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Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print General Editors: Professor Anne K. Mellor and Professor Clifford Siskin Editorial Board: Isobel Armstrong, Birkbeck & IES; John Bender, Stanford; Alan Bewell, Toronto; Peter de Bolla, Cambridge; Robert Miles, Victoria; Claudia L. Johnson, Princeton; Saree Makdisi, UCLA; Felicity Nussbaum, UCLA; Mary Poovey, NYU; Janet Todd, Cambridge Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print will feature work that does not fit comfortably within established boundaries—whether between periods or between disciplines. Uniquely, it will combine efforts to engage the power and materiality of print with explorations of gender, race, and class. By attending as well to intersections of literature with the visual arts, medicine, law, and science, the series will enable a large-scale rethinking of the origins of modernity. Titles include: Scott Black OF ESSAYS AND READING IN EARLY MODERN BRITAIN Claire Brock THE FEMINIZATION OF FAME, 1750–1830 Brycchan Carey BRITISH ABOLITIONISM AND THE RHETORIC OF SENSIBILITY Writing, Sentiment, and Slavery, 1760–1807 E. J. Clery THE FEMINIZATION DEBATE IN 18TH-CENTURY ENGLAND Literature, Commerce and Luxury Adriana Craciun BRITISH WOMEN WRITERS AND THE FRENCH REVOLUTION Citizens of the World Peter de Bolla, Nigel Leask and David Simpson (editors) LAND, NATION AND CULTURE, 1740–1840 Thinking the Republic of Taste Elizabeth Eger BLUESTOCKINGS Women of Reason from Enlightenment to Romanticism Ina Ferris and Paul Keen (editors) BOOKISH HISTORIES Books, Literature, and Commercial Modernity, 1700–1900 George C. Grinnell THE AGE OF HYPOCHONDRIA Interpreting Romantic Health and Illness Ian Haywood BLOODY ROMANTICISM Spectacular Violence and the Politics of Representation, 1776–1832 Anthony S. Jarrells BRITAIN’S BLOODLESS REVOLUTIONS 1688 and the Romantic Reform of Literature Michelle Levy FAMILY AUTHORSHIP AND ROMANTIC PRINT CULTURE April London LITERARY HISTORY WRITING, 1770–1820 Robert Miles ROMANTIC MISFITS Tom Mole BYRON’S ROMANTIC CELEBRITY Industrial Culture and the Hermeneutic of Intimacy Nicola Parsons READING GOSSIP IN EARLY EIGHTEENTH-CENTURY ENGLAND Andrew Rudd SYMPATHY AND INDIA IN BRITISH LITERATURE, 1770–1830 Erik Simpson LITERARY MINSTRELSY, 1770–1830 Minstrels and Improvisers in British, Irish and American Literature Anne H. Stevens BRITISH HISTORICAL FICTION BEFORE SCOTT David Stewart ROMANTIC MAGAZINES AND METROPOLITAN LITERARY CULTURE Mary Waters BRITISH WOMEN WRITERS AND THE PROFESSION OF LITERARY CRITICISM, 1789–1832 Esther Wohlgemut ROMANTIC COSMOPOLITANISM David Worrall THE POLITICS OF ROMANTIC THEATRICALITY, 1787–1832 The Road to the Stage Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print Series Standing Order ISBN 978–1–4039–3408–6 hardback 978–1–4039–3409–3 paperback (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England Sympathy and India in British Literature, 1770–1830 Andrew Rudd Palgrave macmillan © Andrew Rudd 2011 Softcover reprint of the hardcover 1st edition 2011 978-0-230-23339-3 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2010 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-31342-6 ISBN 978-0-230-30600-4 (eBook) DOI 10.1057/9780230306004 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rudd, Andrew, 1979– Sympathy and India in British literature, 1770–1830 / Andrew Rudd. p. cm. Includes index. 1. English literature—18th century—History and criticism. 2. English literature—19th century—History and criticism. 3. India—In literature. 