ebook img

Tables and Chairs (Best of Fine Woodworking) PDF

126 Pages·1995·21.66 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Tables and Chairs (Best of Fine Woodworking)

EB*"fruntonlless ,,tltilllllllilrillrrltrritrn,lr',,r,,*, Contents 7 Introduction 42 Drop-Leaf Breakfast Table 89 BowbackVindsorstep Cabriole legs and knuckle joints byStep I Making a Walnut Occasional make it compact and versatile Green woodworking lends its Table strength to this classicd esign A simple project from a single 46 Low Tea Table Highlights plank Joinery 95 Sculpting Chair Seatswith a Sliding dovetails and butterfly Shop-Built Duplicator t2 Knockdown Red-Cedar keys make stfong connections Angle-grinder drives this high- Trestle Table Vorks Well production jig Indoors or Out 50 A Shaker-Style Drop-Leaf Hand-chopped mortises Table 98 uandtools shape a complement simpled esign Turned legsw ith drilled-and- traditional seat chiseledm ortises l6 Gate-Leg Table is Light 100 uaking aRocking Chair but Sturdy 54 Refining Table Design withDowels Preciselyr outed and tablesawn withDetails Alignment techniques for joinery givest he table its Twin aprons, sculpted joints drilling at odd angles strength and chamfers 105 windsorSeffee 2l A Table for Breakfast or 58 Making anEndTable Stretching a traditional design Banquets Multicolor laminatesa ccent to seatt wo Drop-downlegss upport a design I l0 Oesign aClnart thatFits like expansion mechanism 62 Convertible Furniture aGlove 24 Making Dining Tables Tablesd esignedt o lead dual An adjustabler ig supplies the That'Work lives critical dimensions for comfort Careful measuringa nd common 66 A Semielliptical Table I 12 niaingthe chairto the sensee nsufe stability, comfort Veneering laminated aprons and customef and good looks inlaying ebony I 14 Buift for Comfort The 27 SofaTable Complements 70 Building aTeaCart Three-Slat Chair Antiques A simple method for making Coffect curves are the keyto This eclecticd esignb lends spokedwheels comfort, durability stylesa nd joinery 76 Coffee Table is Spare I 18 Craftsman-Style Comfort 30 A Butterfly Expansion Table and Sturdy in a Morris Chair Self-storingl eaf hides under Looset enons simplify joinery Mortise-and-tenoni oinery looks the top good and makesi t last 80 Building a Gate-Leg 35 Glass{op Coffee Table CardTable 123 uaking aChild's Rocker Bent-laminatedg lass-supports Tackling curved rails andinlaid A tandem Windsor for two within a mitered base legs toddlers 38 Building an Open-Pedestal 85 Working GreenWood 127 lndex Table From raw logs, chairs that will Doubled members simplify stand the test of time joinery; templates make shaping parts quick and easy ltffsHliiil Introduction ablesa nd chairs are the workhorses of furniture. They areat the center of our lives asw e sit down to enjoy amealand somec onversation,o r maybej ust take a break from the hectic pace of modern living. Atable may be calledu pon to servea banquet and then be clearedt o handle afamlly craft project or a teenager's homework. Chairs arc calledto duty ase verlthing from instant step- stoolst o quick placesf or anap.It's no wonder then that so many woodworkers want to build tables and chairs. These 28 articles from the pageso f Fine Wood.working magazineo ffer a wide variety of stylesa nd types of tables and chairs forwoodworkers to build. Tablesi nclude everlthing from a dining table that expands to accommodatel 4people to a simple end table. Chairsr angef rom the refined beauty of a bowback'Windsor to the sturdy comfort of a