Story telling Portrait PhotograPhy How to Document the Lives of Children and Families Paula Ferazzi Swift Kodak Gallery Portrait Award Winner Id edicate this book to my husband Chris for me every step of the way. I also would like to who believed in my talent as a photographer thank my three boys Ryan, Trevor, and Logan for when we first met in college as communications being my daily inspirations and for dealing with majors. He stood behind me through my career my camera from the moment they entered this as a photojournalist and supported my decision world. If it weren’t for them, I would not be the to open a child and family portrait photography photographer I am today. studio. I would like to thank him for being there Paula Ferazzi Swift Author A Book with Amherst mediA! Are you an accomplished photographer with devoted fans? Consider authoring a book with us and share your quality images and wisdom with your fans. It’s a great way to build your business and brand through a high-quality, full-color printed book sold worldwide. Our experienced team makes it easy and rewarding for each book sold—no cost to you. E-mail [email protected] today! Copyright © 2017 by Paula Ferazzi Swift All rights reserved. All photographs by the author unless otherwise noted. Published by: Amherst Media, Inc., P.O. Box 538, Buffalo, N.Y. 14213 www.AmherstMedia.com Publisher: Craig Alesse Senior Editor/Production Manager: Michelle Perkins Editors: Barbara A. Lynch-Johnt and Beth Alesse Acquisitions Editor: Harvey Goldstein Associate Publisher: Kate Neaverth Editorial Assistance from: Ray Bakos, Rebecca Rudell, Jen Sexton Business Manager: Adam Richards ISBN-13: 978-1-68203-148-3 Library of Congress Control Number: 2016945445 Printed in The United States of America. 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher. Notice of Disclaimer: The information contained in this book is based on the author’s experience and opin- ions. The author and publisher will not be held liable for the use or misuse of the information in this book. www.facebook.com/AmherstMediaInc www.youtube.com/AmherstMedia www.twitter.com/AmherstMedia Contents About the Author ..........................5 Multiple, Simple Props.....................30 Time to Warm Up .........................6 Entertained..............................30 Capturing Genuine Smiles .................6 Position Quickly ..........................31 Morning Light Filtered......................7 Children Will Do Things, Over and Over......32 Make the Session Fun .....................8 Sunlight as a Backlight ....................32 Genuine Moments ........................8 Tea for Four..............................33 Formal Portrait in the Park . . . . . . . . . . . . . . . . . .9 Not Feeling Stressed ......................33 Photojournalism Skills .....................9 If They Don’t Like the Grass ................34 Foreground to Show Who Rules ............10 Keep Them in One Spot....................34 Document a Fleeting Time ................10 Sitting Babies in a Crate . . . . . . . . . . . . . . . . . . .34 Multiple Ages ...........................11 Leading Lines ............................36 Interacting and Trusting...................11 Warmer Colors and Light ..................36 A Sweet Moment ........................12 Sunlit Face...............................37 Filter through the Trees ...................12 Open Sky................................37 Get More in the Foreground ...............13 Siblings and Their Pets ....................38 Children Grow So Fast.....................13 Pets Posing According to Species............39 Layering the Subjects ....................14 Cats ....................................39 Apply Filter to Desaturate .................14 A Series from a Family Session..............40 Background Action........................15 Using Available Light......................40 The Bag of Tricks ........................16 Who’s Walking Who?......................41 A Moment of Looking ....................16 Show Natural, Late-Afternoon Light .........42 Eskimo Kisses ...........................17 Matching Sweaters .......................42 Adorable Twins ..............................18 Matching Colors..........................43 Positioning for the Background .............18 A Great Memory Captured.................43 A Sense of Humor.........................19 Amazing Personalities.....................44 Not Looking at the Camera ................19 Priceless Expressions......................44 End-of-Session Dance......................20 Out-of-Focus Subject Can Work .............45 Ring Around the Rosie.....................21 Follow the Subject, Change Focus ...........45 Song Bring Them Back.....................21 Keep Shooting ...........................46 Have Them Whisper Something.............22 Catch Those Details.......................46 Funny Secrets ............................22 Shoot, Shoot, and Shoot ...................47 A Kiss for Him............................23 A Beautiful Portrait .......................49 A Fun Storytelling Series . . . . . . . . . . . . . . . . . . .23 