TDR: The Drama Review 1994: Vol 38 Index

9 Pages·1994·1.3 MB·English

TDR Volume 38 Index
T141: vol. 38, no. 1 (Spring 1994)
T142: vol. 38, no. 2 (Summer 1994)
T143: vol. 38, no. 3 (Fall 1994)
T144: vol. 38, no. 4 (Winter 1994)
By Author
Arizmendi, Yareli, “Whatever Happened to the Sleepy 1:106—18
Mexican?: One Way to Be a Contemporary Mexican
in a Changing World Order”
Auslander, Philip, “Unmarked by Peggy Phelan” 3:185-87
(Book Review)
Barba, Eugenio, “Steps on the River Bank, The” 4:107—19
Bell, John, “Secret of Theatrical Space, The, by Josef Svoboda” 2:184-86
(Book Review)
Bell, John, “Caesar Antichrist and Visits of Love by Alfred 4:201-203
Jarry” (Book Review)
Berghaus, Giinter, “Tomas Schmit: A Fluxus Farewell to 1:79-97
Perfection”
Boal, Augusto, “Vindicated: A Letter from Augusto Boal” 335-36
Boney, Bradley, “Acting Gay: Male Homosexuality in Modern 3:196-201
Drama by John M. Clum; Communists, Cowboys, and
Queers: The Politics of Masculinity in the Work of Arthur
Miller and Tennessee Williams by David Savran”
(Book Review)
Boney, Bradley, “Going, Going, Gone: Theatre and
American Culture(s)”
Braun, Kazimierz “‘Jerzy Tymicki’ Revealed” (Letter) 4:13
Chatterjee, Sudipto, “Utpal Dutt” (In Memory) 1:29-30
Chelkowski, Peter J., and Frank J. Korom, “Community 2:15§0-75
Process and Performance of Muharram Observances
in Trinidad”
Chen, Zidu, Yang Jian, and Zinu Xiaoping, “Stories of 2:113-30
Mulberry Village”
Choudhury, Mita, “Women in Power in the Early Modern 2:186-88
Drama by Theodora Jankowski” (Book Review)
Cynkutis, Zbigniew, “To Be or To Have” 3:50-59
Davis, Tracy C., “First English Actresses: Women and Drama 3:193-95
1660-1700, The, by Elizabeth Howe” (Book Review)
DeRose, David J., “Critical Theory and Performance edited by 2:189-91
Janelle G. Reinelt and Joseph R. Roach” (Book Review)
Dolan, Jill, “Contemporary Feminist Theatres: To Each Her Own 4:189-91
by Lizbeth Goodman,” (Book Review)
The Drama Review 38, 4 (1144), Winter 1994. Copyright © 1994
New York University and the Massachusetts Institute of Technology.
204
TDR Volume 38 Index
T141: vol. 38, no. 1 (Spring 1994)
T142: vol. 38, no. 2 (Summer 1994)
T143: vol. 38, no. 3 (Fall 1994)
T144: vol. 38, no. 4 (Winter 1994)
By Author
Arizmendi, Yareli, “Whatever Happened to the Sleepy 1:106—18
Mexican?: One Way to Be a Contemporary Mexican
in a Changing World Order”
Auslander, Philip, “Unmarked by Peggy Phelan” 3:185-87
(Book Review)
Barba, Eugenio, “Steps on the River Bank, The” 4:107—19
Bell, John, “Secret of Theatrical Space, The, by Josef Svoboda” 2:184-86
(Book Review)
Bell, John, “Caesar Antichrist and Visits of Love by Alfred 4:201-203
Jarry” (Book Review)
Berghaus, Giinter, “Tomas Schmit: A Fluxus Farewell to 1:79-97
Perfection”
Boal, Augusto, “Vindicated: A Letter from Augusto Boal” 335-36
Boney, Bradley, “Acting Gay: Male Homosexuality in Modern 3:196-201
Drama by John M. Clum; Communists, Cowboys, and
Queers: The Politics of Masculinity in the Work of Arthur
Miller and Tennessee Williams by David Savran”
(Book Review)
Boney, Bradley, “Going, Going, Gone: Theatre and