Morris chair. But it's not all iust projects: Mixed into thesep agesa re countless pructicaltechniques that can be applied to other furniture-making endeavors.T here afe tips on carving chair seats,w orking greenw ood and designingc hairst hatfit. Awhole menu of joinerytechniques is also servedu p. So,l ay the book out on atable,p ull up a chair andread.I suspecti t won't be too many pagesb efore you startf idgeting in your seat, wanting to move to your shop to build somen ew tablesa nd chairs. :The Editors The "Besto f Fine Wooclutorking"s eriess panst en ye arso f Fine Woo dtu o rking magazine. There is no duplication between these books and the popular "Fine Woochaorking on..." series.A footnote with each article givest he date of first publication; product avallability,s uppliers' addressesa nd prices may have changed since then. Making a'Walnut Occasional Table A simplep rQect a singlep lank from by Richard Kapuaala utting up a large, rough plank of wood is alwayse xciting for tl-ieb ill of materials on p 11 include the dimensions for all the parts me, but I can't help feeling a little anxiet.v I worry whetl-ier To help you get started,I '11te ll you how I built my table tl-ref urniture I intend to build will enhance or detract from the wood's natural beauqt,T his was my dilemma when I set out to Sawing ttre parts After a little handplaning, I knew m1. walnut build an occasionalt able from a roughsawn,1 x1,3x96w alnut plank. It planks were richlv colored with deep critnsons and purple streaks was hard to tell what the piece of wood was like beneathi ls exterior; \il/hat I couldn't see until after I had resawn the planks was the but upon resawing,I saw dte lovely color and grain pattern lnside, r,-ood's beautiful flame-figured grain pattern, with dark, u'ing- and I adapted my design ideas to fit tl-re character of the wood The shapei ntrusions at the edges \ilhen I set the pieces side b1'side resulting table, shown here, has a slngle drawer n''ith all-wood and in mirror s).rmmetryI, knew the figure would look best if the guides, a cllstom-madew ooden pull, and a top large enough for a tabletop was book-matched. Since the table's legs required the Iunp, magaztneso r other accessoriesC onstructioni s based on ioin- tl-rickestm aterial, I cut them out before resawing the plank to ery that you're probably familiar with: dovetailsf or the drawer, mor- %-in thick stock for the other parts Becauset he plank was more dses and tenons for the legs and aprons, siiding dovetails for the than twice the thickness needed for the 1%-in.-squarel egs, I cr-rt aprons and bridle joints for the panitions Evenw ith tl-res mall details them out in pairs, so they would match and the grain would be IVe added to make tl-ret able more visually interesting,b uilding it svmmetrical. It's a good idea to match the legs of any piece to should take you about 30 hours. The drawing on dle facing page and minimize problems in case there is anv moisture-related fwisting or bowing: The opposing pairs of legs will warp symmetrically. If you can't saw matching legs frorn the same piece of stock, choose stock with straight grain for less chance of warping After crosscutting the plank into lnore manageable, shorter lengths with my radial-arm saw, I jointed the bark-side edge to remove sapwood from the walnut, ancl then I ripped the sections to rough widths. Using a standard bandsawf ence and a %-in -wide blade, I resawed the sections of the plank to about % in. thick (except for the legs). This left enough