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Spies The Secret Agents Who Changed the Course PDF

290 Pages·2007·1.97 MB·English
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Spies have long existed in the popular With wit and crisp, journalistic precision, imagination as glamorous and shadowy Volkman recounts a number of surprising figures. But how much is known about the real-life practitioners of the "black art" of espionage curiosities, including Pope Paul espionage? In this enthralling look into the Vl's work for the CIA, Graham Greene's less world of covert intelligence, renowned his- than glorious stint as a British agent, and torian of espionage Ernest Volkman strips the bizarre story of "Papa's Crook Factory," away the myths and Hollywood hype to re- Ernest Hemingway's amateur spy ring in veal the actual human dramas behind "the Havana. Also included are pioneers of mod- world's second oldest profession." ern espionage such as the hard-hearted Spies is a twentieth century "Hall of Infamy" "Fraulein Doktor," Elsbeth Schragmueller. packed with gripping true spy stories profil- The mother of modern intelligence training, ing many of this century's most notable she was the creator of the "discard," the agents, assets, sleepers, spymasters, and deliberate sacrifice of one agent to protect moles. These are the women and men whose another more important one from detection. espionage feats have, for better or worse, Her story, along with others such as those of irrevocably altered the course of history. Laventri Beria, architect of Stalin's police You'll read of the amazing exploits of leg- state, and of Claude Dansey, the cantanker- ends such as: ous and much reviled spymaster of Britain's MI6, bring history to life. • "Counterfeit Traitor" Eric Erickson, the A solid reference work and an exciting read, American businessman who, posing as a Swedish Nazi, helped stanch the flow Spies offers a uniquely intimate look into the of oil to Hitler's war machine and end shadowy world of espionage. the war in Europe ERNEST VOLKMAN, formerly a prize-winning • Fritz Kauders, the Viennese Jew who national correspondent for Newsday, has went from being a small time confi- been a journalist for more than thirty-five dence trickster to become one of Ger- years He specializes in the dark world of many's most valued spies and a Soviet espionage, a subject about which he has double agent written hundreds of articles and several • Amy Thorpe, the gorgeous American books, including Secret Intelligence—the debutante turned superspy companion volume to the U.S. television series by that name, for which he served as • British agent 17F, Ian Fleming, author consultant—and Warriors of the Night, a criti- of some of the most outrageous (and cal history of American intelligence that is effective) "dirty tricks" in the annals of spydom now required reading in several U.S. military intelligence training courses. Mr. Volkman • Dutch housewife turned burlesque has lectured on intelligence at a number of dancer, turned secret agent Margareta universities and government agencies, has Zelle, a.k.a. Mata Hari, who, contrary to served as a consultant for several foreign- popular belief, was neither beautiful produced documentaries dealing with espi- nor a very good spy onage, including those done by ITV and BBC • Brilliant Soviet superspy Richard in Great Britain, and he has appeared on Sorge, whose intelligence gathering various American news programmes includ- operation in Japan balked Nazi Ger- ing "Nightline" and "Today." many's attempt to seize Moscow Contents Introduction vii Glossary xi The Agencies xv The Moles Fritz Kauders: Triumph of the Schieber 2 H. A. R. Philby: The Mole's Mole 8 Anthony Blunt: "The Pope Wants You!" 17 Oleg Penkovsky: Soldier for Peace 23 George Blake: The Manchurian Candidate 31 Nikolai and Nadjeda Skoblin: Death and the Kursk Nightingale 37 Israel Beer: The Man Who Never Was 43 Vladimir I. Vetrov: The Murder of Line X 48 Defectors: The Storm Petrels Afansy M. Shorikhov: Flight of the Football Fan 56 Igor Gouzenko: The First Man 61 Anatoli Golitsin: Even a Paranoid Has Enemies 70 Whittaker Chambers: The Man with Two Faces 76 The Legends Leiba Domb: The Red Orchestra 82 Wilhelm Wassmuss: The German Lawrence 90 Ian Fleming: Art Imitates Life 94 Dusko Popov: The Real James Bond 98 F. W. Winterbotham: The Spy in the Sky 103 Amy Thorpe Pack: The Siren Spy 107 Richard Sorge: The Greatest of Them All 112 Ruth Kuczynski: The Radio in the Teddy Bear 121 Herbert Yardley: The American Black Chamber 127 Eric Erickson: The Counterfeit Traitor 132 Elsbeth Schragmueller: Fraulein Doktor 136 CONTENTS vi Margareta Zelle: Mata Hari, The Eye of Dawn 140 Wolfgang Lotz, Eliyahu Cohen: The Eyes of Israel 144 The Traitors Larry Wu-Tai Chin: The Spy in the Casino 154 Klaus Fuchs: The Man Who Stole the Atomic Bomb 158 Alfred Redl: Feasting with Panthers 163 The Spymasters K'ang Sheng, Tai Li: Terror in China 170 Markus Wolf: The Hour of Karla 177 William Stephenson: The Saga of Intrepid 183 Claude Dansey: The King of Z 189 Feliks Dzerzhinsky, Jan Berzin: Midnight in Lubyanka 195 Kenji Doihara: The Snake in the Basket 205 The Infamies Laventri Beria: "Give Me a Man" 210 Reinhard Heydrich: A Terrible Secret 215 Gabor Peter: The Hunchback of Budapest 222 Some Mysteries . . . Heinrich Mueller: A Nazi in Moscow 230 Rudolf Roessler: The Enigma of Lucy 237 Vitali Yurchenko: The Spy Who Changed His Mind 247 Nicolai F. Artamanov: The Double Agent Who Wasn't 254 . . . and a Few Curiosities Ernest Hemingway: Papa's Crook Factory 260 Graham Greene: Our Man in Havana 266 Giovanni Montini: The Pope as Spy 270 W. Somerset Maugham: Our Man in Petrograd 277 Index 281 Introduction "Espionage," former CIA Director Allen Dulles once