American Culture(s)”
Braun, Kazimierz “‘Jerzy Tymicki’ Revealed” (Letter) 4:13
Chatterjee, Sudipto, “Utpal Dutt” (In Memory) 1:29-30
Chelkowski, Peter J., and Frank J. Korom, “Community 2:15§0-75
Process and Performance of Muharram Observances
in Trinidad”
Chen, Zidu, Yang Jian, and Zinu Xiaoping, “Stories of 2:113-30
Mulberry Village”
Choudhury, Mita, “Women in Power in the Early Modern 2:186-88
Drama by Theodora Jankowski” (Book Review)
Cynkutis, Zbigniew, “To Be or To Have” 3:50-59
Davis, Tracy C., “First English Actresses: Women and Drama 3:193-95
1660-1700, The, by Elizabeth Howe” (Book Review)
DeRose, David J., “Critical Theory and Performance edited by 2:189-91
Janelle G. Reinelt and Joseph R. Roach” (Book Review)
Dolan, Jill, “Contemporary Feminist Theatres: To Each Her Own 4:189-91
by Lizbeth Goodman,” (Book Review)
The Drama Review 38, 4 (1144), Winter 1994. Copyright © 1994
New York University and the Massachusetts Institute of Technology.
204
Index 205
Feder, Abigail M., “‘A Radiant Smile From the Lovely 1:62-78
Lady’: Overdetermined Femininity in ‘Ladies’ Figure
Skating”
Feder, Abigail M., “Big Girls Do Cry: Femininity and 3:17-22
‘Toughness’ in the Kerrigan-Harding Affair” (Update)
Fei. Faye C., “Huang Zuolin” (In Memory) 4:10-11
Fei, Faye C., and William H. Sun, “Masks or Faces Re- 4:120-32
Visited: A Study of Four Theatrical Works Concerning
Cultural Identity”
Fei, Faye C., and William H. Sun “Stories of Mulberry Village 2:131-37
and the End of Modern Chinese Theatre”
Filewod, Alan, “Native Earth and Jennifer Preston” (Letter) 1:36-37
Foreman, Richard, “Royalty-Free Plays” (Etc.) 1:38—42
Franko, Mark, “Double Bodies: Androgyny and Power in — 4:71-82
the Performances of Louis XIV”
Frasca, Richard, “Paficali Capatam (The Vow of Draupadi): —2:89—105
Images of Ritual and Political Liberation in Tamil
Theatre”
Fusco, Coco, “Other History of Intercultural Performance, _1:143-67
The”
George, Jose, “Arrest of Malayali Indians in the United 2:138-49
Arab Emirates: When Performance, [Inter]Culture,
and Human Rights Collide, The”
Gerould, Dan, “Dan Gerould Responds” [to Bruce 1:33-34
McConachie] (Letter)
Gill, Glenda E., “Alabama A. and M. Thespians, 1944-1963: 4:48-70
Triumph of the Human Spirit, The”
Goetsch, Sallie, “Playing Against the Text: Les Atrides and 3:75-95
the History of Reading Aeschylus”
Gémez-Pefia, Guillermo, “New World Border: prophecies I:119—42
for the end of the century, The”
Goodman, Lizbeth, “Women and Comedy: Rewriting the British 1:168-71
Theatrical Tradition by Susan Carlson” (Book Review)
Grady, Sharon A., and Phillip B. Zarrilli, “‘...it was like a 3: 168-84
play in a play in a play!’: Tales from South Asia in an
Intercultural Production”
Harris, Max, “Muhammed and the Virgin: Folk Dramati-
zations of Battles Between Moors and Christians”
Heritage, Paul, “Courage to Be Happy: Augusto Boal,
Legislative Theatre, and the 7th International Festival
of the Theatre of the Oppressed, The”
Jiang, David, “Shanghai Revisited: Chinese Theatre and the 2:72-80
Forces of the Market”
Kaye, Nick, “Presence and Resistance: Postmodernism and 2:181-83