stock to thickness-planet he sectionst o'A in. or thinner, as required for the parts,B efore final thicknessing,s ticker d-ier esas,ns tock and let it stabilizea t shop tem- perature and humidiry for a few davs This way, ,vou can take out slight warping with the jointer or planer and set aside ar1' stock that warps more severell, Finally, I use the tablesaw and radial-arm saw to cur all the parts to widd-ra nd lenp;th,f ollowing d-reb ill of materials.I f some of the par-tso n the bill appeart o be oversize,t he exlra stock is either for joinery or it will be trimmed awa1l,a ter. Cutting the joints-First cut the 5-in.-wideb y 1-in.{ong tenons on d-ree nds of the front and back aprons that will join the legs. There are manv good machine or hand techniquesf or cutting tenons,b ut I prefer to use my tablesawa nd a shopmadet enoning jig, which holds t1-res tock upright during the cut lily procedure is similar to the one described in Fw\Y +66, p. 70. Nert, I cut the sliding dovetailso n the ends of d-res ide aprons, again using nry tablesawa nd the tenoning 1ig As with tenons, the jig holds the workpiece ver-tically,b ut the Tbe autbor's occa.sional tctble taas designed to fit tbe cbaracter blade is tilted 12' to cut the male dovetail (see the left photo on of tbe taood.: a single plank of 16hu alnut tbat be resauted for tbe p. 10) I prefer this method to using a router and a dovetail bit because book-matcbed top, m(ttclred pairs of legs and most of tbe otber it allows me to change the angle of the dovetail if I desire. parts. Tbe top bas room for mctgazines, a lamp or otber accesso' ries, Tbe table bas a single drantter uitb all-uood guides and a Next I cut the female dovetail slots into the front and back custom-made uooden Dull. aprons A regular miter gauge fitted with a special wooden fence is The Best of Fine Wooduorking From tine lVctexlnorkingQ trly 1990)8 3: 80 83 Occasional table Top attached to collar with cleats that engage groove. Knob detail Y4yr% Notch to interlock Ebony( sides)a nd with wing. cocobollok nob Constructiond etail Maple drawer runners Frontv iew are screwed to collar. Maplew ing, % in, thick Fronto f apron Top view Drawerr unner corriffir"", screwed Maple partition frame, screwed to corner braces, is joined at corners with ?. irlinn bridle joints. ::vetail Apron detail ainsa pron Tabletoo Collar \ ra rtition 18% Edge detail shaped with /a-in.-radius cove bit in router. )rawer front is ,,=!nut;s ides and Drawer bottom ispoptar, :ack are maple. % in. thick. Front view Side view zashl 243h Drawer opening, 31%ain . high, cut out in apron. Leg, 15/ain . square Tables and Chairs ,_: Bob La Pomte la{. fo cm tqa utala poaa4L?ls ou jqa aups ol lqa slpa adt,ouS Jnl onj lqa plamaJ odautuB tu 1qa tt,ou7 adlou '1qa anlqoJ nsas D yadnao1o nsas qts 4vqlastuo Dup qotuhuopa jauou [8' mq?rq snddot"ls 1qa mot4dtaca aat4co77[ as ? t?s ?nppap da6 lqa yrqap nrop.6. 26s1au y {cnt,osscn114u& 7qa laura1 as7477u8 poncratls tu 1qa {ou1 vup tattr odt,ous mqq D t.u71o" 8on8a ou rtq axoqqasom' yadnao1a du,as lqa qo11our o {aaclc f6yr toplq t, rq?s py'p31c1: 1o nsep to dnsq pta sloJ{ tqron8q, e8eru \ ltq lqe qlppa p1tap IZo lqa *p ,pr1,nd ,1re ru. eqole pra edr-oi tussaruqld y 7-ru -u,rpa qd Jau)e I ruepe rs es youB es utd sea teqle eup qes E droopau rnuueJ y-ru.