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Title Pages Talking India: Ashis Nandy in Conversation with Ramin Jahanbegloo Ashis Nandy and Ramin Jahanbegloo Print publication date: 2006 Print ISBN-13: 9780195678987 Published to Oxford Scholarship Online: October 2012 DOI: 10.1093/acprof:oso/9780195678987.001.0001 Title Pages (p.i) Talking India (p.ii) (p.iii) Talking India (p.iv) YMCA Library Building, Jai Singh Road, New Delhi 110 001 Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press Page 1 of 2 Title Pages in the UK and in certain other countries Published in India by Oxford University Press, New Delhi © Oxford University Press 2006 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2006 Second impression 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer ISBN 13: 978-0-19-567898-7 ISBN 10: 0-19-567898-2 Typeset in Perpetua 12.5/14 at Le Studio Graphique, Gurgaon 122 001 Printed in India at Anvi Composers, New Delhi 110 063 Published by Oxford University Press YMCA Library Building, Jai Singh Road, New Delhi 110 001 Access brought to you by: Page 2 of 2 Ashis Nandy: Ontology of Dissent Talking India: Ashis Nandy in Conversation with Ramin Jahanbegloo Ashis Nandy and Ramin Jahanbegloo Print publication date: 2006 Print ISBN-13: 9780195678987 Published to Oxford Scholarship Online: October 2012 DOI: 10.1093/acprof:oso/9780195678987.001.0001 (p.vii) Ashis Nandy: Ontology of Dissent I first met Ashis Nandy in March 1989 during my first trip to India. Majid Rahnema, a UNESCO researcher on culture and development and a close friend of Ivan Illich, who was in Paris, introduced me to Nandy. I was a Gandhian scholar at the time, and was preparing my doctoral dissertation on Gandhi's political philosophy. I knew Ashis by name, and I had read some of his writings, especially his book on The Illegitimacy of Nationalism, but I had no awareness of his vast knowledge in different areas such as philosophy, history, psychology, and sociology. Back to India, on several occasions between 1996 and 2000, I thought of doing a book of conversations with Ashis on his views on India. These conversations took place on January 2000 at the Centre for the Study of Developing Societies (where Ashis is a Senior Fellow) and at the India International Centre (where I was staying as a guest). I believe there are two dimensions to this book. On the one hand, it is a critical and prudential dialogue between two intellectuals from the East. Nandy, as an influential Gandhian scholar and an Indian dissenter, has always been a great inspiration for me as a role model in cross-cultural and cross-political studies. His research on nearly six decades of Indian democratic experience, in conjunction with a close interest in the hegemonic narratives of nationalism, secularism, patriarchal science, and cultural universalism, has resulted in critical thinking on conventional developmental ideas. On the other hand, (p.viii) this book could be a cultural matrix for a more global and border crossed dialogue. It is a process of mutual learning in cultures and a transvaluative situation exemplified by an acute critique of all homogenization projects and the imposition of a cultural grid on another culture. Nandy's interest in new sources of violence that stem from mainstream developmental processes is often closely related to his attention to protest relating to peripheries and marginal communities. However, Nandy does not automatically Page 1 of 4 Ashis Nandy: Ontology of Dissent accept all modes of defiance and dissent. As a true dissenter, he belongs to no ideological camp, since he resists, inside and outside India, all dominant frameworks of knowledge. His critique of masculinist and majoritarian violence in Hindu nationalism goes hand in hand with his profound concern for the ecological and cultural survival of plurality. In Nandy's account, industrialized and technological science was tried by Europe as an instrument of violence on colonized victims. In his book Traditions, Tyranny and Utopias, he clearly formulates that ‘the image of the scientist as a slightly seedy natural philosopher and practitioner of an esoteric discipline, and that of the technologist as a humble craftsman or artisan, gradually underwent a change. Both became partners in a new, high-paying, heady enterprise called modern science’. This is one of the issues on which Nandy follows Gandhi's footsteps as a critique of the technological and instrumental essence of modernity, and the inability of modern science to live with pluralist conceptions of life. Another aspect of Nandy's thoughts challenges our world, as did Gandhi in his radical critique of the nation-state as a perverted form of social togetherness in modern times. As a result, Nandy's critique of the ‘new world order’, in its economic and techno-scientific form, is closely related with his struggle against all kinds of ideological, religious, or rational reductionism. But his questioning of a monolithic universalism in our world is in no way a defence of cultural relativism. On the contrary, for him, no culture can remain unchanged. Therefore, the time has come to open one's house to other cultures. There is a sense of urgency in creating a plural world, where celebrating diversity replaces the implementation of the idea of ‘one world’. Pluralizing the world of ideas and the realm of daily practices, this is (p.ix) truly how Ashis Nandy elaborates his movement of dissent in our world. Not being a Marxist or a traditionalist, he can afford to criticize both the scientific and positivist view of Marxism and the nationalist ideology of the Hindu traditionalists. On nationalism, Nandy seems quite close to Tagore and Gandhi. As he explains clearly in his book The Illegitimacy of Nationalism, ‘Both (Tagore and Gandhi) recognized the need for a “national” ideology of India as a means of cultural survival, and both recognized that, for the same reason, India would have to make a break with the post- medieval western concept of nationalism or give the concept a new content. As a result, for Tagore, nationalism itself became gradually illegitimate; for Gandhi, nationalism began to include a critique of nationalism.’ Thus, on the one hand, he subscribes directly and openly to the ‘tradition of political self-awareness’ of Indian thinkers like Gandhi and Tagore. But on the other hand, he has some reservations about Gandhian critical traditionalism. He agrees more with Tagore, who hints ‘at another kind of tradition, which is reflective as well as self- critical, which does not reject or bypass the experience of modernity but encapsules and digests it’. Page 2 of 4 Ashis Nandy: Ontology of Dissent On modernity, Nandy positions himself as one of the major critiques of developmentalist ideology. ‘Development’, says Nandy, ‘has come into the Southern world as an analogue of two processes: modern science, wedded to evolutionism, and the theory of progress; and modern colonialism, seeking legitimacy in a new civilizing mission.’ For Nandy, development is a state of mind. It is a way of looking at oneself and at others. As a result, ‘developed’ and ‘underdeveloped’ imply that development is the only way to civilization. ‘In this world of development’, writes Nandy in his essay ‘Culture, Voice and Development’,‘there can be no legitimate dissent. For the idea of dissent imputes some minimal sanity and good faith to those who differ from the establishment, whereas the official language of development makes no such imputation to those who differ from the core concepts of development and to those who do not grant any moral status to the advocates of development. Unofficially, there are dissenters in the world of development, but there are usually (p.x) dissenters only to themselves. They speak a different language and their voice has no audibility in the public realm.’ Nandy's discomfort with the idea of ‘development’ results from his critical views on the process of Westernization. As Nandy himself says, ‘what looks like Westernization is often only a means of domesticating the West, sometimes by reducing the West to the level of the comic and trival’. However, one should be clear about Nandy's critical attitude towards modernity as a grand narrative and a vehicle of salvation. What he actually aims to do is to de-divinize the secular imagination as an imperfect solution to the problems of non-Western countries. Saying ‘no’ to secularism, is, for Nandy, a way to create a state of awareness about the living categories of our everyday lives as diverse concepts of citizenship and democratic practice. In a chapter of his book Time Warps, on ‘the Politics of Secularism and the Recovery of Religious Tolerance’, he represents himself transparently as an ‘anti-secularist’ who considers secularism a faith that is intolerant to other faiths. ‘The role of such secular ideology’, asserts Nandy, ‘in many societies today, is no different from the crusading and inquisitorial role of religious ideologies. And in such societies, citizens often have less protection against the ideology of the state than they do against religious ideologies or theocratic forces’. Therefore, the main issue for him is to secure all distinctive visions of the future. Future visions, he contends, must take the responsibility of being located beyond the West/anti-West dichotomy. As a result, for him, the idea of history itself is essentially founded on an ontology of distinctiveness. In other words, sociological subjects of differences have no reason to seek self-definition in relation to a universalized image of the West. For Nandy, ‘there are persons or communities in the modern world, which insist on living with “unreliable” and “invalid history” … But there are other persons and groups outside the modern world, who live with selves that originate and are grounded in a-historical modes of constructing the past—in legends, in myths and epics—which cannot be that easily fitted in the clinical format … ’. Maybe, Page 3 of 4 Ashis Nandy: Ontology of Dissent that is why, for Nandy, the best way to configure the future is (p.xi) to travel to the past. Being sensitive to one's own cultural past, is, for him, an ‘ethos of living’ as an ecology of plurality. Nandy's commitment to the idea of plurality aims to ensure the act of dissent as a decent way of life. This acute awareness of ‘outsiderhood’ as a form of dissent takes shape in his breaking out of the disciplinary ghettos in which many Western and non-Western intellectuals have been confined. Not being strictly academic, Nandy works outside the narrow parameters of rationally-bordered disciplines. He is a typical inter-cultural flâneur. However, all his cultural border- crossings have one thing in common: in the final instance, they are intended to deploy life-enhancing modes of thinking against ideological and cannibalistic forms of rationalization in our contemporary societies. More than anything else, Nandy's yearning for ‘another world of knowledge that refuses to die’ is related to his vision of defying the dark side of modernity that makes voiceless the dissenting voices of communities of our times. Thinking about the future requires, for Nandy, a sincere dialogue with oneself as a public intellectual. But even in this internal dialogue, one is not separated from the plural, the world of others. Unless one develops the capacity to think from the