Cultural Politics in Contemporary American Performance
by Philip Auslander” (Book Review)
Klens, Deborah S., “Deborah Klens Responds” [to Adam 3:16-17
Lebowitz] (Letter)
Korom, Frank J., and Peter J. Chelkowski, “Community 2:1$0-75
Process and Performance of Muharram Observances in
Trinidad”
206 Index
Kramer, Richard E., “Retiring or Recharging?” (Etc.) 1:37-38
Kruger, Loren, “Review Response” (Letter) 4:12-13
Lampe, Eelka, “Eelka Lampe Responds” [to Masakuni 1:35-36
Kitazawa] (Letter)
Lebowitz, Adam, “Healing and Japanese Theatre” (Letter) 3:14-15§
Manning, Susan, “National Stage: Theatre and Culture 1:175-77
Legitimation in England, France, and America, The, by
Loren Kruger” (Book Review)
Manning, Susan, “Susan Manning Responds” [to Loren 4:13
Kruger] (Letter)
Marra, Kim, “Gender in Performance: The Presentation of I:1 71-75
Difference in the Performing Arts edited by Laurence
Senelick” (Book Review)
Martin, Randy, “Politics of Theatre and Drama, The, edited 2:176-80
by Graham Holderness; The Politics of Performance:
Radical Theatre as Cultural Intervention by Baz Kershaw;
Theatre & Politics by Zygmunt Hubner” (Book Review)
Mazer, Sharon, “Power Team: Muscular Christianity and 4:162-88
the Spectacle of Conversion, The”
McConachie, Bruce, “Marxism, Melodrama, and Theatre 1:31-33
Historiography” (Letter)
McKenzie, Jon, “Virtual Reality: Performance, Immersion, 4:83-106
and the Thaw”
Miller, Edward David, “Queering the Pitch: The New Gay 4:191-94
and Lesbian Musicology edited by Philip Brett, Elizabeth
Wood, and Gary C. Thomas” (Book Review)
O’Neal, John, “Junebug Environmental Justice Festival”
(Announcement)
Paterson, Douglas L., “A Role to Play for the Theatre of 3:37-49
the Oppressed”
Pearson, Mike, and Julian Thomas “Theatre/Archaeology” 4:133-61
Phelan, Peggy, “Upstaging Big Daddy: Directing Theatre as if 4:194-96
Gender and Race Matter edited by Ellen Donkin and
Susan Clement” (Book Review)
Pilkington, Lionel, “Dan Baron Cohen: Resistance to
Liberation with Derry Frontline Culture and
Education” (Interview)
Robinson, Amy, “Vested Interests: Cross-Dressing & Cultural 4:197—200
Anxiety by Marjorie Garber; Crossing the Stage:
Controversies on Cross Dressing edited by Lesley Ferris”
(Book Review)
Schechner, Richard, “Cuba: Lift the American Embargo
Now” (Comment)
Schechner, Richard, “I No Longer Subscribe to TDR”
(Comment)
Schechner, Richard, “Retrial for Sharjah ‘Blasphemers’”
(Update)
Schechner, Richard, “Robert Willoughby Corrigan”
(In Memory)
Index 207
Schechner, Richard, “Ron Vawter” (In Memory)
Schechner, Richard, “TDR & NEA: The Continuing Saga”
(Comment)
School for New Dance Development, “Connected Body?, — 2:13
The” (Announcement)
Shepard, William H., editor, and Zbigniew Cynkutis, “To 3:50-$9
Be or To Have”
Smith, Iris, “‘Who Speaks and Who Is Spoken For?’: Play- —_3 :96-127
wright, Director, and Producer Joan Lipkin” (Interview)
Sun, William H., editor, “Tradition, Innovation, and Politics: | 2:15-71
Chinese and Overseas Chinese Theatre Across the World”
Sun, William H., and Faye C. Fei, “Masks or Faces Re- 4:120-32
