveland, “The “A Shop-Built Cable Cylinder,” Memoriam,” Gary W. Gaiser & Joel Interactive Digital Design Studio,” Gregory Bell, Summer, p. 39. E. Rubin, Fall, p. 9. Fall, p. 14. “Black Box Theatres and Beyond,” Joel “Safety Assessment for the Theatre: A Bradesky, Joe, “Boris Anisfeld: Portrait E. Rubin, Winter, p. 29 Management Tool,” Dennis of an Emigre Artist,”, Summer, p. “Boris Anisfeld: Portrait of an Emigré Madigan, Winter, p. 49. 17. Artist,” Joe Bradesky, Summer, p. “Sound Reduction Doors at Cornell Cleveland, Annie O. & M. Barrett 17. Center for Theatre Arts,” Alred K. Cleveland, “Masking the Fox: “CAD and the TD: A Personal Walter & Richard S. Lee, Spring, p. Leather Masks for Volpone,” Testament,” Jim Drake, Fall, p. 35. 35. Summer, p. 35. “Computer Scanned Images in “The Interactive Digital Design Studio,” Cleveland, Annie O., Robert E. Braddy, Theatrical Design,” Patrick Gill & Robert E. Braddy, Annie O. & M. Barrett Cleveland, “The Kim Hartshorn, Fall, p. 25. Cleveland, & M. Barrett Cleveland, Interactive Digital Design Studio,” “Computing Trends in Theatre Fall, p. 14. Fall, p. 14. Production,” Virginia L. Salmon, “The Introduction of Incandescence Into Cleveland, M. Barrett, Robert E. Fall, p. 21. American Theatres,” Tim Fort, Braddy, & Annie O. Cleveland, “Design for Hamlet: The Motley Spring, p. 21. “The Interactive Digital Design Productions,” Michael Mullin, “The Rigging’s Terrible Noise: A Studio,” Fall, p. 14. Summer, p. 22. Cautionary Tale,” Tony Padegimas, Cleveland, M. Barrett & Annie O. “Designing a Lighting Paperwork Fall, p. 49. Cleveland, “Masking the Fox: Template,” Anthony Hostetter, Fall, “The Theatre is a Dream: The Paintings Leather Masks for Volpone,” mPa of Jan Vancura,” Delbert Unruh, Summer, p. 35. “Designing the Designers and Winter, p. 17. Cottrell, Jenay S., “Protecting and Technicians for the Next Century,” “The Theatre of Virtual Reality,” Mark Energizing the Shakespeare Arthur L. Dirks, Fall, p. 45. Reaney, Spring, p. 29. Experience,” Spring, p. 15. “Eternal Truth, Collaboration, and the “The Young Designers’ Forum,” Greg Dirks, Arthur L., “Designing the Design Process,” Delbert Unruh, Robbins, Summer, p. 43. Designers and Technicians for the Spring, p. 9. “Theatre in Berlin Before and After Next Century,” Fall, p. 45. “Health Hazards From VDT Unification,” Manfred Feidler, Drake, Jim, “CAD and the TD: A Radiation,” Patrick Finelli, Fall, p. Summer, p. 31. Personal Testament,” Fall, p. 35. Sf. “Theatre Matters,” Mary Guaraldi, Feidler, Manfred, “Theatre in Berlin “Interactive Computer Modelmaking Summer, p. 13. Before and After Unification,” Revisited,” Phillip Grayson, Fall, p. “USITT Scenic Design and Technical Summer, p. 31. 39. Production Graphic Standard,” Finelli, Patrick, “Health Hazards From “Masking the Fox: Leather Masks for Scenic Drafting Subcommittee VDT Radiation,” Fall, p. 37. Volpone,” Annie O. Cleveland & Members, Spring, Insert Fort, Tim, “The Introduction of M. Barrett Cleveland, Summer, p. “Who Needs Theatre?,” Douglas Bailey, Incandescence Into American 35. Winter, p. 37. Theatres,” Spring, p. 21. “Multitasking: Don’t Try This at “Wichita Conference & Stage Expo Gaiser, Gary W. & Joel E. Rubin, Home!” Charlie Richmond, Preview,” USITT Conference Staff, “Remembering Ned Bowman: In Summer, p. 45. Winter, p. 9. Memoriam,” Fall, p. 9. TD&T 1994 SPRING Gardner, Josie, Laurie Kurutz, & Jim Madigan, Dennis, “Safety Assessment Members, “USITT Scenic Design Wauford, “A New Way to Corset,” for the Theatre: A Management and Technical Production Graphic Fall, p. 43. Tool,” Winter, p. 49. Standard,” Spring, Insert Gill, Patrick & Kim Hartshorn, Marking, Martha, “A Costume Tallon, Mary Beth, “Remembering “Computer Scanned Images in Facilities Checklist,” Winter, p. 43. Denis Bablet,” Winter, p. 27. Theatrical Design,” Fall, p. 25. Mullin, Michael, “Design for Hamlet: Unruh, Delbert, “The Theatre is a Grayson, Phillip, “Interactive Computer The Motley Productions,” Summer, Dream: The Paintings of Jan Modelmaking Revisited,” Fall, p. p. 22. Vancura,” Winter, p. 17. 