remarked, "is not a game for archbishops." Just so. The game of intelligence—to use the modern polite euphemism for spying—has been called "the world's second old- est profession," and it has much of the same tawdry reputation as its two historical contempories. According to historians, espi- onage was one of three primordial professions that emerged at the beginning of the human experience on this planet: shaman, harlot, and spy. Shamans ultimately became politicians and law- yers, while spies and harlots evolved into . . . well, spies and har- lots. It is a matter of opinion which profession has acquired the most odious reputation. There is no dispute, however, about which profession has the most ambiguous reputation. Spies are alternately reviled and honored, rewarded and ignored, praised and disowned. This is largely a matter of perspective. Nathan Hale, the American spy during the Revolutionary War, is honored by his countrymen for his famous statement ("I regret that I have but one life to give to my country") upon the occasion of his execution by the British. But the British view of Hale is very dif- ferent, understandably considering the number of British sol- diers who died as a result of the intelligence he provided to Gen- eral Washington. Similarly, the great Soviet spy Richard Sorge was posthumously honored by a commemorative postage stamp issued by Moscow some 25 years after his execution by the Japa- nese. But Germany will never proffer such an honor, for thou- sands of its young men died in the snows around Moscow in the winter of 1941 at the hands of Siberian troops shifted west to defeat the German onslaught against Moscow—a deployment that took place after Sorge found out the Japanese had decided not to invade the Soviet Union. Even today, in a time of vast national espionage establish- ments that has made the business of spying institutionalized, INTRODUCTION viii "spy" is still not a nice word. (Which is why espionage organiza- tions prefer to call themselves "intelligence agencies," and their employees prefer the job title "intelligence officer.") However much modern political cynicism might concede the necessity of snooping on certain other people in a dangerous world, espio- nage is not a profession parents hope their children will enter. Spying acquired its unsavory reputation at the moment of its birth, somewhere around 5,000 years ago in ancient Egypt, when King Thutmosis III hit upon the idea of concealing men inside flour sacks to spy on the besieged city of Jaffa. Thutmosis organized history's first official government state espionage ap- paratus, an innovation he later had chiseled among hieroglyphics recording the triumphs of his reign—although he was careful to categorize his espionage feats under the heading of "secret sci- ence." They represented a distinctly secondary note alongside such real accomplishments as the construction of cities and the filling of granaries that provided food for his people. Thutmosis may have been a great spymaster, but he sensed there was some- thing not quite nice about snooping, even on his enemies, and it is clear that he much preferred to be remembered for other ex- amples of his statecraft. The Bible subsequently recorded Moses dispatching spies to "go spy the land," but it was not until the creation of great nation states three centuries ago that organized espionage—and spies— became an integral part of statecraft. At the same time, a distaste for spies and spying began to develop among the people of those great nation states. (James Bond is only the latest in a long line of fictional characters who never seem to dirty their hands in the real-life grubby world of the spy.) In the twentieth century, entire armies of spies have been deployed during a period in history marked by almost continuous war. And where there is war, there are spies. To confront the more than 200,000 spies employed by the Soviet Union at the height of its power, and the slighdy smaller espionage army of the United States is to understand how deeply spying has woven itself into the fabric of modern civilization. This century has sometimes been called "the century of the spy," because the insatiable quest for information by modern in- dustrialized states has created the vast armies of spies who have come to play such a critical role in the course of world history. This book makes no attempt to consider all the men and women of those armies. Such a task would be impossible between the INTRODUCTION ix covers of any size book; literally millions of spies have practiced what is still known as the "black art." But there has been only a relatively small number whose work has had a dramatic impact on history. These are the men and women who have directly af- fected the fate of empires, of nations, of history itself. Be warned, however; none of these people possess the stuff of greatness. They run the gamut of human beings, from the brave to the cowardly, from the wise to the foolish, from the in- telligent to the appallingly stupid. Some are extraordnary people, some very ordinary, and others somewhere in between. There is no common thread that unites them, except that all of them have been governed by the Three Great Spy Commandmants: I. Thou Shalt Not Get Caught II. If Thou Ist Caught, We Have Never Heard of Thee III. Given the Foregoing, No Other Commandments Are Necessary This book grew out of some discussions with members of the American intelligence community—as they prefer to call them- selves—who like to ruminate on the place of the spy in history. As those conversations developed, a gradual consensus emerged: among the many spies who have ever attired themselves in the metaphorical cloak and dagger, it is astonishing how many of them had no impact whatsoever. Which is to