Visited: A Study of Four Theatrical Works Concerning
Cultural Identity”
Sun, William H., and Faye C. Fei, “Stories ofM ulberry Village 2131-37
and the End of Modern Chinese Theatre”
Thomas, Julian, and Mike Pearson “Theatre/Archaeology” 4:133-61
Toepfer, Karl, “Feminism and Nationalism in the Dances of 3:187—-92
Mary Wigman by Susan Manning” (Book Review)
Venkataraman, Leela, “Transcending the Cultural Divide: 2:81-88
Westerners Performing Indian Classical Dance”
Walker, Ethel Pitts, “Dilemma of Multiculturalism in the
Theatre, The” (Comment)
Wolford, Lisa, “Re/membering Home and Heritage: The
New World Performance Laboratory”
Wong, Deborah, “‘I Want the Microphone’: Mass Mediation
and Agency in Asian-American Popular Music”
Xiaozhong, Xu, “A Report on the Stories of Mulberry Village
Experiment”
Yampolsky, Mikhail, “Mask Face and Machine Face”
Yang, Jian, Zidu Chen, and Zhu Xiaoping, “Stories of
Mulberry Village”
Zarrilli, Phillip B., “Actors and Onlookers: Theater and
Twentieth-Century Scientific Views of Nature by Natalie
Crohn Schmitt; The Actor’s Instrument: Body, Theory,
State by Hollis Huston; The End of Acting—A Radical
View by Richard Hornby; Acting by John Harrop”
(Book Review)
Zarrilli, Phillip B., “Interculturalism and Performance: Writings 3:202—04
from PA] edited by Bonnie Marranca and Gautam
Dasgupta; The Dramatic Touch of Difference: Theatre,
Own, and Foreign edited by Erika Fischer-Lichte”
(Book Review)
Zarmilli, Phillip B., and Sharon A. Grady, “*...it was like a play 3:168-84
in a play in a play!’: Tales from South Asia in an Inter-
cultural Production”
Zhu, Xiaoping, Zidu Chen, and Yang Jian, “Stories of 2:113-30
Mulberry Village”
208 Index
By Title
“Acting Gay: Male Homosexuality in Modern Drama by John _—3:196--201
M. Clum; Communists, Cowboys, and Queers: The Politics
of Masculinity in the Work of Arthur Miller and Tennessee
Williams by David Savran,” Bradley Boney (Book Review)
“Actors and Onlookers: Theater and Twentieth-Century Scientific 1:177-82
Views of Nature by Natalie Crohn Schmitt; The Actor’s
Instrument: Body, Theory, State by Hollis Huston; The
End of Acting—A Radical View by Richard Hornby; Acting
by John Harrop,” Phillip B. Zarrilli (Book Review)
“Alabama A. and M. Thespians, 1944-1963: Triumph of 4:48—70
the Human Spirit, The,” Glenda E. Gill
“A Radiant Smile From the Lovely Lady’: Overdetermined 1:62—78
Femininity in ‘Ladies’ Figure Skating,” Abigail M. Feder
“A Role to Play for the Theatre of the Oppressed,” Douglas 3:37-49
L. Paterson
“A Report on the Stories of Mulberry Village Experiment,” 2:106—-12
Xu Xiaozhong
“Arrest of Malayali Indians in the United Arab Emirates: 2:138-40
When Performance, [Inter]Culture, and Human Rights
Collide, The,” Jose George
“Big Girls Do Cry: Femininity and ‘Toughness’ in the 3217-22
errigan-Harding Affair,” Abigail M. Feder (Update)
“Caesar Antichrist and Visits of Love by Alfred Jarry,” John 4:201-03
Bell (Book Review)
“Community Process and Performance of Muharram 2:1§0-75
Observances in Trinidad,” Frank J. Korom and Peter
J. Chelkowski
“Connected Body?, The,” School for New Dance Develo-
