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Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling PDF

380 Pages·2005·5.35 MB·English
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Preview Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling

L E E T S R I A H C E H T O T D A E H The Pleasure and Pain of Professional Wrestling EDITED BY NICHOLAS SAMMOND DUKE UNIVERSITY PRESS DURHAM AND LONDON 2005 ©2005DukeUniversityPress Allrightsreserved PrintedintheUnitedStatesof Americaonacid-freepaper DesignedbyRebeccaM.Giménez. TypesetinAdobeMinionby TsengInformationSystems. Republicationinformationand LibraryofCongressCataloging-in- PublicationDataappearonthe lasttwoprintedpagesofthisbook. Researchandworkforthisvolume weresupportedbytheAndrewW. MellonFoundationandWashington University,SaintLouis. ForSputnikMonroe,who tookthecolorbartothemat S T N E T N O C Acknowledgments•ix NICHOLASSAMMONDIntroduction: CATHERINESALMONANDSUSAN ABriefandUnnecessaryDefenseof CLERC‘‘LadiesLoveWrestling,Too’’: ProfessionalWrestling•1 FemaleWrestlingFansOnline•167 S ROLANDBARTHESTheWorldof LAURENCEDEGARISThe‘‘Logic’’of Wrestling•23 ProfessionalWrestling•192 HENRYJENKINSIII‘‘NeverTrusta LUCIARAHILLYIsrawWar?Profes- Snake’’:wwfWrestlingasMasculine sionalWrestlingasPopulars/mNar- Melodrama•33 rative•213 SHARONMAZER‘‘RealWrestling’’/ PHILLIPSERRATONotQuiteHeroes: ‘‘Real’’Life•67 Race,Masculinity,andLatinoProfes- sionalWrestlers•232 CARLOSMONSIVÁISTheHourof theMaskasProtagonist:ElSanto DOUGLASBATTEMAANDPHILIP versustheSkepticsontheSubjectof SEWELLTradinginMasculinity: Myth•88 Muscles,Money,andMarketDis- courseinthewwf•260 HEATHERLEVITheMaskofthe Luchador:Wrestling,Politics,and HENRYJENKINSIIIAfterword,Part IdentityinMexico•96 I:WrestlingwithTheory,Grappling withPolitics•295 NICHOLASSAMMONDSquaringthe FamilyCircle:wwfSmackdownAs- HENRYJENKINSIVAfterword,Part saultstheSocialBody•132 II:GrowingupandGrowingMore Risqué•317 Glossary•343 Contributors•345 Index•347 A C K- N O W- L E D G- M E N T S DougBattemaandPhilipSewell: TheauthorsthankNicSammond,edi- torofthisanthology,forhisrigorous HeilandandPeterFalkenbergforkeep- andinsightfulcritiquesoftheiressay. ingmeonpoint.Allerrorsoffactand TheauthorsalsothankKimBjarkman analysisareevermoremyown. forherscholarlyinputandsupportin formulatingthisproject. LuciaRahilly:ManythankstoChris Straayer,ChairoftheCinemaStudies LaurencedeGaris:Iwouldlike Departmentatnyu,andtomycol- tothankeverybodywhoevertooka leaguesCarlaMarcantonioandArash bumpforme.Iappreciateitandhope Hodafortheirinvaluableinsightsand tosomedayreturnthefavor. supportintheearlystagesofformulat- ingthisessay. HeatherLevi:HeatherLeviwould liketothankthefollowingpeople:My NicholasSammond:Theeditor generousandpatientteacher,Professor wouldliketothankHenryJenkins LuisJaramillo;VíctorMartínezofDe- III,AnnaMcCarthy,MargaretGarb, portesMartínez;andAnneRubenstein, TimothyParsons,CynthiaChris, VereniceNaranjo,andIsabelPinedo KevinDunn,AnnaCreadick,Chandra fortheirongoingassistanceandsup- Mukerji,andEricSmoodinfortheir portwiththisproject. invaluablefeedback.Thanksalsoto KenWissokerandtheeditorialstaffat SharonMazer:ImustthankJohnny DukeUniversityPressfortheirsupport S RodzandthewrestlersatGleason’s andencouragement.Specialthanks Gymfortheirgenerosity;inparticular, toEmmaBianchiandNeonWeissfor LarryBrisco,withhisacademicalter- theirimmoralsupport.Finally,my ego,andLaurencedeGaris,whohas thankstoAmyGreenstadt,U.S.A.,who lookedovermyshoulderthroughout patientlyabidedwhenIchangedthe thisresearch.ThanksalsotoDonna channeltodoresearch—andreadand reread—myundyingdevotion. PhillipSerrato:Mythanksgoto LauraE.Ramirez-Diaz,Dr.MikeLano, BrianBukantis,andArenaPublishing.

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