-paad B;ooaa rronup lqe usipe oJ pra Joller' Jnt \^ltq E pepo llre lJrls rrL lqa slot ou rqa rl8qr srpa oJ pLa qlepa I rnt oue srpe oJ qlepa ou tlro tgqlasgd rd'r,or,rpas e ruaeus Jo er1]ecqruE pta lod \^llq pr epoL,atery, r.olela lqa drara pJonup eup pLou Jnl tqe ol]laJ srper surE sIEIqruatJuel>ar, sqn11ous, es pasrrrqep yruqar ou Jqa eups oJ r-adosrtrouruB tqa stod qotal.eeu Jnts. VUar JnlnuS qotq srpas oJ lILe JoIIEJ eJa urllarep, eup tILe ;onr. dracas EJe scJeaep to pLe aEJq Jelue lepot.ale11, 1 laruole l q.aa4,uste ru tqo caula; qd JJosscnl- rd;ou tqr,onEq Jonutorsnul qoles Je{e cera uot to prrlI E llolo UtrEu Etd rrt,.r1ttqq E t qcaq qrsl?allp )e ssabane lqr-aap r aeuu tp1eorr td.aq:oatpo1( 1 p5toa.uu 1l rdIEelr-.JaI Ip prara eqdorlo.ouur .Ia nqseera e p rrua per;lerudEn BeEr rnnBueu ator ss c\J rUq aq ao rernepurteqterpo ul elrtaure )ss eoau rtqqa ep rru.wsr,.prau 3o(J' dracas, Eup ruJerassBrL., tuu tqe ruEle po otEII nu] [pLa lorut ss11pa lqa elci.ou to qald crr8u tqe roIIEr es it rssJra.a^.ep rulo d1uca' sruootqld' dar gt sunElL toSatlLar' N)llpL tqa loluts poua, rt,s t4ue 1o trlut tILa ed;ous lo tlLorr JrupI qlelprtE pta pteaaar.-gzrluB rontep ple odauruS eE;qa;' qeupdleua d1,lppr. I lolur qoq ep8as plae onuru8 tqe po^eterq so tqpt EII lE,fas pra draca Jor lqe preaer {out nup lt gls sunp{, gort,.lon,;a raepd to oJ toEront prseddar 1on ued paclpe tqut don pou,l uaep lo po lIFs' utela lq paJee4,ar. Jd4.ou l Bo 4tto petEII o uprE&^.ar JoustrnJtiou sruJe qnt y.lonr ,lorur ser.au,t da;;an, 1t qalds laad rqe edr.o u1oo4pu3 8oop' rl,s lolarep ru otiLar raxu )saa lA\^ #,L.Q, d tg( I d;e;a; ro ruel>e EII ud p:eu/e;s nr,lpr qr€p&^oop JetILaJ llrEu so+a^.oop qacBnse I lHu{ l1 srgoquzedI qteEql allt.e tq ee dJro.rouuesr-s1 ooJ letquep p{o upte erourp zqtrEla) la> laeJdu;oeuust etor alq rrns tqoEr,JfEl>- prEle&r^s.a lJo usr8pae;s e euupp qloeopq> 4qoerlau ru. rqeodrl.a ,lu \d^ oqJr)rq eJsoruolur"eeIs ttsy urlrac'a yI dur ellplteq ttqlrae eup ronrlpep. Iq?upseA Jonr zlre-ru -louE draras 4oru apJq ed:ou 'es rtnpunt. Wa prE\^ar qorou $ %-lu.-llLlr ldod1er.' qnr e Ar-Iu.WIyr sqoarL q jq eprednruE. I Jrrsl uteye tqa ud Jnt nsruS pra Jeura ou tqa d1.{"aaoop qorou .rd4.op$ tlso. We pot,atzps ou urd pJe\^eJ eJau,t srzep qeups€rtr Es z 8nlpa qou,t Bo too JEr or don,1 cnl luto pre s1pu3 ru eu{,;rrap n{,, I ltf tqelu ont so qad 1oo 4dyaesruS .Aitq E s4prt3 po^a]eps. lqeu, JJoss)n .ta^,llq tqa qeupsE\^,s urt1eJ 8en8a to Jeurola f_qe^al. Iureri> tqa eupa o;tqa lrelJ-qllup po eterls et lqe 4oul oJ pLe aerq ucao\r^uar, sl;id, eup nsa er,esd or .q1a to Jonup oAoJ pr eJoJueJs ou pre&r,ar eup pLa prr"on8q po^atmls et tqa qel{ Jo laad qe pree^.ar lqa sladdap EJaEs Naxt, I Jqnp) E Ar-ru:Jyrrns JonupolaJ qrl ;rour urqqruB ou pre srpes oJ pLa odanruS' ruE{a lra {out oJ pre ruto tlro ronter lTlqle lo sqrda tqa eutrre ap8e ou pra onglpo Jpres oJ prE\ a rSIrEqp .daarper. tqeu lqr qpJI. fn lFLJ drrts ou pra pre&nar qEJI pra 4ou1 q'?,fI> Ertp srp aedr,ous ,stoddruS sqou oJ lqe teuous. sl8qpd paade;, qetaaau %r ru.eup 7z ru', eup lqeu qeupdlena qaur Noa^. toruas E dotaupe ald1o1>(, ,srad: cntpuS ont pr epi.eaaar. odau- UnSIL AIq pre srpes "ler Esseulql^' ruB ru pra g,ou eldr-ou. I nse E Az-Iu'pIe' srel8qt qll q e dlnu8e ;on1a; 1qa p;er,a;-8nrpa sdslau 1 nse rs E qlt nunsnp' qnl ll l sJaIEtrAe- rppr e 8nrpa qnsqruB Jlllep iu lts qtsa We qnsqruS Joliodrs e rectpu- ld ees{.to rustell, rs €pfnruqya wp laads qa preae rr-nuuruS suroolL- 8per. qola Jnt ruto E yresouita or deurpaqoer,p taurdlcre 1 aresta pra l{,. w qs{,^staur Jousrsls oJ l\^o qzJp\^oop rnuueJs scra&^ap to pte cnl_ont draca qaJensa lt,s too ]eprons z foq r oSEdr rt ont .altq ? pt1u- zdr,ou,s tolleJ lqet 4aad tqa pJEdnoJ crr8uap ArE te^o surel 8nipe IaI staqlepe eup sp^a. IsnqsDlnta E draca rt,rpr slupe; 8;cru Jor pla qloJ{ ssJre.axap to pr eqpo1> eup oJ lq apJed^.ar' do rstr-au8pt uu pa^.eer prpaar 4oul NUtq rqe terudlra perudap ou tod og pra edr.ou' 1 ;esrs]euca, 1 urE{a JILa rrrrlrleJs ont oJ %-lu.