pment (Announcement)
“Contemporary Feminist Theatres: To Each Her Own by
Lizbeth Goodman,” Jill Dolan (Book Review)
“Courage to Be Happy: Augusto Boal, Legislative Theatre, 3:25—34
and the 7th International Festival of the Theatre of the
Oppressed, The,” Paul Heritage
“Critical Theory and Performance edited by Janelle G. Reinelt 2:189-91
and Joseph R. Roach,” David J. DeRose (Book Review)
“Cuba: Lift the American Embargo Now,” Richard 2:7-9
Schechner (Comment)
“Dan Baron Cohen: Resistance to Liberation with Derry 4:17-47
Frontline,” Lionel Pilkington (Interview)
“Dan Gerould Responds,” [to Bruce McConachie] Dan 1:33-34
Gerould (Letter)
“Deborah Klens Responds,” {to Adam Lebowitz] Deborah 3:16-17
S. Klens (Letter)
“Dilemma of Multiculturalism in the Theatre, The,” Ethel 3:7—10
Pitts Walker (Comment)
“Double Bodies: Androgyny and Power in the Performances 4:71-82
of Louis XIV,” Mark Franko
“Eelka Lampe Responds,” [to Masakuni Kitazawa] Eelka 1:35-36
Lampe (Letter)
“Feminism and Nationalism in the Dances of Mary Wigman by 3:187-92
Susan Manning,” Karl Toepfer (Book Review)
“First English Actresses: Women and Drama 1660-1700, The, 3:193-95
by Elizabeth Howe,” Tracy C. Davis (Book Review)
“Gender in Performance: The Presentation of Difference in the 1:171-75
Performing Arts edited by Laurence Senelick,” Kim
Marra (Book Review)
“Going, Going, Gone: Theatre and American Culture(s),” 1:98-105
Bradley Boney
“Healing and Japanese Theatre,” Adam Lebowitz (Letter) 3:14-15
“Huang Zuolin,” Faye C. Fei (In Memory) 4:10-11
“I No Longer Subscribe to TDR,” Richard Schechner 4:7-9
(Comment)
“Interculturalism and Performance: Writings from PAJ edited by 3:202—04
Bonnie Marranca and Gautam Dasgupta; The Dramatic
Touch of Difference: Theatre, Own, and Foreign edited by
Erika Fischer-Lichte,” Phillip B. Zarrilli (Book Review)
“*...it was like a play in a play in a play!’: Tales from South 3:168-84
Asia in an Intercultural Production,” Sharon A. Grady
and Phillip B. Zarrilli
“*T Want the Microphone’: Mass Mediation and Agency in 3:152-67
Asian-American Popular Music,” Deborah Wong
“Jerzy Tymicki’ Revealed,” Kazimierz Braun (Letter)
“Junebug Environmental Justice Festival,” John O’Neal
(Announcement)
“Marxism, Melodrama, and Theatre Historiography,” 1:31-33
Bruce McConachie (Letter)
“Mask Face and Machine Face,” Mikhail Yampolsky 3:60-74
“Masks or Faces Re-Visited: A Study of Four Theatrical 4:120—32
Works Concerning Cultural Identity,” William H. Sun
and Faye C. Fei
“Muhammed and the Virgin: Folk Dramatizations of Battles 1:45-61
Between Moors and Christians,” Max Harris
“National Stage: Theatre and Culture Legitimation in England, 1:175-77
France, and America, The, by Loren Kruger,” Susan
Manning (Book Review)
“Native Earth and Jennifer Preston,” Alan Filewod (Letter) 1:36-37
“New World Border: prophecies for the end of the century, I:119—42
The,” Guillermo Gémez-Pefia
“Other History of Intercultural Performance, The,” Coco 1:143-67
Fusco
“Paricali Capatam (The Vow of Draupadi): Images of Ritual 2:89-105
and Political Liberation in Tamil Theatre,” Richard A.
