Street Photography: From Atget to Cartier-Bresson

256 Pages·2007·22.27 MB·english

by  Clive Scott

street photography

street photography
from Atget to Cartier-Bresson
CLIVE SCOTT
Reprinted in 2009 by I.B.Tauris & Co. Ltd
6 Salem Rd, London w2 4BU,
175 Fifth Avenue, New York NY 10010
www.ibtauris.com
In the United States and Canada distributed by Palgrave Macmillan,
a division of St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010
First Published in 2007 by I.B.Tauris & Co. Ltd
Copyright © Clive Scott 2007
The right of Clive Scott to be identified as the author of this work
has been asserted by him in accordance with the Copyright, Designs
and Patents Act, 1988
All rights reserved. Except for brief quotations in a review, this book, or any
part thereof, may not be reproduced, stored in or introduced into a retrieval
system, or transmitted, in any form or by any means, electronic, mechanical,
photocopying, recording or otherwise, without the prior written permission
of the publisher.
ISBN 978 1 84511 223 3 Pb
ISBN 978 1 84511 268 4 Hb
A full CIP record for this book is available from the British Library
A full CIP record for this book is available from the Library of Congress
Library of Congress catalog card: available
Typeset in ITC Bodoni Book by illuminati, Grosmont,
www.illuminatibooks.co.uk
Printed and bound in India by Thomson Press (India) Ltd.
contents
acknowledgements vii
illustrations ix
introduction 1
1 out of the studio into the street 21
2 the street-photographic and the documentary 57
3 street arts and street métiers 90
4 street photography: the appropriateness of language
and an appropriate language 124
5 streets, buildings and the gendered city 162
conclusion 195
appendix 202
notes 211
references 221
index 229
acknowledgements
I owe my sincere thanks to Kaye Baxter, for stepping into the task of
tracking down images and permissions at short notice and for answer-
ing the challenge with such resilient efficiency and good-humoured
resourcefulness. We have done our utmost to trace and acknowledge all
sources, and we apologize for those few instances where our searches
were unsuccessful. I am also extremely grateful to my editor, Susan
Lawson, for her unfailingly wise advice and much-appreciated encour-
agement, and grateful, too, to Lucy Morton, who took the book through
design and production so helpfully and with such flair.

illustrations
Hippolyte-Auguste Collard, Hôtel de Ville, after the Fire (1871) xiii
(Hippolyte-Auguste Collard © Bibliothèque nationale, France)
1 André Kertész, Pavement (1929) 9
(André Kertész © Ministère de la Culture, France)
2 Robert Doisneau, Pavement (1932) 10
(© Robert Doisneau/RAPHO/HPP)
3 Wols, Pavement (1932–39) 11
(© Wols/DACS)
4 Jacques-Henri Lartigue, Avenue du Bois de Boulogne (1911) 13
(Jacques-Henri Lartigue © Donation Jacques-Henri Lartigue,
Paris)
5 Auguste Renoir, Place Clichy (c. 1880) 14
(© The Fitzwilliam Museum, Cambridge)
6 Édouard Manet, Music in the Tuileries (1862) 24
(© The National Gallery, London)
7 Édouard Manet, Luncheon in the Studio (1868) 25
(© Bayerische Staatsgemäldesammlungen/Artothek)
8 Marcel Bovis, Champs-Elysées (c. 1930) 27
(Marcel Bovis © Ministère de la Culture, France)
9 Gustave Caillebotte, Nude Woman on a Sofa (1873) 28
(Private collection)