-tq1c{ luedla 1qa rlluuers dlnu8a pra qll pol\u eqonl A, lu. eup lqeu Jollo.dn eronup lqe taut- EJe etlEJqep rtutl rsrrae^,s ru JonuleJsnu{ lLolas pJrllap Et eu eu31a dlr apoc1_rt,rsa )saa qa dqoro er rl8ql( I redaet lqls tur tqe qlt Jnts 4;on8q qoq aups ge snre to )onutersru{ tqe qolas paad euon8q to e1 l q.aor,.eL tqr.onEq. J papu nd lqa ronupap roruers oJ tqa odau- laed pta sc;am qeep 4ou rstrJIDuB ont eup qlar.;er-ru8 r.rpt pJeaeJ ruB t,,rlq e Jqrsal, qn lqaJoJe r,ontru8' Lon oonlp Jnt tqesa JoruaJs odar"etrou. gaJore sc;aruuB tqa rnuuers ru d1uca' rqaol tqrt prad sbne;a ^nllq E qolloar-Jqrsal uLotDsa; r;don qEAe oue gonlruS era unsq \^rtq Eup Et lcaJ;a nr,18q urrr31as ro pre qououl ap8a o;pra souralrJuas leeJs nd tqa .oloop, so rl,s arse lo JuEIa Eu axl;e edr"ou roIIEr eup ?r ader.p1a1 ro eeJlr opler eup lqa rdr.ou srpas' ;r.out, lns trrL resa grupld 8lna nd tqa ed;ous Allqont tqa 1a8s' NaXl' tnJu tqa udr,or tessaurql{, ndsrp apo.d^,u so IILE] It jesls ou 1o courdlate pra edr.o eussaruql(,., 1 luei>e uup euerq tlra Jollpr: E llra JoIIEt Eup rusaJl tq opJE&^er so lqEt rl rasls ou pre pJEaeJ rnu- lqru 4erue lqe tJrts eronup pre udr_ou essauqlL,s lod rusrpe ap8a uers. CrrII o^arsrze drlot qoles ru tqe 8nrpa qlocq )urEpo {oUL I0 Jqe gaN ol ltua 11oopmot41u3 maple scraps) so you can shift them around to adiust the drawer the top of each leg to prevent the short endgrain at the top of the tracking in the future \fith the drawer front flush with its opening mortise from splitting out (it gets cut off after mortising) in the apron, position each guide block to lightly contact the out- I wanted the tops and bottoms of the legs to be slightly round- side edge of each runner, and screw both to the back of the draw- ed, and so instead of shaping those profiles on the router table or er with round-head screws and washers. shaper, I used a combination of files, planes and spokeshaves Before flipping tl-re apron assembly over, I make the table's parti- First, I ease the edges with a small block plane, and then use the tion and the four corner braces it will be screwed to. In addition to files and spokeshavest o create the soft contours on the edges and keeping the apron from racking, the partition supports the drawer, ends. Finally, I finish-sand the legs before gluing them to the like a dust-panel frame in a dresser, and provides a surface for the apron, since it's a real pain to try to sand after glue-up. drawer to slide on. The 3A-in.-rhtck panition frame is ioined at the corners with bridle joints These joints are cut on the tablesaw in Making tl.e drawer pull-Since I built my occasionalt able from an much the same way that the apron tenons were earlier. original design, I wasn't about to settle for a store-bought puli for the The corner braces, made from maple scraps with 45o cuts on drawer For this design, I came up with the pull shown in the draw- each end, are screwed to the inside corners of the apron through ing becausei t seemedt o fit the mood of dre piece. The design has a angled holes (see the drawing on p. 9). Before securing the braces, central knob glued up from small pieces of ebony and cocobolo, I scribe a line around the inside of the apron to mark where the top with a horizontal maple '\lling" intersectingd re knob. edge of the partition will be when installed. This way, when the To make the knob for the drawer pull, I cut out three round table is upright, the top of the partition is flush with the bottom edge blanks using a 1,3/8-in.