Table Of Content

Index to Volume 43 ARTICLES Auyouna, E.aine. “The Sense of Something More in Art and Experience.” .547 CarROLL, JosePu. “Intentional Meaning in Hamlet: An Evolutionary Perspective.” 230 CARROLL, Josepu. “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 Cook, Harpy M. “SHAKSPER Roundtable on Intentions: The Origins of the Collaboration with Style.” 412 Dessen, ALAN C. “The Elizabethan-Jacobean Script-to-Stage Process: The Playwright, Theatrical Intentions, and Collaboration.” 391 DiPietro, Cary. “Introduction: Shakespeare’s Intentions.” 293 DrakaAKkIS, JOHN. “Intention and Editing.” 365 EDGECOMBE, RODNEY STENNING. “Two Dickensian Features of Style.” 591 Epwarps, BRIAN. “The Inhibited Temperament in Sons and Lovers.” 62 EGAN GapRIEL. “Intention in the Editing of Shakespeare.” 378 Ecipi, Giovanna. “The Bushwhacked Piano and the Bushwhacked Reader: The Willing Construction of Disbelief.” 189 GEoRGIADES, STELIOS “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 GerrRIG, RICHARD J. “The Bushwhacked Piano and the Bushwhacked Reader: The Willing Construction of Disbelief.” 189 Gut, C. M. “Martyring Veda: Mildred Pierce and Family Systems Theory.” 81 606 Style: Volume 44, No. 4, Winter 2010 Index to Volume 43 ARTICLES Auyouna, E.aine. “The Sense of Something More in Art and Experience.” .547 CarROLL, JosePu. “Intentional Meaning in Hamlet: An Evolutionary Perspective.” 230 CARROLL, Josepu. “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 Cook, Harpy M. “SHAKSPER Roundtable on Intentions: The Origins of the Collaboration with Style.” 412 Dessen, ALAN C. “The Elizabethan-Jacobean Script-to-Stage Process: The Playwright, Theatrical Intentions, and Collaboration.” 391 DiPietro, Cary. “Introduction: Shakespeare’s Intentions.” 293 DrakaAKkIS, JOHN. “Intention and Editing.” 365 EDGECOMBE, RODNEY STENNING. “Two Dickensian Features of Style.” 591 Epwarps, BRIAN. “The Inhibited Temperament in Sons and Lovers.” 62 EGAN GapRIEL. “Intention in the Editing of Shakespeare.” 378 Ecipi, Giovanna. “The Bushwhacked Piano and the Bushwhacked Reader: The Willing Construction of Disbelief.” 189 GEoRGIADES, STELIOS “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 GerrRIG, RICHARD J. “The Bushwhacked Piano and the Bushwhacked Reader: The Willing Construction of Disbelief.” 189 Gut, C. M. “Martyring Veda: Mildred Pierce and Family Systems Theory.” 81 606 Style: Volume 44, No. 4, Winter 2010 Index of Volume 44 607 GOrTSCHALL, JONATHAN “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 GRETHLEIN, Jonas. “S. S. Officers as Tragic Heroes? Jonathan Littell’s Les Bienveillantes and the Narrative Representation of the Shoah.” 566 Harpy, Donacp E. “Politeness in Flannery O’Connor’s Fiction: Social Interaction, Language, and the Body.” JOHNSON, JOHN A. “Quantifying Tonal Analysis in The Mayor of Casterbridge.” Knapp, JOHN V. “Introduction: New Psychologies and Modern Assessments.” KruGer, Danie J. “Quantifying Tonal Analysis in The Mayor of Casterbridge 164 Laure-Ryan, Marit. “Narratology and Cognitive Science: A Problematic Relation.” 469 Mazer, Cary M. “Intentionality, the Theater Artist, and the Performance Historian.” 404 McFar.anb-Wi.son, Betu. “The Hobson Family System in Richard Powers’s Prisoner’s Dilemma.” 99 MEvERS, JEFFREY. “Thom Gunn and Caravaggio’s Conversion of St. Paul.” 586 Opipari, BENJAMIN. “Shhhhhhame: Silencing the Family Secret in Sam Shepard’s Buried Child.” 123 SavowskI, Piotr. “Androgyny and (near) Perfect Marriage: A Systems View of the Genders of Leopold and Molly Bloom.” 139 SCANLAN, SEAN. “Going No Place?: Foregrounding Nostalgia and Psychological Spaces in Wharton’s The House of Mirth.” 207 SCHALKWYK, Davip. “Giving Intention its Due?” 311 SALKELD, Duncan. “Shakespeare and ‘the I-word’” 328 RaABINOWITZ, PETER J. “Shakespeare’s Dolphin, Dumbo’s Feather, and Other Red Herrings: Some Thoughts on Intention and Meaning.” 342 608 Index of Volume 44 Tsur, Reuven. “Poetic Conventions As Cognitive Fossils.” 496 Womack, Kennetu. “Nothing’s going to change my world”: Narrating Memory and Selfhood with the Beatles.” REVIEW ESSAY Epwarps, BriAN. “Perennially Greene.” BOOK REVIEWS BARNES KATHERINE. “Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson by Sally Bushell.” PHiLipPpE BRAND. “/ntroduction a la narratologie: Action et narration by Francoise Revaz” Nico.e Cuirron. “John Lydgate’s Lives of Ss Edmund & Fremund and the Extra Miracles of StE dmund by Anthony Bale and A. S. G. Edwards, eds.” Epwarps, A. S. G. “An Introduction to Bibliographical & Textual Studies by William Proctor Williams and Craig S. Abbott.” Harpy, Donacp E. “Muses and Measures: Empirical Research Methods for the Humanities by Willie Van Peer, Jemeljan Hakemulder, and Sonia Zyngier.” Koun, Liperty. “Music, Language, and the Brain by Aniruddh D. Patel.” PALMER, ALAN. “Strange Concepts and the Stories They Make Possible: Cognition, Culture, Narrative by Lisa Zunshine.” PiTTARD, CHRISTOPHER. “Contemporary British Fiction and the Artistry of Space: Style, Landscape, Perception by David James.” SAUNDERS Nasu, KATHERINE. “Narrating the Prison: Role and Represen- tation in Charles Dickens’ Novels, Twentieth-Century Fiction, and Film by Jan Alber.” SCHAEFFER, JOHN. “Rhetorical Action in Ancient Athens: Persuasive Artistry from Solon to Demosthenes by James Fredal.”