TDR: The Drama Review 1996: Vol 40 Index

7 Pages·1996·1 MB·English

TDR Volume 40 Index
T149: vol. 40, no. 1 (Spring 1996)
T1509: vol. 40, no. 2 (Summer 1996)
T151: vol. 40, no. 3 (Fall 1996)
T152: vol. 40, no. 4 (Winter 1996)
By Author
Alexander, William, “Inside Out: From Inside Prison
4:85-93
Out to Youth”
Babb, Roger, “Erasing Meyerhold” (Letter) 2:13-14
Baldwyn, Lucy, “Blending In: The Immaterial Art of Bobby
4:37-5S5
Baker’s Culinary Events”
Birringer, Johannes, “Homosexuality and the Nation: 1:61-—76
An Interview with Jorge Perugorria”
Block, Elizabeth, “Exposing We” 2:71-78
Bollen, Jonathan, “Sexing the Dance at Sleaze Ball 1994”
3:166-91
Boney, Bradley, “Perpetual Motion: The Public and Private Lives of
2:138—41
Rudolf Nureyev by Otis Stuart” (Book Review)
Browning, Barbara, “Choreographing History edited by Susan 4:161-64
Leigh Foster” (Book Review)
Carlisle, Barbara, “Salon Theatre: Homemade Bread” 4:56—69
Chaudhuri, Una, “Moder Drama and the Rhetoric of Theater 1:179-81
by W.B. Worthen” (Book Review)
Choudhury, Mita, “Cross-Cultural Performances: Differences in
2:141-48
Women’s Revisions of Shakespeare edited by Marianne Novy;
Foreign Shakespeare: Contemporary Performance edited by
Dennis Kennedy; Shakespeare and Multiplicity by Brian
Gibbons” (Book Review)
Cless, Downing, “Eco-Theatre, USA: The Grassroots Is 2:79-102
Greener”
Cohen, DeborahJ. , and Kenton V. Stone, “DeborahJ .C ohen
and Kenton V. Stone Respond” [to Anita Gonzalez] (Letter)
Corbett, John, and Terri Kapsalis, “Aural Sex: The Female
Orgasm in Popular Sound”
Diamond, Catherine, “Quest for the Elusive Self: The Role of I:141—69
Contemporary Philippine Theatre in the Formation of
Cultural Identity”
Dolan, Jill, “Producing Knowledges That Matter: Practicing 4:9-19
Performance Studies through Theatre Studies”
Dove, Toni, “Casual Workers, Hallucinations, and Appropriate 3:131-35
Ghosts”
Drukman, Steven C., “The Politics and Poetics of Camp edited by
2:135-38
Moe Meyer” (Book Review)
The Drama Review 40, 4 (T152), Winter 1996. Copyright © 1996
New York University and the Massachusetts Institute of Technology.
174
TDR Volume 40 Index
T149: vol. 40, no. 1 (Spring 1996)
T1509: vol. 40, no. 2 (Summer 1996)
T151: vol. 40, no. 3 (Fall 1996)
T152: vol. 40, no. 4 (Winter 1996)
By Author
Alexander, William, “Inside Out: From Inside Prison
4:85-93
Out to Youth”
Babb, Roger, “Erasing Meyerhold” (Letter) 2:13-14
Baldwyn, Lucy, “Blending In: The Immaterial Art of Bobby
4:37-5S5
Baker’s Culinary Events”
Birringer, Johannes, “Homosexuality and the Nation: 1:61-—76
An Interview with Jorge Perugorria”
Block, Elizabeth, “Exposing We” 2:71-78
Bollen, Jonathan, “Sexing the Dance at Sleaze Ball 1994”
3:166-91
Boney, Bradley, “Perpetual Motion: The Public and Private Lives of
2:138—41
Rudolf Nureyev by Otis Stuart” (Book Review)
Browning, Barbara, “Choreographing History edited by Susan 4:161-64
Leigh Foster” (Book Review)
Carlisle, Barbara, “Salon Theatre: Homemade Bread” 4:56—69
Chaudhuri, Una, “Moder Drama and the Rhetoric of Theater 1:179-81
by W.B. Worthen” (Book Review)
Choudhury, Mita, “Cross-Cultural Performances: Differences in
2:141-48
Women’s Revisions of Shakespeare edited by Marianne Novy;
Foreign Shakespeare: Contemporary Performance edited by
Dennis Kennedy; Shakespeare and Multiplicity by Brian
Gibbons” (Book Review)
Cless, Downing, “Eco-Theatre, USA: The Grassroots Is 2:79-102
Greener”
Cohen, DeborahJ. , and Kenton V. Stone, “DeborahJ .C ohen
and Kenton V. Stone Respond” [to Anita Gonzalez] (Letter)
Corbett, John, and Terri Kapsalis, “Aural Sex: The Female
Orgasm in Popular Sound”
Diamond, Catherine, “Quest for the Elusive Self: The Role of I:141—69
Contemporary Philippine Theatre in the Formation of
Cultural Identity”
Dolan, Jill, “Producing Knowledges That Matter: Practicing 4:9-19
Performance Studies through Theatre Studies”
Dove, Toni, “Casual Workers, Hallucinations, and Appropriate 3:131-35
Ghosts”
Drukman, Steven C., “The Politics and Poetics of Camp edited by
2:135-38
Moe Meyer” (Book Review)
The Drama Review 40, 4 (T152), Winter 1996. Copyright © 1996
New York University and the Massachusetts Institute of Technology.