-diah.o le saw in the drill press. This yields of the drawer opening. Since the pafiition screws to the braces,t his three !1/',-in.-dia.d iscs tl-iat I laminate together: two %-in.-thick Linea lso determines where the bottom edge of each brace will be' ebony with one Yz-in.-thickc ocobolo in between. After the glue When everything jibes, I screw on the braces, but I leave the pati- dries, I clamp the knob in the vise on my workbench and cut out tion offuntil the top has been attached. the notch for the wing, proportioned as shown in the drawing I used my Japanese dovetail saw for the cuts, but any thin-blade, Gluing up tlle tabletop-If you haven't aheady glued up your sharp handsaww ill do. I then shape the knob to its soft contour on tabletop, do so now. I used blind splines to join the two 9fa-in.- a stationary belt sander, holding the knob rn a pair of channel wide book-matched walnut boards, but ,vou may prefer biscuit locks with padded jaws so I don't sand my fingertips. ioints or just glue. In any case,a fter the glue is dry and the excess The pull's maple wings are marked out with a compass and then is scraped off, I lay out the top's curved outline with the spline- cut out on the scroll saw. I set my pencil compasst o 37/8-inr. adius, ^ and-weight method described rn FVV #71., p. 4!. However, I and then sketch an arc on the %-in.-d-rickm aple stock. After sawing didn't have real architect's weights; so I used regular C-clampst o the arc, I cut out the notch to fit the krob with a standard dovetail hold the spline I made from a 1/a-inm. aple strip, and tl-renI band- saw Nex1,d ry fit the pieces and trim the notches to fit. Gradually use sawed the top. The table's edge detail consists of two small cove finer and finer grades of sandpaper to polish the pull. Finally, glue cuts, one on the top of the edge and one on the bottom. I would the knob and wing together, drill two lre-n.-dia. holes on the back of have preferred to use a 3/"-in.b all-bearing-piloted cove bit in the the wings, and screw the pull to the drawer front. router to shape the detail, but since I didn't have one, I used the By now your occasionalt able should be ready for a good finish cove portion of my Roman ogee bit. I used several coats of tung oil, with a final coat of beeswax after Small cabinetmaker's buttons are screwed to the underside of the tung oil had dried A11t he work I put into my table seemed the top and attach it to the table; a small tongue cut on one end of worthwhile tl-ief irst time I saw the midday sun hit it, sending shim- each cabinetmaker'sb utton engagest he groove around the inside mering ripples of light across the walnut top. n of the collar. The buttons allow the top to float: an important fea- ture since wood can get very cranky if it's denied freedom to ex- Richard Kapuaala is a professional woodworker in Salinas, Cal. pand and contract I space the sk cleats around the collar; you might want to use more than six, but don't use fewer or the top will Bill of Materials move whenever you touch it. \X4reny ou set the cabinetmaker's but- tons, make sure the tongues don't bottom out in the grooves,a s drat No Description Dimensions( TxWxL) would restrict the'top from moving and defeat the purpose of the 4 Legs l5/e x',t'hx24 1 Top 3Ax LSrA x 265/Bi cleats. Once the top is attached, screw the par-tition to the braces. 