Shoot Fast...............................49 A Red Wagon ............................24 Running and Walking Away ................49 Genuine Smiles...........................24 Document the Moments ...................50 Warm Afternoon Light.....................25 Just Out of the Frame .....................51 A Simple Prop Helps Catch the Moment......25 Create a Silhouette .......................52 An Expression that Tells the Story ...........26 A Wide-Angle Lens for Sense of Location .....53 Best Smile and Eye Contact ................26 Silhouettes, a Favorite Ending ..............54 Contained in One Place....................27 Recreate a Silhouette......................54 Color Harmony...........................27 Time for Adjustments......................54 An Amazing Prop . . . . . . . . . . . . . . . . . . . . . . . . .28 A Welcome Change .......................56 Let Them Have Fun........................28 Time to Warm Up.........................56 A Fun and Easy Session....................29 Start Two Hours Before Sunset..............57 Add a Filter to Match the Scene.............29 A Storytelling Element.....................58 contents 3 Following Them Up the Path................58 Open Shade on the Porch..................93 Go-to Action Poses .......................59 Happiness and Giggles....................93 In Action with Their Child ..................59 Get to Know You..........................94 Moments of a Child’s Discovery.............60 A Peek-a-Boo.............................94 Documenting Family Moments.............61 Happy Expression.........................94 Keepsakes of Mommy-and-Me..............62 A Favorite Location .......................96 Looking at the Same Time..................63 Capture Their Pauses......................97 A Special Moment Captured................64 The Things They Love......................97 Ready for the Swan .......................65 A Parent or Assistant Should Always Be Near .98 Picturesque Background...................65 Two Subjects with Selected Focus ...........99 A Nice Snuggle Moment . . . . . . . . . . . . . . . . . . .66 A Zoom Lens Follows the Action.............99 A Kiss on the Cheek.......................67 Finding the Right Light ...................100 A Moment to Remember...................67 Noisemakers to Get Attention .............101 The Setting Sun Lights a Face...............68 Photographic Access.....................101 The Look ................................69 Time to Discover.........................102 A Great Trick.............................70 Capturing Moments of Discovery ..........102 Time in between Moments .................70 Looking ................................103 So Expressive ............................71 “Look at Me”............................104 More In-between Moments.................71 Recording the Awe.......................105 Affection ................................72 Backlit Bubbles..........................105 A Kiss on the Head........................73 Offer a Captivating Location ..............106 Showing Their Love .......................74 Reposition Yourself ......................106 Cheek to Cheek ..........................75 Different Heights of Fence Rails............107 Then and Now............................75 No Prompting Needed....................107 Together and Interacting...................77 Angle to Exaggerate Size and Height .......108 Hugs For a Beautiful Portrait ...............77 Switch to a Telephoto Lens ................108 Have Siblings Interact.....................78 A Dramatic Feel .........................109 Something Fun to Do......................78 Discovering.............................110 A Few Seconds to Capture .................79 Mom Is Just out of the Frame..............110 The Yellow Leaf Road......................80 Zoomed In..............................111 A Beautiful Light from Behind.............. 80 Overcast Sky Filters the Light..............111 A Colorful Element........................81 Piggyback Ride Pose .....................113 A Reflector for Fill.........................81 An Interactive Pose ......................113 Four Sisters..............................82 More in-between Moments................114 Moving Keeps Them Engaged ..............83 During a Break..........................115 All Together..............................83 Follow the Leader........................116 Into the Leaves...........................84 Down the Path ..........................116 Journalistic Sessions ......................84 A Moment, Stopped and Remembered......116 Capture the Peak Action...................85 A Timeless Feel..........................119 Key Motions Are Clues.....................85 Departing Image ........................119 A Starting Place ..........................86 Little Walks.............................120 Be Ready with another Camera and Lens.....86 Returning Walk..........................120 Moving to a Second Location...............87 Free and Roaming .......................121 Zoom in to Capture Activity ................87 Finding That I’ve Made a Capture . . . . . . . . . .122 