174
175
Epstein, Marcy J., “Consuming Performances: Eating Acts and 4:20-36
Feminist Embodiment”
Farabet, René, “From One Head to Another” 3:60—62
Fearnow, Mark, “Theatre for an Angry God: Public Burnings 2:1§-36
and Hangings in Colonial New York, 1741”
Foreman, Richard, “Hotel Radio” (Play Excerpt) 3:136-39
Frizzell, Rev. Dwight, and Jay Mandeville, “Inaudible Post- 3:88-95
script: A Silent Coda on the Disembodied Voice and the
Subsequent Unwriting of History”
Garafola, Lynn, “The Last Impresario: The Life, Times, and Legacy 1:170—-75
of Sol Hurok by Harlow Robinson; Mosaic: Memoirs by
Lincoln Kirstein” (Book Review)
Geer, Richard Owen, “Out of Control in Colquitt: Swamp 2:103-30
Gravy Makes Stone Soup”
Gilbert, Reid, “The Male Dancer: Bodies, Spectacle, Sexualities by 4:170—-72
Ramsay Burt” (Book Review)
Gémez-Pena, Guillermo, “The Artist As Criminal” I:112-18
Gonzalez, Anita, “New Info on A New Dream” (Letter) I:11-12
Harris, Gerry, “Regarding History: Some Narratives Concerning 4:70-84
the Café-Concert, Le Music call, and the Feminist Academic”
Hill, Mary Louise, “Developing A Blind Understanding: A Femi- 3:112-20
nist Revision of Radio Semiotics”
Jupitter-Larsen, G.X., “More Facts on the Polywave” 3:163-65
Kahn, Douglas, “Three Receivers” 3:80-87
Kapsalis, Terri, and John Corbett, “Aural Sex: The Female 3:102-I1
Orgasm in Popular Sound”
Keller, Alexandra L.M., “Shards of Voice: Fragments Excavated 3:2§-30
toward a Radiophonic Archaeology”
Kitazawa, Masakuni, “Masakuni Kitazawa Responds” I:II
[to Richard Nichols] (Letter)
Koritz, Amy, “Bodies of the Text: Dance as Theory, Literature as 4:158—60
Dance edited by Ellen W. Goellner and Jacqueline Shea
Murphy” (Book Review)
Kozel, Susan, “Dance, Modemity and Culture: Explorations in the 4:154-58
Sociology of Dance by Helen Thomas; Dancing Modernism/
Performing Politics by Mark Franko” (Book Review)
Lawson, Jeff, “Unbalancing Acts: Foundationfso r a Theater by
Richard Foreman, edited by Ken Jordan; A_Journey
Through Other Spaces: Essays and Manifestos, 1944-1990 by
Tadeusz Kantor, edited and translated by Michal Kobialka”
(Book Review)
Lewis,J . Lowell, “Rumba: Dance and Social Change in Contempo- 4:164-70
rary Cuba by Yvonne Daniel; Samba: Resistance in Motion
by Barbara Browning; Tango and the Political Economy of
Passion by Marta E. Savigliano” (Book Review)
Mallozzi, Lou, “Lingua Franca” 3:140—46
Mandeville, Jay, and Rev. Dwight Frizzell, “Inaudible Post- 3:88-95
script: A Silent Coda on the Disembodied Voice and the
Subsequent Unwriting of History”
176 Index
McConachie, Bruce A., “Love and Theft: Blackface Minstvelsy and 1:175-78