Frasca
“Playing Against the Text: Les Atrides and the History of
Reading Aeschylus,” Sallie Goetsch
210 Index
“Politics of Theatre and Drama, The, edited by Graham 2:176-80
Holderness; The Politics of Performance: Radical Theatre
as Cultural Intervention by Baz Kershaw; Theatre & Politics
by Zygmunt Hubner,” Randy Martin (Book Review)
“Power Team: Muscular Christianity and the Spectacle of 4:162-88
Conversion, The,” Sharon Mazer
“Presence and Resistance: Postmodernism and Cultural Politics in 2:181-83
Contemporary American Performance by Philip Auslander,”
Nick Kaye (Book Review)
“Queering the Pitch: The New Gay and Lesbian Musicology 4:191-04
edited by Philip Brett, Elizabeth Wood, and Gary
C. Thomas,” Edward David Miller (Book Review)
“Re/membering Home and Heritage: The New World 3:128-§1
Performance Laboratory,” Lisa Wolford
“Retiring or Recharging?,” Richard E. Kramer (Etc.) 1:37-38
“Retrial for Sharjah ‘Blasphemers,”” Richard Schechner 3122-23
(Update)
“Review Response,” Loren Kruger (Letter) 4:12-13
“Robert Willoughby Corrigan,” Richard Schechner 1:27-28
(In Memory)
“Ron Vawter,” Richard Schechner (In Memory) 3:11-13
“Royalty-Free Plays,” Richard Foreman (Etc.) 1:38—42
“Secret of Theatrical Space, The, by Josef Svoboda,” John Bell 2:184-86
(Book Review)
“Shanghai Revisited: Chinese Theatre and the Forces of the 2:72-80
Market,” David Jiang
“Steps on the River Bank, The,” Eugenio Barba 4:107-19
“Stories of Mulberry Village,” Zidu Chen, Yang Jian, and 2:113-30
Zhu Xiaoping
“Stories of Mulberry Village and the End of Modern Chinese
Theatre,” Faye C. Fei and William H. Sun 2:131-37
“Susan Manning Responds,” [to Loren Kruger] Susan 4:13
Manning (Letter)
“TDR & NEA: The Continuing Saga,” Richard Schechner 1:7-26
(Comment)
“Theatre/Archaeology,” Mike Pearson and Julian Thomas 4:133-61
“To Be or To Have,” Zbigniew Cynkutis, edited by 3:50-59
William H. Shepard
“Tomas Schmit: A Fluxus Farewell to Perfection,” Giinter 1:79-97
Berghaus
“Tradition, Innovation, and Politics: Chinese and Overseas 2:1§-71
Chinese Theatre Across the World,” edited by William
H. Sun
“Transcending the Cultural Divide: Westerners Performing 2:81-88
Indian Classical Dance,” Leela Venkataraman
“Unmarked by Peggy Phelan,” Philip Auslander (Book 3:185-87
Review)
“Upstaging Big Daddy: Directing Theatre as if Gender and Race 4:194-96
Matter edited by Ellen Donkin and Susan Clement,”
Peggy Phelan (Book Review)
“Utpal Dutt,” Sudipto Chatterjee (In Memory)
Index 211
“Vested Interests: Cross-Dressing & Cultural Anxiety by 4:197—200
Marjorie Garber; Crossing the Stage: Controversies on
Cross Dressing edited by Lesley Ferris,” Amy Robinson
(Book Review)
“Vindicated: A Letter from Augusto Boal,” Augusto Boal 3335-36
“Virtual Reality: Performance, Immersion, and the Thaw,” 4:83-106
Jon McKenzie
“Whatever Happened to the Sleepy Mexican?: One Way to 1:106—18
Be a Contemporary Mexican in a Changing World
Order,” Yareli Arizmendi
““Who Speaks and Who Is Spoken For?’: Playwright, 3:96-127
Director, and Producer Joan Lipkin,” Iris Smith
(Interview)
“Women and Comedy: Rewriting the British Theatrical Tradition 1:168-71
by Susan Carlson,” Lizbeth Goodman (Book Review)
“Women in Power in the Early Modem Drama by Theodora 2:186-88
Jankowski,” Mita Choudhury (Book Review)