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Supernatural Encounters: Demons and the Restless Dead in Medieval England, c.1050-1450 PDF

243 Pages·2020·13.896 MB·English
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Studies in Medieval History and Culture SUPERNATURAL ENCOUNTERS DEMONS AND THE RESTLESS DEAD IN MEDIEVAL ENGLAND, C.1050–1450 Stephen Gordon Supernatural Encounters The belief in the reality of demons and the restless dead formed a central facet of the medieval worldview. Whether a pestilent-spreading corpse mobilised by the devil, a purgatorial spirit returning to earth to ask for suffrage, or a shape-shifting demon intent on crushing its victims as they slept, encounters with supernatu- ral entities were often met with consternation and fear. Chroniclers, hagiogra- phers, sermon writers, satirists, poets, and even medical practitioners utilised the cultural ‘text’ of the supernatural encounter in many different ways, showcas- ing the multiplicity of contemporary attitudes to death, disease, and the afterlife. In this volume, Stephen Gordon explores the ways in which conflicting ideas about the intention and agency of supernatural entities were understood and articulated in different social and literary contexts. Focusing primarily on mate- rial from medieval England, c.1050–1450, Gordon discusses how writers such as William of Malmesbury, William of Newburgh, Walter Map, John Mirk, and Geoffrey Chaucer utilised the belief in demons, nightmares, and walking corpses for pointed critical effect. Ultimately, this monograph provides new insights into the ways in which the broad ontological category of the ‘revenant’ was conceptu- alised in the medieval world. Stephen Gordon graduated with a PhD in medieval literature and archaeology from the University of Manchester, UK, and currently works at Royal Holloway, University of London. He is an interdisciplinary scholar of medieval and early modern supernatural belief and has published widely in his chosen research area. Studies in Medieval History and Culture Recent titles include The Charisma of Distant Places Travel and Religion in the Early Middle Ages Courtney Luckhardt The Death Penalty in Late Medieval Catalonia Evidence and Signification Flocel Sabaté Church, Society and University The Paris Condemnation of 1241/4 Deborah Grice The Sense of Smell in the Middle Ages A Source of Certainty Katelynn Robinson Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages Edited by Jenni Kuuliala and Jussi Rantala Supernatural Encounters Demons and the Restless Dead in Medieval England, c.1050–1450 Stephen Gordon First published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2020 Stephen Gordon The right of Stephen Gordon to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Names: Gordon, Stephen, 1985-author. Title: Supernatural encounters: demons and the restless dead in medieval England, c.1050-1450/Stephen Gordon. Description: Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Studies in medieval history and culture | Includes bibliographical references and index. Identifiers: LCCN 2019038938 (print) | LCCN 2019038939 (ebook) | ISBN 9781138361744 (hbk) | ISBN 9780429432491 (ebk) Subjects: LCSH: Occultism–England–History–To 1500. | Demonology–England–History–To 1500. | Supernatural–History–To 1500. Classification: LCC BF1434.G7 G67 2020 (print) | LCC BF1434.G7 (ebook) | DDC 133.40942–dc23 LC record available at https://lccn.loc.gov/2019038938 LC ebook record available at https://lccn.loc.gov/2019038939 ISBN: 978-1-138-36174-4 (hbk) ISBN: 978-0-429-43249-1 (ebk) Typeset in Times by Deanta Global Publishing Services, Chennai, India For my parents Contents List of illustrations viii Acknowledgements ix Abbreviations x Introduction 1 1 The Witch of Berkeley in context 28 2 The critical function of the walking corpse in William of Newburgh’s Historia rerum Anglicarum 75 3 Satirising the undead: Walter Map and the ambiguation of wonder 102 4 Between demons and the undead: Preaching practice and local belief in the sermons of John Mirk 130 5 ‘But whan us liketh we kan take us oon’: Vain surfaces and walking corpses in Chaucer’s Friar’s Tale 161 6 Nightmares and the supernatural encounter 187 Epilogue 219 Index 229 Illustrations Figures 1.1 Witch of Berkeley woodcut, in Hartmann Schedel, Liber chronicarum (Nuremberg: Anton Koberger, for Sebald Schreyer and Sebastian Kammermeister, 1493), fol. 189v. Chetham’s Library MUN I.8.2, Manchester. Photo: copyright of the University of Manchester 49 1.2 Witch of Berkeley woodcut, in Hartmann Schedel, Liber chronicarum (Augsburg, Schönsperger, 1497), fol. 211v. Chetham’s Library MUN 7.B.7.12, Manchester. Copyright of Chetham’s Library 50 1.3 Witch of Berkeley woodcut, in Olaus Magnus, Historia de Gentibus Septentrionalibus (Rome, 1555), p. 126. John Rylands Library SC10205C, Manchester. Copyright of the University of Manchester 50 1.4 Witch of Berkeley woodcut, in Conrad Lycosthenes, Prodigiorum ac ostentorum chronicon (Basel, 1557), p. 378. Chetham’s Library Mun 7.B.7.9, Manchester. Copyright of Chetham’s Library 51 1.5 Witch of Berkeley engraving, in Robert Southey, Poems: The Second Volume, 2nd ed. (Bristol,1800), p. 144. John Rylands Library Unitarian Printed Collection N405, Manchester. Copyright of the University of Manchester 54 1.6 A Tale of Wonder, watercolour, 23 × 20.6 cm. Edward Bell (1804). Credit: Wellcome Collection 56 Table 1.1 Diagram and table showing the literary dissemination of the Witch of Berkeley 58 Acknowledgements This book has been many years in gestation. The topic ultimately originates from a PhD thesis completed at the University of Manchester under the supervision of Drs Anke Bernau and Melanie Giles. I would like to give my wholehearted thanks to Anke and Mel for their insights and encouragement over the years. Earlier versions of chapters two, three, and six have appeared previously in Journal of Medieval History, English Studies and Social History of Medicine respectively. I would like to thank Taylor & Francis Ltd and Oxford University Press for giving me permission to reproduce and build upon these studies in the current volume. Special acknowledgements must be given to the image digitisation team at the John Rylands Library, Manchester, and Fergus Wilde from Chetham’s Library, Manchester, for their help in sourcing the images used in chapter one. Thanks also to Michael Greenwood at Routledge for his patience and enthusiasm in see- ing the project to completion. Similarly, I am grateful to the anonymous peer reviewers for their helpful comments on an earlier draft of the manuscript. Any errors, of course, remain entirely my own. Ultimately, I would not have been able to complete this project without the good humour of my brother David and love and support of my parents, Chris and Margaret, to whom this book is dedicated.

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