Table Of Content

SYMPOSIUM INDEX TO VOLUME 59 I. Essays Blonde, David. “Le fantastique comme quéte de I’ inconnu: indéterminations narratives dans trios récits de Théophile Gautier.” 1: 3-18. Gabriele, John P. “Narrative Prisms and Prisons: Mirror Effects and mise-en-abyme in Don Quijote.” 1: 31-42. Ippolito, Christophe. “Parler ou dire le moderne: Flaubert et la littérature populaire dans L’Education sentimentale et son manuscrit.” 3: 131-43. Kline, Jefferson. “The Racinian Roots of Pierre et Jean: Maupassant’s Tragic Dou- bles.” 3: 144-62. Lutzkanova-Vassileva, Albena. “Reference, History, and Memory in Russian Concep- tualist Poetry.” 1: 43-56. Marras, Margherita. “Leonardo Sciascia e l’affermazione del giallo ‘nazional- regionale.”” 2: 100-15. McSweeney, Kerry. “Dream-Representation in Wuthering Heights, Crime and Punish- ment, and War and Peace.” 3: 163-78. Motte, Warren. “Christian Gailly’s Dangerous Art: Desire and its Wages in Un Soir au club.” 4: 195-211. Olcay, Tijen. “L’invisible mur d’Istanbul.” 1: 19-30. Ravindranathan, Thangam. “Entre I’ exhaustife t l'inachevé: Ponge et Perec.” 4: 212-24. Ricci, Andrea. “Il Pasticciaccio di Gadda e ' Imbroglio di Germi: letteratura e cinema noir a Confronto.” 2: 84-99. Rushing, Robert A. “From Monk to Monks: The End of Enjoymesit in Umberto Eco’s The Name of the Rose.” 2: 116-28. Somigli, Luca. “The Realism of Detective Fiction: Augusto De Angelis, Theorist of the Italian Giallo.” 2: 70-83. Tremblay, Isabelle. “L’emploi du stéréotype dans le roman Extension du domaine de la lutte ou Vextinction de VaPl térité.” 4: 225-36. Venegas, José Luis. “Eliot, Borges, Tradition, and Irony.” 4: 237-55. Il. Reviews Bohn, Willard. The Other Futurism: Futurist Activity in Venice, Padua, and Verona. 4: 256-58. Rev. by Valerio Ferme. Caudet, Francisco. El parto de la modernidad: la novela espaiiola en los siglos XIX y XX. 3: 179-81. Rev. by Alan E. Smith. Frieden, Ken, ed. Classic Yiddish Stories of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. 3: 182-83. Rev. by Michael Taub. Genet, Jean. Fragments of the Artwork and The Declared Enemy: Texts and Interviews. 1: 57-59. Rev. by Drew Jones. Grégoire, Vincent. L’Absence et le détail dans l’oeuvre romanesque de Camus. |: 60-61. Rev. by Peter Dunwoodie. Hart, Gail. Friedrich Schiller: Crime, Aesthetics, and the Poetics of Punishment. 4: 258-60. Rev. by Dennis McCort. Healy, Kimberley J. The Modernist Traveler. French Detours, 1900-1930. 3: \84—86. Rev. by Ralph Schooicraft HI. Lehardy Sweet, David. Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes. 4: 260-62. Rev. by Bettina Lerner. Saldafia Portillo, Maria Josefina. The Revolutionary Imagination in the Americas and the Age of Development. 3: 187-89. Rev. by Elliott Young. Wyngaard, Amy S. From Savage to Citizen. The Invention of the Peasant in the French Enlightenment. 4: 262-63. Rev. by Y ves Citton. 264