Table Of Content

TITLE PAGE Page: 2 CONTENTS Page: 3 INTRODUCTION Page: 5 POTTERIES BORN AND BRED Page: 12 BRINGING COLOUR TO GRAY’S Page: 15 HER OWN BUSINESS Page: 20 THE LEAPING DEER Page: 23 THE KESTREL YEARS Page: 29 PRESSED INTO PRINTING Page: 39 A NEW START Page: 49 LATER YEARS Page: 57 FURTHER INFORMATION Page: 63 INDEX Page: 64 IMPRINT Page: 65

Description:

During her sixty-five-year career, Susie Cooper introduced more than 4,500 ceramic patterns and shapes, making her one of the most prolific, versatile and influential designers the industry has ever seen. Between the 1920s and 1980s she moved from the bold hand-painting of the 'Jazz Age' through delicate wash banding and aerograph techniques to sophisticated lithographic transfer printing on both earthenware and bone china. Cooper not only led the charge of gifted female designers in the male-dominated Potteries but also pioneered the role of women in factory management. Alan Marshall here charts her progress from the creation of patterns for Gray's Pottery in the 1920s, to running her own Susie Cooper Productions from the 1930s to the 1950s, and designing for Wedgwood from the 1960s to the 1980s.

Susie Cooper PDF

2013·English

by Alan Marshall

#Art #Antiques & Collectibles #Antiques & Collectibles - Pottery & Ceramics #Biography & Autobiography #Ceramics #General #Pottery & Ceramics

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Preview Susie Cooper

TITLE PAGE Page: 2 CONTENTS Page: 3 INTRODUCTION Page: 5 POTTERIES BORN AND BRED Page: 12 BRINGING COLOUR TO GRAY’S Page: 15 HER OWN BUSINESS Page: 20 THE LEAPING DEER Page: 23 THE KESTREL YEARS Page: 29 PRESSED INTO PRINTING Page: 39 A NEW START Page: 49 LATER YEARS Page: 57 FURTHER INFORMATION Page: 63 INDEX Page: 64 IMPRINT Page: 65

Description:

During her sixty-five-year career, Susie Cooper introduced more than 4,500 ceramic patterns and shapes, making her one of the most prolific, versatile and influential designers the industry has ever seen. Between the 1920s and 1980s she moved from the bold hand-painting of the 'Jazz Age' through delicate wash banding and aerograph techniques to sophisticated lithographic transfer printing on both earthenware and bone china. Cooper not only led the charge of gifted female designers in the male-dominated Potteries but also pioneered the role of women in factory management. Alan Marshall here charts her progress from the creation of patterns for Gray's Pottery in the 1920s, to running her own Susie Cooper Productions from the 1930s to the 1950s, and designing for Wedgwood from the 1960s to the 1980s.

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