2 Aprons (front and back) 3/rr x 5j/a x 243h* Now, flip the apron/top assembly over and make sure the drawer 2 Aprons (sides) 3Ax 53/4x l5Y2** slides smoothly Adjust-fie guide blocla if ttrey rub too hard against 2 Collars (front and back) 3/+ x 1rt/r6 x l6+i the runners and wax them if necessary. 2 Collars (sides) 3Ax It3/ft x l43Arl 1 Drawer front 5/e x 33/+ x 123/E+ 2 Drawer sides lzx 35Aex l4t Shaping and mortising the legs-N7ith the top on and the drawer 1 Drawer back lzx 35Asx 723/++ in place, it's time to attach the legs to the occasional table. Taking the 1 Drawer bottom 3/s x 16 x 123/4i blanks that were cut out earlier, hold the top end of each leg against 2 Drawet runners lzx l1/fi x 133/si *re bonom of the tabletop with one edge butted to the apron tenon 2 Drawer guide blocks lzx 3/nx2 it will yoin Now, with a marking knife, scribe lines at the top and 2 P^rtitlon frames (ftont and back) 3/E x 2 x 16## bottom of the tenon to show where the mofiise will begin and end. 24 PCaotrtniteior nb rfaracmeses (sides) 33/h+x x 22YYs4 xx 2l4t+3h Repeatw ith all the legs, and then lay out the width of the morlises, 6 Cabinetmaker's buttons 3hx lY2x2 centering them tlre in. from the outer face of each leg. To chop the * Includes l-in.-long tenons it 45" mitet on both ends. mortises, I used the mortising table attachment on my combination on both ends. # Includes Tt'-in.-thick jointer/planer. However, a router witLr a straight bit and a good mor- *>k Includes 3/e-in.-longs liding tongue on one long edge. tising jig, like the one describedi n F\FM #80, p. 46,will also work. If dovetails on both ends. ## Includes bridle joints you chop the mortises by hand, you may wish to leave a "horn" at i Trim to final size. on both ends. Tables and Chairs 11 ,nrllllilrlil|il,.,^.,, Krrockdown Red-C edar Trestle Thble Works Well Indoors or Out Hand-choppedm ortisesc omplemenst impled esign bv Tonv Konovaloff This red.-cedar table's mass is lightened. aisually by its gently rounded and beuel- edged top, taperedfoot and thin, slightly tapered uedges. Just the sa.me, the table is built solidly to tttithstand'years of use and. abuse. both indoors and out. hen I was a student atJames Kfenov's woodworking ing and cutting joinery by hand, and I really don't enjoy the program at the College of the Redwoods, money was screamo f electric saws,r outers and sanders. tight. Having virrually no furniture, though, I needed to make some basic utilitarian pieces including a kitchen table. I went The tresfles to the local lumberyard and purchased lust enough 2x stock to I built the two trestles first, then the related pieces (stretcher, make a trestle table like the one in the photo above. I liked that first wedges and battens) and, finally, the top. By having the trestles table's lines and wanted to try it in a nicer wood, so I chose clear, and related pieces readywhen I finish the top, I can attach the bat- vertical-grained red cedar because it's highly rot-resistant:T he tens to the underside of the top right away, connecting top and table can be used outside as well as in the kitchen or dining room base before there's any chance of major wood movement. If I built Building this table can be done just as easily with power tools as the top first, it could have warped while I was building the base, with hand tools and may even be slightly quicker. Bur the scale of making it difficult to connect the two. the joinery and the simplicity