the American Working-Class by Eric Lott” (Book Review)
McGowan, Margaret M., “Dance as Text: Ideologies of the Baroque 2:131-34
Body by Mark Franko; Performance in the Texts of Mallarmé:
The Passage from Art to Ritual by Mary Lewis Shaw” (Book
Review)
Migone, Christof, “HeadHole: Malfunctions and Dysfunctions 3:47-S7
of an FM Exciter”
Milutis, Joe, “Radiophonic Ontologies and the Avantgarde” 3:63-79
Mortley, Kaye, “Around Naxos: a radio ‘film”” 3:147—-62
Muguercia, Magaly, “The Gift of Precariousness: Alberto Pedro 1:49—60
Torriente’s Manteca”
Mustapha, Abdul-Karim, “Absolute Dictator/Absolute Specta- 2:7-10
tor” (Comment)
Nichols, Richard, “Sweat, Decadence, and Videotape” (Letter) 1:10
Piper, Adrian, “Philip Morris’s Artworld Fix” (Comment) 4:5-6
Riccio, Thomas, “Politics, Slapstick, and Zulus on Tour” 4:94-117
Roberts, Mark S., “Wired: Schreber as Machine, 3:3 1-46
Technophobe, and Virtualist”
Rodriguez, Rafael Gonzalez, “Teatro Escambray: Toward the 1:98—111
Cuban’s Inner Being”
Rudakoff, Judith, “R/Evolutionary Theatre in Contemporary
1:77-97
Cuba: Grupo Teatro Escambray”
Schechner, Richard, “ARTNOW” (Comment) 3:7-8
Schechner, Richard, “Bon Voyage, NEA” (Comment)
1:7-9
Schlossman, David, “Pomona Alum Refutes Schechner I:12-16
Editorial” (Letter)
Schulz, David, “Redressing Oscar: Performance and the Trials 2:37-S9
of Oscar Wilde”
Seeds, Dale E., “Trickster by Trade: Thomas Riccio on Indig- 4: 118-33
enous Theatre” (Interview)
Seham, Amy, “Subversive Laughter: The Liberating Power of Com- 3:192—-97
edy by Ron Jenkins; Satiric Impersonations: From Aristophanes
to the Guerrilla Girls by Joel Schechter” (Book Review)
Seyda, Barbara, “Divine Testimonies: Sydné Mahone and 1:119—40
Crossroads Theatre Company” (Interview)
Siegel, Marcia B., “Virtual Criticism and the Dance of Death” 2:60-70
Stone, Kenton V., and DeborahJ . Cohen, “DeborahJ .C ohen 1:12
and Kenton V. Stone Respond” [to Anita Gonzalez] (Letter)
Stone, Susan, “Cat’s Cradle” 3:58-59
Tabares, Vivian Martinez, “Manteca: Catharsis and Absurdity” 1:44-48
Torriente, Alberto Pedro, “Manteca” (Script) 1319-43
Vrgo¢, Dubravka, “Deadly Criticism” (Comment) 2:10-12
Weiss, Allen S., “Radio Icons, Short Circuits, Deep Schisms” 3:9-15
Weiss, Allen S., “Stein’s Stein: a tale from The Aphoristic 3:23-24
Theatre”
Weiss, Allen S., “Voice Tears: The CD” 3:16—22
177
Whitehead, Gregory, “Radio Play Is No Place: A Conversation
3:96-I101
between Jér6me Noetinger and Gregory Whitehead”
(Interview)
Williams, David, “The Terrible but Unfinished Story of Norodom
3:198—200
Sihanouk, King of Cambodia by Héléne Cixous” (Book
Review)
Wolford, Lisa, “Action: The Unrepresentable Origin” 4:134-53