Doing It Over and Over Again ..............88 Show a Progression......................122 Multiple Angles ..........................88 A Perfect Walking Moment................123 A Great Place to Sit .......................89 Gear...................................124 A Warm Tone from the Setting Sun ..........90 Fill Gear for Natural Light.................124 A Great Ending...........................90 A Tri-Grip Reflector and a Place to Sit .......125 Photographing Children at Their Home ......92 Index...................................126 Photojournalistic Style.....................92 4 storytellinG PortrAit PhotoGrAPhy about the author sional organizations as the Professional Photographers of America, Professional Photographers Association of Massachusetts, and American Society of Photographers. In 2009 Paula was the recipient of the Hallmark Award for best color portrait. She was also presented the Kodak Gallery Portrait Award for the highest scoring portrait print, judges choice ribbon, and three blue merit ribbons at the Professional Photographers Association of Massachusetts annual print competition, 2010 through image by christopher swift 2016. Her work was recognized and awarded the high- est honor of Loan Collection and General Collection Paula Ferazzi Swift, M. Photog., Cr., CPP, is a Master at the Professional Photographers of America Interna- Photographer, Photographic Craftsman, Certi- tional Photographic Competition. Recently, Paula Swift fied Professional Photographer, and an international, Photography was featured by CBS Boston as one of the award-winning photographer working in the Boston best Boston Family Photographers. Paula continues to metropolitan area. She specializes in the art of captur- grow her craft by attending professional photography ing images of children, their families, and relationships seminars and workshops, and she is currently sharing her of couples. Paula’s professional photography studio is in knowledge by speaking at seminars and authoring books. Sudbury, MA. Her work has been published in a variety of publica- Photography has been Paula’s passion ever since tions, including The Boston Globe, The Boston Herald, The she was a child, as she was the subject of many photos Los Angeles Times, The New York Times, The Washington taken by her older sister, a photojournalist. She received Times, Time, Newsweek, USA Today, and Esquire. her first manual camera and introduction to its magical In 2015, Paula Swift began teaching other photog- world at age thirteen. Later, she received two college raphers about newborn photography and storytelling degrees in photography. Paula received an A.S. in Visual portrait photography. She also speaks throughout New Arts-Photography and B. S. in Communications Media- England on her photojournalism experience and how Photography. She worked as a staff photojournalist at the she incorporates that unique career into her everyday Worcester Telegram & Gazette for ten years. After having portrait photography work. had her first son in April 2003, Paula decided on a new Paula, who grew up in Longmeadow, MA, cur- path into the world of children and family portraiture. rently lives in Framingham, MA with her husband Chris Paula is a nationally-recognized photographer for her and their three sons Ryan, Trevor, and Logan—her published work in newspapers and magazines. She has inspirations. been nominated for and won several national and inter- national awards including the recognition of her and the www.paulaswift.com photography staff at the Worcester Telegram & Gazette as www.facebook.com/PaulaSwiftPhotography finalists for the 1999 Pulitzer Prize in Feature Photog- www.twitter.com/PaulaSwiftPhoto raphy for their coverage of the Worcester Warehouse fire www.youtube.com/user/PaulaSwiftPhoto that killed six Worcester, MA, firefighters. Paula has won National Press Photographers Association and New Eng- land Associated Press Editors Association awards for her photojournalism work, as well as local advertising awards for her photography. She is a member of such profes- About the Author 5 field and had the big brother who was three years old try and tickle her as mom and dad did, too. What worked perfectly was when big brother took a long piece of grass to engage his little sister. Everyone was smiling and giggling in the moment. I love that they weren’t looking at the camera during this time to Warm up family moment. Late afternoon light was filtered by light A family of four, with a three-year-old and cloud cover, which was perfect for this open- one-year-old, hired me to photograph them sky session. on a fall afternoon. The little one-year-old girl needed some time to warm up to me. sPecs > Canon Mark III with 135 2.0 lens at 1/ 500 So I started with the family sitting down in a second F3.5, and ISO 400. , capturing Genuine smiles Once the little girl and family were comfort- able with me, laughs and smiles were abun- dant during their fall session. We had about an hour of nice light left. The sun peeked through the back of a Japanese maple, adding warm fall colors on a day when the season’s foliage had not quite turned in this New England location. I love captur- ing genuine smiles that families share during their sessions. sPecs > Canon Mark III with 135 2.0 lens at 1/ 500 second F3.5, and ISO 400. , 6 storytellinG PortrAit PhotoGrAPhy Morning light Filtered sPecs > Canon Mark II using a 70–200 II IS at 160mm, f/4, 1/ second, and ISO 250. 