say either they failed, or the governments that hired them failed. The exceptions to that general rule represent the core of this book. I should emphasize that the men and women ultimately selected for inclusion in this volume are the result of my own research and conclusions. I'm certain that a fair number of peo- ple in the intelligence community will object to the inclusion of some names, and argue for the addition of others. I take full responsibility for the final list in this book, along with my inter- pretations. Readers may find a few familiar names missing—along with a few surprises. A word on methodology. The spies discussed in this book are slotted into a number of categories, including moles, defec- tors, legends, traitors, spymasters, and infamies, along with sev- eral people I categorize as "mysteries" and "curiosities." Because a number of espionage careers overlap, readers will find some names bold-faced; those names so highlighted are treated sepa- rately elsewhere in the book. The names in this virtual espionage hall of infamy—spydom's "greatest hits," if you will—are listed x INTRODUCTION in no particular order, chronological or otherwise. Spying, as its adherents learned a long time ago, is an activity that resists easy categorization. As usual, this book would not exist without the advice, support, and direction of every writer's dream of a literary agent, Victoria Pryor of Arcadia. ERNEST VOLKMAN Danbury, Connecticut Winter, 1993 Glossary Like many other fields of human endeavor, espionage has its own special language. Whenever possible, I have tried to avoid using the jargon in this book, but unavoidably, there are some unique terms that have no ordinary language equivalents: AGENT: A spy in the pay of a nation's intelligence service on a regular, salaried basis, with the status of government em- ployee. AGENT OF INFLUENCE: An asset (a term to be defined subse- quendy), usually in an important government position, who is assigned the job of influencing policy, rather than col- lecting intelligence. AGENT PROVOCATEUR: An asset, usually under control of a counterintelligence or police agency, assigned to infiltrate a political organization and instigate violent action designed to discredit that organization and justify extreme counter- measures. ASSET: A foreigner enrolled by an intelligence service—either for pay or because of political conviction—to serve as an intelligence source. BLACK BAG JOB: Break-in or burglary to gain access to secret papers, which are photographed and returned, customarily in the same operation. Such operations are carried out by highly trained teams to conceal any trace of their presence. BLACK PROPAGANDA: Propaganda whose origin is completely disguised and takes the form of a "clandestine" operation by alleged political dissidents against the target country, most often by means of a "secret" radio station within the country's borders or just outside them. The station is actu- ally created by agents of a hostile intelligence service trained in such techniques, and is designed to sow discord and con- fusion while boosting the political fortunes of an "exile" faction. BLOWN: Agent or asset revealed to counterintelligence. Also called "burned." xii GLOSSARY BRUSH CONTACT: Rapid, apparently accidental, contact between an agent or asset and a case officer or control agent to exchange material, most often in a crowded public place to confuse surveillance. CASE OFFICER: Agent assigned to supervise an agent or asset (or a network—"ring"—of them), in matters of pay, collec- tion of intelligence, and other details. Also called "control agent." CHIEF OF STATION: Agent assigned to head an overseas intel- ligence unit, normally part of an embassy. In Soviet intelli- gence parlance, such an agent is known as a rezident. COVER: Organizational disguise under which an agent hides connection to an intelligence agency. In American in- telligence parlance, cover can be "light" (diplomatic) or "deep" (commercial or other such organizational affilia- tion). CRYPTANALYST: Trained analyst who works to break codes and ciphers by attempting to recover the "key" (specific method) used in encryption. Currently, such analysts tend to be mathematicians who work with super-computers to at- tack computer-generated codes. DEAD DROP: Site where agents can leave and exchange messages with other agents or their control, most often in nooks and crevices in public areas (a hole in a wall is a particular fa- vorite). Such a technique is designed to avoid any contact between those "filling" (inserting material) the dead drop and those "servicing" it (removing such material). Also known as dubok, from Soviet intelligence parlance. DISCARD: Agent or asset deliberately sacrificed to deflect atten- tion from other, more important, agents. FRONT: Legitimate-appearing entity created by an intelligence to provide cover for agents and assets. It can take many forms, from a charitable foundation to a corporate entity. ILLEGAL: In Soviet intelligence, agent operating in a foreign country under an assumed identity or cover job. LEGAL: In Soviet intelligence, agent operating in a foreign coun- try under diplomatic cover, providing diplomatic immunity in event of arrest. LEGEND: Faked biography of an agent to conceal real identity. LETTERBOX: Person used as a go-between (often called "cut- out") to receive and pass on messages.

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away the myths and Hollywood hype to re- veal the actual The Legends. Leiba Domb: The Red Orchestra 82. Wilhelm Wassmuss: The German Lawrence 90. Ian Fleming: Art Imitates Life 94. Dusko Popov: The Real James Bond 98 . than 200,000 spies employed by the Soviet Union at the height.
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.