39. Padegimas, Tony, “The Rigging’s Unruh, Delbert, “Eternal Truth, Green, Bob, “Permanently Installed Terrible Noise: A Cautionary Tale,” Collaboration, and the Design Audio Systems for Performing Arts Fall, p. 49. Process,” Spring, p. 9. Facilities,” Spring, p. 39. Patrick Gill,“A Notion of Digital USITT Conference Staff, “Wichita Gregory Bell,“A Shop-Built Cable Ethics,” Fall, p. 29. Conference & Stage Expo Preview,” Cylinder,” Summer, p. 39. Reaney, Mark, “The Theatre of Virtual Winter, p. 9. Guaraldi, Mary, “Theatre Matters,” Reality,” Spring, p. 29. Walter, Alred K. & Richard S. Lee, Summer, p. 13. Richmond, Charlie, “Multitasking: “Sound Reduction Doors at Cornell Hartshorn, Kim & Patrick Gill, Don’t Try This at Home!” Summer, Center for Theatre Arts,” Spring, p. “Computer Scanned Images in p. 45. 35. Theatrical Design,”, Fall, p. 25. Richmond, Charlie, “Wither to Move?” Wauford, Jim, Laurie Kurutz, & Josie Hostetter, Anthony “Designing a Winter, p. 46. Gardner, “A New Way to Corset,” Lighting Paperwork Template,” Fall, Robbins, Greg, “The Young Designers’ Fall, p. 43. p. 31. Forum,” Summer, p. 43. Johnson, Jr., William R., “A Designer’s Rubin, Joel E.,“Black Box Theatres and BOOK REVIEWS Workstation,” Spring, p. 33. Beyond,” Winter, p. 29 Kurutz, Laurie, Josie Gardner, & Jim Rubin, Joel E., Gary W. Gaiser, Civil War Era Etiquette: Martine’s Wauford, “A New Way to Corset,” “Remembering Ned Bowman: In Handbook & Vulgarisms in Fall, p. 43. Memoriam,” Fall, p. 9. Conversation by R. L. Shep, Winter, Lee, Richard S. & Alred K. Walter, Salmon, Virginia L., “Computing p. 53. “Sound Reduction Doors at Cornell Trends in Theatre Production,” Fall, Designing and Making Stage Costumes Center for Theatre Arts,” Spring, p. p. 21. by Michael Mullin, Winter, p. 53. 35. Scenic Drafting Subcommittee Children’s Clothes by Clare Rose, Winter, p. 54. Edwardian Hats: The Art of Millinery (1909) by Mme. Anna Ben-Yusuf, Begin a lifetime of experience Winter, p. 54. Setting the Stage (video) by Rosco, with the experience of a lifetime. Spring, p. 47. The Technical Brief Collection: Ten At The Theatre School, DePaul University, you get more than professional training. You get the Years of Solutions to Recurring intensive conservatory preparation you need for whatever comes your way Problems in Technical Theatre edited by Ben Sammler & Don Founded as the Goodman School of Drama in 1925, now in our 67th season, we ofter a distinguished faculty of working artists, a comprehensive theatre program and outstanding facilities—including Harvey, Spring, p. 47. the historic Blackstone Theatre. And we're still right in the heart of Chicago's dynamic theatre scene. Civil War Cooking The Housekeeper’s Encyclopedia by Mrs. E. F. Haskell, Spring, p. 48. The Book of Costume: or Annals of Fashion (1846) by Mary Margaret THE Stanley Egerton, Spring, p. 48. Drafting for the Theatre by Dennis THEATRE Dorn & Mark Shanda, Summer, p. 54. SCHOOL Firearm Safety Onstage with Robert B. Chambers (video), Summer, p. 54. Greening Up Our Houses: A DePaul University Guidebook to an Ecologically - Sensitive Theatre Organization by Larry Fried & Theresa May, 2135 North Kenmore Avenue, Chicago, Illinois 60614 Summer, p. 5S. Call (312) 362-8374, or (outside Illinois) 1-800-4 DE PAUL Socks and Stockings by Jeremy Farrell, B.F.A. in Acting, Costume Design, Lighting Design, Playwriting, Production Management, Fall, p. 53. Scenic Design, Theatre History/Criticism, General Theatre Studies, Underwear, The Fashion History by Theatre Management and Theatre Technology. Alison Carter, Fall, p. 52. Certificate in Acting and Costume Construction The Secret of Theatrical Space by Josef M.F.A. in Acting, Directing, Costume Design, Lighting Design and Scenic Design Svoboda, Fall, p. 54. TDaT 70 SPRING 1994 TD&T