of the design also make this an ide- I used dimensional red cedar for this project, which I cut to al project on which to practice cutting joints by hand. length, planed smooth and laid out for mortises and tenons. I I use hand tools exclusively, partially because acquiring and clamped each of the trestle members in my bench vise and bored practicing hand-tool skills is what initially attracted me to wood- holes for the mortises using a brace and expansion bit (see the top working. But mostly I use hand tools because I really enjoy plan- left photo on p. 14). I set the expansion bit to the width of one of 12 The Best of Fine Woodtuorking Photo this page: David Scherrer Indoor/outdoor trestle dining table Detail: Tabletop-edge bevel Tabletopd imensions, 34x74 Curve,3/in+. ,f rom center to cornerso n tablee nds; Cuwe,lz in.,f rom center :o cornerso n tables ides Tables upPorts beveled4 5'at ends Stretcher, Overalhl eight, 1lzx5x63 29%i n. high 21 in. betweent able supporta nd foot piece All trestle members are .oughly 3% in. sq' Footp iece Stretcher bows uP % in. over 43 in. between trestles' Wedges insert into kerfs in tenons. Battens1, x2%x24 Eletail: Stretcher wedge 31/t Diagonalk er{s for wedges Stretcher's wedge moftise extends 1/ain . into leg post to allow for cross-grain shrinkage of the leg Post' 21/e .--.i tlofiise chiselsa nclp ositioned a depth stop to iustl esst han half and square( see the bottom left photo onp.74')' 'ldepthofthemortise.Toensuretheholesafeperpendicularto once I,ve finished all six tfestle moftises (four for tfestle assem- . sllrface of the workpieces, I clamped the work so that my bly, two for the stretcher), I cut the shoulders and then the cheeks - :-r, 1rihneg m siodteioso nf ktheee pwso trhkep ibeict en atotu kreaellyp ltehvee bl itI fsriogmht w aalonndge trhineg b tiot osunr ftahcee tsew niothn sa oshf othuelc vleerr ptilacanel t arensdt lkee mrf ethmeb teernso,n ssm doiaogtho naalll ltye (nsoene = 1efto r right. After boring to the depth stop, I repeat from the the drawing above). Kerfing the tenons diagonally, toward the out- -,iciera sniceide ,lo euatv tihneg jmusotf tais weiss pw iothf wao moda llient tahned m ai dredgleis'tered mortise sthidee t eonf othne t ote snpolna y(,s aelme othset ldikrea wai nhgin),g ec.a Dusiaegso thnea l okuetrefrs sreedcttlicoen sth oef , - .e1.w hich has square sides but is not as thick as a standard likelihood of a crack extencling beyond the tenon when I cirive the rise chisel (see the photo at right on p 14) I kept the blade wedges home later Cracks are also less likely with diagonal kerfs rtendicular to the length of the mortise, and I chopped from because the plane of the sawkerf does not follow the grain' ::- end of the mortise to the other, staying iust shy of the marked Next I shaped the two horizontal trestle memberci a 45" bevel at ' : :rnd the bottom shoulder lines. After hogging out most of the the ends of the top pieces (which suppoft the tabletop l, a 7s-il-rt'a - - :-Lisew ith the bit and brace and the fegistered mortise chisel, per on either side and a 5/s-in taper on the top of the foot piece :-.meb ack with a paring chisel.I pared the mofiise clean,s quar- isee the drawing). I also planed dovetail rabbetsi nto both sideso l : : r11ee nds and making sure the sidewalls are relatively smooth both top trestle members where they'll slide into the battens o:: Tables and Chairs 13 . .\ceptwherc notecl llllcenlLaurence; cilawingr Lee Ilov

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.