4. Orientalism in literature. I. Title. PR448.1534R83 2011 820.935854—dc22 2011004367 10 9 8 7 6 5 4 3 2 1 20 19 18 17 16 15 14 13 12 11 For my parents Contents List of Figures viii Acknowledgements ix Introduction 1 1 Edmund Burke and the Trial of Warren Hastings 26 2 ‘No Less Pious than Sublime’: The Sympathetic Vision of Sir William Jones 56 3 Sympathy in a Hot Climate: British and Indian Subjects at the Turn of the Century 87 4 Gothic Sympathy and Missionary Writing 117 5 Reorientating the Orient: Sympathy, the East and Romantic Period Literary Criticism 140 Epilogue: Orientalism under Pressure 165 Notes 169 Sources 195 Index 213 vii List of Figures 1.1 J ames Sayers, Galante Show ‘Redeunt Spectacula Mane’ (1788) Courtesy of the Lewis Walpole Library, Yale University 44 1.2 J ames Gillray, Camera-Obscura (1788) Courtesy of the British Museum 45 1.3 J ames Sayers, Last Scene of the Managers Farce (1795) Courtesy of the Lewis Walpole Library, Yale University 53 2.1 A rthur William Devis, Sir William Jones (1793) Courtesy of the British Library 71 3.1 T homas Daniell, View of Calcutta (1786–8) Courtesy of the British Library 94 viii Acknowledgements The book began as a doctoral thesis at the University of Cambridge. My first debt is to my supervisor, Nigel Leask, whose work on Romanticism and the East was the inspiration for my own project. Sincere thanks are due to Trinity College, Cambridge, for providing an exemplary research environment and support, including funding for a research visit to India through the Cambridge Commonwealth Trust and Eddington Fund. The project could not have been com- pleted without financial support from the AHRB (now the AHRC) who funded my postgraduate studies in their entirety. I would also like to thank Maggie K. Powell and the staff of the Lewis Walpole Library, Yale University, for a fruitful pre-doctoral fellowship in 2004. To my hosts in India, Sriram Kilambi and Cherry Verghese, I am under enormous obligation for their unfailingly generous hos- pitality. The expertise of librarians at the British Library, Cambridge University Library’s Rare Books department, the Bodleian Library (Rhodes House) and the Beinecke Rare Books and Manuscripts Library has been instrumental to my research. Many friends and colleagues have given advice, guidance and moral support along the way. Among them are Nigel Aston, Piers Baker-Bates, C.A. Bayly, Timothy Brittain-Catlin, Peter Cochran, Joanna de Groot, Georgina Evans, Michael J. Franklin, Katie Halsey, Howard Erskine-Hill, Mary Jacobus, Sarah Johnson, Louise Joy, Howard Leithead, P.J. Marshall, Jenny McAuley, Philip O’Connell, Jane Partner, Adrian Poole, Stephen Parkes, Lynda Pratt, Sophie Read, Rosane Rocher, Andrew Sanders, Alison Shell, Jane Slinn, A.J. Stockwell, Kate Teltscher, Shafquat Towheed, Andy Tucker and Angus Vine. Profound thanks are due to Jonathan Sanders, Alison Shell and Arnold Hunt for reading the manuscript in the final stages. Any remaining errors are, of course, my own. At Palgrave Macmillan I wish to thank Paula Kennedy for her help in bringing this book to fruition. Chapter 4 was previously published in a chapter of New Readings in the Literature of British India (Stuttgart: ibidem-Verlag, 2007), ISBN 978 3 89821 673 9, ed. Shafquat Towheed, and is republished with the kind permission of ibidem-Verlag. Chapter 5 was previously ix x Acknowledgements published in Romanticism 13.1 (2007) and reappears courtesy of Edinburgh University Press (the original can be consulted at http://www. eupjournals.com/journal/com). Finally, thanks to my parents and my sister Catherine. I owe more than words can express to Paul Burditt for his love and encouragement.

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