Zweig, Ellen, “Mendicant Erotics [Sydney]: a performance 3:121-30
for radio”
By Title
“Absolute Dictator/ Absolute Spectator,” Abdul-Karim
2:7-10
Mustapha (Comment)
“Action: The Unrepresentable Origin,” Lisa Wolford 4:134-$3
“Around Naxos: a radio ‘film’,” Kaye Mortley 3:147-62
“Artist as Criminal, The,” Guillermo Gomez-Penia I:112-18
“ARTNOW,” Richard Schechner (Comment) 3:7-8
“Aural Sex: The Female Orgasm in Popular Sound,” John
3:102-I11
Corbett and Terri Kapsalis
“Blending In: The Immaterial Art of Bobby Baker’s Culinary
Events,” Lucy Baldwyn
“Bodies of the Text: Dance as Theory, Literature as Dance edited by
Ellen W. Goellner and Jacqueline Shea Murphy,” Amy
Koritz (Book Review)
“Bon Voyage, NEA,” Richard Schechner (Comment)
“Casual Workers, Hallucinations, and Appropriate Ghosts,”
Toni Dove
“Cat’s Cradle,” Susan Stone
“Choreographing History edited by Susan Leigh Foster,” Barbara
Browning (Book Review)
“Consuming Performances: Eating Acts and Feminist
Embodiment,” MarcyJ . Epstein
“Cross-Cultural Performances: Differences in Women’s Revisions of
Shakespeare edited by Marianne Novy; Foreign Shakespeare:
Contemporary Performance edited by Dennis Kennedy;
Shakespeare and Multiplicity by Brian Gibbons,” Mita
Choudhury (Book Review)
“Dance as Text: Ideologies of the Baroque Body by Mark Franko; 2:131-34
Performance in the Texts of Mallarmé: The Passage from Art to
Ritual by Mary Lewis Shaw,” Margaret M. McGowan
(Book Review)
“Dance, Modernity and Culture: Explorations in the Sociology of 4:154-58
Dance by Helen Thomas; Dancing Modernism/Performing
Politics by Mark Franko,” Susan Kozel (Book Review)
“Deadly Criticism,” Dubravka Vrgo¢ (Comment)
2:10-I12
“DeborahJ .C ohen and Kenton V. Stone Respond,” Deborah
1:12
J. Cohen and Kenton V. Stone (Letter)
“Developing A Blind Understanding: A Feminist Revision of 3:112-20
Radio Semiotics,” Mary Louise Hill
178 Index
“Divine Testimonies: Sydné Mahone and Crossroads Theatre I:119—40
Company,” Barbara Seyda (Interview)
“Eco-Theatre, USA: The Grassroots Is Greener,” Downing 2:79—-102
Cless
“Erasing Meyerhold,” Roger Babb (Letter) 2:13-14
“Exposing We,” Elizabeth Block 2:71-78
“From One Head to Another,” René Farabet 3:60—62
“Gift of Precariousness: Alberto Pedro Torriente’s Manteca, 1:49—60
The” Magaly Muguercia
“HeadHole: Malfunctions and Dysfunctions ofa n FM Exciter,” 3:47-S7
Christof Migone
“Homosexuality and the Nation: An Interview with Jorge 1:61—76
Perugorria,” Johannes Birringer
“Hotel Radio,” Richard Foreman (Play Excerpt) 3:136-39
“Inaudible Postscript: A Silent Coda on the Disembodied 3:88-95
Voice and the Subsequent Unwriting of History,” Rev.