250 This family returned to celebrate their son’s one-year birthday. I had photographed him for his newborn session, so it was great to see him outdoors and to see him grow up I had favorable into a little boy. This image was taken in May when the leaves were nice and green, and the open sky behind morning light was filtered by the tree cover. me helping to light I had favorable open sky behind me helping to light the family. Mom and dad just looked the family. and talked to their boy as he smiled away in his mom’s arms. The eye contact that mom and dad had with their son was beautiful at this moment. storytellinG PortrAit PhotoGrAPhy 7 son and their daughter came running up behind dad. It was a moment in between moments, but they all looked at my camera at the same time as I fired away to capture those authentic expressions. It was an overcast morning with open sky behind them and in front of them for natural fill. sPecs > Canon Mark II using a 70–200 at 150mm, f/4, 1/ second, and ISO 200. 640 Genuine Moments I love to sit young families down on the ground during their sessions whenever possible. This helps for the younger children to feel more at ease and not as nervous when I’m photographing them. Especially when it’s their first ses- sion with me. They soon learn to trust me, as mom and dad are smiling and so is their older sibling. This session was one of those instances. Big brother had been photographed by me years before and seemed very comfortable with me; his brother definitely had some reserva- tions. However, once they sat down and mom raised him up in the air, his brother tickled his belly, everyone started laughing and he began to smile Make the session Fun and have fun. He forgot I was there, which is important so that I can capture those genu- I first met this family when their little girl ine moments during my family sessions. was just four months old. Fast forward a few They are sitting under tree cover on an years and she is a big three-and-one-half- early fall morning with open sky in front of year-old sister to her little eighteen-month- them for fill. I laid down on my belly a bit to old brother. These ages can be tough if you get lower than them. try to pose them. I made it an enjoyable session by letting them have fun. I sat the sPecs > Canon Mark III using a 135mm, f/3.5, 1/ 500 parents down in the grass as mom held her second, and ISO 400. 8 storytellinG PortrAit PhotoGrAPhy Formal Portrait in the Park throughout this location. His twins wanted to be near dad and to touch the trombone, It was a beautiful fall morning when I met so mom kept on trying to hold them back this family for a formal portrait session in the gently. I loved this moment as it appeared for Boston Public Gardens. They had nearly- just a few seconds. two-year-old twins who were on the go. The foliage was a great combination with the col- sPecs > Canon Mark II using a 135mm, f/4, 1/ 500 ors they wore. Mom and dad would lift each second, and ISO 250. child up as they would try to run toward the lagoon. I followed them through- out the location, capturing them as they carried on. This captured moment was great as the little girl peered over at me and smiled. The sky was overcast with light reflected in from a nearby building and the pond- water surface. sPecs > Canon EOS 5D Mark II using a 70–200mm, f/2.8, 1/ second, 500 and ISO 400. Photojournalism skills I use my photojournalism skills at every session, wait- ing for those unexpected moments like this one. Dad had brought his trombone to the session and started playing it at the Boston Public Gardens, which if you have ever been to the garden, is not unheard of. Lots of musicians play storytellinG PortrAit PhotoGrAPhy 9 Foreground to show Who rules I photographed this family with their one-year-old son who loved to show me around their family farm. I wanted to show how he was the ruler of the family, in a nice way, and created a layer by placing him in the foreground with his parents smiling in the back- ground. They stood under green tree cover, and I used the sky and house behind me for a nice natural fill. sPecs > Canon Mark II using a 70–200mm at 85, f/3.5, 1/ second, and ISO 250. 500 This is a great moment, especially for a new walker. Document a Fleeting time After capturing him looking my way, I had his mom and dad call him so he would walk back their way. This is a great moment, especially for a new walker. It documents that fleeting time from toddler to boyhood—a stage which passes in the blink of an eye, and parents forget how quickly it hap- pens. He was still under tree cover, so my exposure stayed the same. sPecs > Canon Mark II using a 70–200mm at 85, f/3.5, 1/ second, and ISO 250. 500 10 storytellinG PortrAit PhotoGrAPhy