standpoint of human affairs, especially in relation to those who are victims of modern history, thinking will not come to life again. The most compelling aspect of Nandy's intellectual work can be summarized in the fact that thinking dissent goes with dissent thinking. In other words, the question, for Nandy, is to resist or not to resist. For Ashis Nandy, there is no real future without thinking of thinking itself as a form of resistance. Tehran                     RAMIN JAHANBEGLOO (p.xii) Access brought to you by: Page 4 of 4 An Indian Childhood Talking India: Ashis Nandy in Conversation with Ramin Jahanbegloo Ashis Nandy and Ramin Jahanbegloo Print publication date: 2006 Print ISBN-13: 9780195678987 Published to Oxford Scholarship Online: October 2012 DOI: 10.1093/acprof:oso/9780195678987.001.0001 An Indian Childhood Ashis Nandy DOI:10.1093/acprof:oso/9780195678987.003.0001 Abstract and Keywords This section of the book presents the biography of Ashis Nandy, beginning with his childhood memories, moral education, and early influences. It then describes the factors that brought Nandy to the study of sociology and clinical psychology. He recounts his activities after receiving his Ph.D., specifically his work at the Centre for the Study of Developing Societies. Nandy also explains why he often describes himself as an ‘intellectual streetfighter’. Keywords:   Ashis Nandy, childhood, moral education, sociology, clinical psychology, Centre for the Study of Developing Societies From Bihar to Bengal RAMIN JAHANBEGLOO (RJ): Thank you for agreeing to do this book. Let us go through, as quickly as possible, the biographical section. You were born in 1937 in Bengal. Do you still have memories of your childhood? ASHIS NANDY (AN): Though I am a Bengali, I was born in Bihar, not in Bengal. RJ: You are a Bengali and you were born in Bihar in 1937. Do you have memories of your childhood, especially of the last years of India's struggle for independence? AN: Yes, I do have some memories of my school days in Calcutta. I remember that there were constant demonstrations and processions in support of the freedom Page 1 of 13 An Indian Childhood struggle. Calcutta used to be known in colonial days as a city of palaces. Those days were already past. It was acquiring new fame as a city of demonstrations and strikes. Even in our school, there were frequent strikes. Youth from the neighbourhood poured in to disrupt classes and force the school to close down. No one was particularly disturbed—neither the children (p.2) who had a holiday, nor the administration, who wanted to avoid trouble in the school campus in a politically charged atmosphere. I still remember vividly what was called Rashid Ali Mukti Dibas (Free Rashid Ali Day). There was a rather predictable strike, and students in our school, including some of us, joined the procession, just for the fun of it. It was thrilling for us, and we followed the procession all the way to central Calcutta. There was a lathi-charge—baton charge, as you might call it—and, later, firing of tear-gas shells. We, of course, had run away earlier, probably the first to do so, though, as children, we were at the back of the procession at a safe distance, in any case. We were not just scared of police action, but also that our parents might get to know about our escapade. I also remember a massive, carnivalesque procession with three brand-new heroes that the dying colonial regime had stupidly created by deciding to prosecute three officers of Subhas Chandra Bose's Indian National Army—one Sikh, one Muslim, and one Hindu. I think the British were already losing their grip. These incidents were typical in the sense that there were similar things happening all over the country at the time. RJ: Who were your parents? What kind of people were they? What was your cultural background? AN: I come from a rather typical, urban, middle-class, Bengali family of Calcutta. There must be thousands of families like us in the city. It was, however, a small family, and, because my father was a secretary of CalcuttaYMCA and mother a school teacher, we were exposed to a slightly wider range of experiences. We are Bengali babus and the family had been in Calcutta for generations. We were third-generation Christians, and my parents were devout Christians. Although, like most people in this part of the world, their lifestyle also reflected the influences of other faiths. For instance, there were elements of Hindu, and, to a lesser extent, Islamic practices in my family. Fasting and some of the rituals we followed were borrowed from Hinduism; some of the prohibitions came from both Hinduism and Islam. Thus, our family did not eat (p.3) beef or pork. There's no reason why a Bengali Christian family couldn't eat either. But that's the way it was in practice; they had no real reason for it. If I asked what was their objection, they would say, ‘There's nothing specific, we just don't like it. They are big animals.’ There was an element of truth there, because, whenever my father was served meat in large pieces, he would find some excuse not to eat it. I do not think he ever ate tandoori chicken, which is now one of India's national dishes. He just did not want to be reminded of the living animal. Once my father had gone to Delhi for a meeting. Some of his colleagues persuaded him to eat pork, saying it was mutton. The day he was to leave for Calcutta, they told him that he had eaten pork. He came back home as sick as a dog. Page 2 of 13 An Indian Childhood I also remember vividly that my family had a different concept of austerity and morality. Certain ideas of recycling, restrictions on waste, for example, were built into our lifestyle. Not only because we were a family of modest means, but also because it was considered somewhat immoral to think of your books or clothes entirely as yours. For instance, we always put home-made dust jackets on books, on the top of the existing jackets, because we were taught that, once the year was over and we did not need the textbooks, they would be gifted to relatives and friends who were not well off, and whose children would use the books. Otherwise, such books were given away to some modest schools where other children could use them. We were taught not to see our textbooks as something we could use and discard; they had to be handed over to others after temporary use. Even birthday gifts of novels and storybooks that we received had to be taken good care of, because once we lost interest in them, they were supposed to be given away to others. Moral Education RJ: So you were brought up in a very moral and religious context? AN: Yes, certainly in a very moral context, and I found that moral framework quite cumbersome at a young age. That was perhaps the reason I lost my faith early in life. That heavy dose of morality, with a (p.4) touch of Puritanism, was derived mainly from Bengali Christianity, from families belonging to reformist sects like Brahmo Samaj, Ramakrishna Mission, and Gandhi. My parents were very sympathetic to Gandhi and the style of freedom movement he represented. To us, it indicated a certain conservatism and traditional moralism. Not morality but moralism. We used to make fun of it. For years, I remember being quite dismissive towards Gandhi and any form of morality tinged with religion. It was much later in my life that I rediscovered Gandhi and began to take a serious interest in the moral framework of ordinary people, the morality of everyday life. I felt I had to understand it to understand the culture of democratic politics. This time it did not look to me like an encumbrance; it was to me a kind of a cultural and social rudder that was increasingly under threat. Only in the context of the environmental crisis, the peace movement, and growing threats of global and local violence, did I begin to appreciate the virtues of that kind of simple, everyday morality. That might also have been partly the influence of my family. Because their morality was enframed in a certain compassion. I could frequently see my father, even when we were not economically well off, going out to buy something and then coming back to take money again, because he had met someone who was needy and had given away the money. ‘Give till it hurts’ was one of his favourite sayings. RJ: What is the basis of this morality for you today, since you say that you are a non- believer and that your morality is not grounded in faith? AN: Page 3 of 13 An Indian Childhood Maybe it is not grounded in religious faith, but there are other kinds of faith. Everyone lives with a tacit or moral philosophy, and attempts to connect to people who may not be able to articulate their morality in philosophical terms, but nonetheless live within an ethical compass. Even those who see religion primarily as a series of ritual performances or a bargain with divinity. My morality, I guess, is partly derived from my background—cultural, social, and religious—and is partly a by-product of my growing respect for ordinary people in (p.5) everyday life. Let me put it this way. I think every life, to be meaningful, must have a touch of transcendence. That transcendence may come directly from spirituality, or indirectly through some forms of social endeavours that are undertaken with a touch of moral passion. RJ: How did you become a non-believer? At what age did you lose your faith? AN: I must not have been more than 12 or 13 when I began to lose it. I was being exposed to a new world through books, and many authors I read lived in a mental world that was totally secular. In the family, too, I had uncles and cousins who were believers, but had a clear touch of agnosticism in them. In addition, I began to find many of the church functions and sermons a bit overbearing. Not only overbearing, but also preachy and occasionally comical. Let us say that I began to lose faith in organized religion quite early, and, in the process, I lost faith in all religions. I recovered my respect for religions only when I was in my late 40s. But it was only respect. Early Influences RJ: Who were the authors who influenced your ideas at an early age? I mean authors you read, people who influenced you? AN: First of all, my reading was random and totally disorganized. I read almost everything I could lay my hands on, from Saratchandra Chattopadhyay to George Bernard Shaw to T.S. Eliot and Buddhadeb Bose. Perhaps I was already moving towards being a psychologist. For I was much interested in the mind of the writer. I stuck to any writer I began to read, even when I did not like some of his or her work. I must be one of the last few persons of my generation who was to read, for pleasure, virtually everything that Shaw, Saratchandra, or Charles Dickens wrote. You may not have heard of many of the authors I read because they were very much a part of the local milieu, like the Bengali poets Jibanananda Das and Subhas Mukhopadhyay and writersTarashankar Bandopadhyay, Manik Bandopadhyay, Rajashekar Bose, and Subodh (p.6) Ghose who had a tremendous impact on me. But, among the persons you will know, I was deeply impressed by Rabindranath Tagore's writings. I found his worldview very congenial. I was, as I have said, uncomfortable with the Gandhian worldview, though I had read little of him—only his autobiography and Hind Swaraj. And I Page 4 of 13

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.