Dwight Frizzell and Jay Mandeville
“Inside Out: From Inside Prison Out to Youth,” William 4:85-93
Alexander
“Last Impresario: The Life, Times, and Legacy of Sol Hurok, The by 1:170—-75
Harlow Robinson; Mosaic: Memoirs by Lincoln Kirstein,”
Lynn Garafola (Book Review)
“Lingua Franca,” Lou Mallozzi 3:140—-46
“Love and Theft: Blackface Minstrelsy and the American Working- 1:175-78
Class by Eric Lott,” Bruce A. McConachie (Book Review)
“Male Dancer: Bodies, Spectacle, Sexualities, The by Ramsay 4:170—-72
Burt,” Reid Gilbert (Book Review)
“Manteca,” Alberto Pedro Torriente 1:19—43
“Manteca: Catharsis and Absurdity,” Vivian Martinez Tabares 1:44-48
“Masakuni Kitazawa Responds,” [to Richard Nichols] (Letter) I:1I
“Mendicant Erotics [Sydney]: a performance for radio,” 3:121-—30
Ellen Zweig
“Modern Drama and the Rhetoric of Theater by W.B. Worthen,” 1:179-81
Una Chaudhuri (Book Review)
“More Facts on the Polywave,” G.X. Jupitter-Larsen 3:163—-65
“New Info on A New Dream,” Anita Gonzalez (Letter) I:11I-12
“Out of Control in Colquitt: Swamp Gravy Makes Stone 2:103—30
Soup,” Richard Owen Geer
“Perpetual Motion: The Public and Private Lives of Rudolf Nureyev 2:138—-41
by Otis Stuart,” Bradley Boney (Book Review)
“Philip Morris’s Artworld Fix,” Adrian Piper (Comment) 4:5-6
“Politics and Poetics of Camp, The edited by Moe Meyer,” 2:13 5-38
Steven C. Drukman (Book Review)
“Politics, Slapstick, and Zulus on Tour,” Thomas Riccio 4:94-117
“Pomona Alum Refutes Schechner Editorial,” David I:12-16
Schlossman (Letter)
179
“Producing Knowledges That Matter: Practicing Performance
Studies through Theatre Studies,” Jill Dolan
“Quest for the Elusive Self: The Role of Contemporary Philip-
pine Theatre in the Formation of Cultural Identity,”
Catherine Diamond
“Radio Icons, Short Circuits, Deep Schisms,” Allen S. Weiss
3:9-15
“Radio Play Is No Place: A Conversation between Jérome 3:96-101
Noetinger and Gregory Whitehead,” Gregory Whitehead
(Interview)
“Radiophonic Ontologies and the Avantgarde,” Joe Milutis 3:63-79
“Redressing Oscar: Performance and the Trials of Oscar 2:37-S9
Wilde,” David Schulz
“Regarding History: Some Narratives Concerning the 4:70-84
Café-Concert, Le Music Hall, and the Feminist Academic,”
Gerry Harris
“R/Evolutionary Theatre in Contemporary Cuba: Grupo 1:77-97
Teatro Escambray,” Judith Rudakoff
“Rumba: Dance and Social Change in Contemporary Cuba by 4:164-70
Yvonne Daniel; Samba: Resistance in Motion by Barbara
Browning; Tango and the Political Economy of Passion by
Marta E. Savigliano,”J .L owell Lewis (Book Review)
“Salon Theatre: Homemade Bread,” Barbara Carlisle 4:56-69
“Sexing the Dance at Sleaze Ball 19,4,” Jonathan Bollen 3:166-91
“Shards of Voice: Fragments Excavated toward a Radiophonic 3:25-30
Archaeology,” Alexandra L.M. Keller
“Stein’s Stein: a tale from The Aphoristic Theatre,” Allen S. Weiss 3:23-24
“Subversive Laughter: The Liberating Power of Comedy by Ron
3:192-97
Jenkins; Satiric Impersonations: From Aristophanes to the Guer-
rilla Girls by Joel Schechter,” Amy Seham (Book Review)
“Sweat, Decadence, and Videotape,” Richard Nichols (Letter) 1:10
“Teatro Escambray: Toward the Cuban’s Inner Being,” Rafael 1:98—-I11
Gonzalez Rodriguez
“Terrible but Unfinished Story of Norodom Sihanouk, King of 3:198—200
Cambodia, The by Héléne Cixous,” David Williams
(Book Review)
“Theatre for an Angry God: Public Burnings and Hangings in 2:15-36
Colonial New York, 1741,” Mark Fearnow
“Three Receivers,” Douglas Kahn 3:80-87
“Trickster by Trade: Thomas Riccio on Indigenous Theatre,” 4: 118-33
Dale E. Seeds (Interview)
“Unbalancing Acts: Foundationfso r a Theater by Richard Foreman, 2:148—§2
edited by Ken Jordan; A Journey Through Other Spaces:
Essays and Manifestos, 1944-1990 by Tadeusz Kantor, edited
and translated by Michal Kobialka,” Jeff Lawson (Book
Review)
“Virtual Criticism and the Dance of Death,” Marcia B. Siegel
“Voice Tears: The CD,” curated by Allen S. Weiss
“Wired: Schreber as Machine, Technophobe, and Virtualist,”
Mark S. Roberts