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Space, Place and Capitalism The Literary Geographies of The Unknown Industrial Prisoner Brett Heino Space, Place and Capitalism Brett Heino Space, Place and Capitalism The Literary Geographies of The Unknown Industrial Prisoner Brett Heino University of Technology Sydney Ultimo, NSW, Australia ISBN 978-981-16-4261-6 ISBN 978-981-16-4262-3 (eBook) https://doi.org/10.1007/978-981-16-4262-3 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Singapore Pte Ltd. 2021 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Factory staff, Erehwyna 1972, oil on canvas, National Gallery of Victoria, Melbourne This Palgrave Macmillan imprint is published by the registered company Springer Nature Singapore Pte Ltd. The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore Acknowledgements This book would not have been possible without the help I have received from many quarters. I am grateful to the Law Faculty of the University of Technology Sydney, who granted the study sabbatical over which the book was written. I am also appreciative to the Law School at the University of Wollongong, who provided support to the project. Thanks are due also to David T. Wright, Stephen Rogers and the New South Wales Department of Planning, Industry and Environment for the use of images appearing in this book. On a personal level, I am deeply indebted to Professor Adam Morton, Dr James Dahlstrom and Dr Rowan Cahill, whose feedback and sugges- tions greatly strengthened the manuscript. I am also thankful to Yvonne Apolo, Dr Eugene Schofield-Georgeson and Dr Ryan Kernaghan for their companionship and intellectual engagement with my work. Lastly, my chief supports in this process have been my wife, Erin, and daughter, Charlotte. Erin good-naturedly listened to my frustrations and difficulties and kept me centred. As a bustling three-year old, Charlotte served as a constant reminder that life is best enjoyed as a series of games. It is to them that I dedicate this book. v Contents 1 Introduction 1 Structure of the Book 5 References 10 2 S pace and Place in Radical Geography 13 Space and Place: An Introduction 15 Enter Lefebvre 17 Abstract Space 18 From Space to Place and Back Again 23 Conclusion 29 References 32 3 Literary Geography, the Spatial Unconscious and The Unknown Industrial Prisoner 35 Literary Geography: An Introduction 37 The Raw Material of Ideology: Structural Marxist Literary Analysis 41 A Synthetic Theoretical Approach 48 The Unknown Industrial Prisoner: A Synopsis 54 Conclusion 57 References 60 vii viii Contents 4 Abstract Space (with Antipodean Characteristics?) 65 Australia’s Place in the Global Circuit of Capital 68 The Disappearance of Trees and Recession of Nature – Sydney as a Locus of Abstract Space 75 The Silence of an Ancient Land 80 Abstract Space in the Production Process 82 The Limits to Abstract Space 87 Conclusion 95 References 98 5 The Spatial State 101 The State and Law: The Abstraction of the Juridic 103 “A place of correction”: Puroil and the Convict Heritage 111 Conclusion 120 References 123 6 R esistance – The Struggle for Place 127 Hope in the Country/Suburban Home? 129 “Our hole in the wall” – The Home Beautiful 138 Conclusion 151 References 154 7 T he Limits to the Home Beautiful 157 Plato’s Caution 158 Capitalist Imperatives – Corrosion from Without and Within 160 Living at the Lowest Pitch – The Ethos of the Great White Father 163 ‘The only women in the place always said Yes’ – Gender and the Home Beautiful 166 On Borrowed Time – The Future of the Home Beautiful 171 Conclusion 174 References 176 Contents ix 8 Conclusion 177 The Spaces and Places of TUIP 178 Pathways for Future Research 181 From 1971 to 2021 – Australia Then and Now 183 References 187 References 189 Index 199 List of Figures Fig. 4.1 First and second nature: the Caltex refinery at Kurnell. The refinery itself operated from 1956–2014, and the site today is still home to a tank farm. The strait of water at the top of the image is the opening to Botany Bay, a key site in the British colonisation of Australia. (Image courtesy of Black Diamond Images) 82 Fig. 5.1 The heart of organised labour: the Sydney Trades Hall Building. In its fabric and history is entwined both the left and right of the labour movement, the latter of which Ireland’s striking Puroil workers encounter 107 Fig. 6.1 The apotheosis of abstract space versus place: Jeffrey Smart’s Factory staff, Erehwyna. (Photo courtesy of the Jeffrey Smart Archive) 136 Fig. 6.2 The Home Beautiful? This picture is of the mangrove stands and mudflats of Towra Point Nature Reserve, one of the last remaining patches of this type of habitat in the Sydney region proper. Adjacent to Kurnell, this image from Towra Point gives us an idea of the environment within which the Home Beautiful exists. (Image courtesy of John Spencer/New South Wales Department of Planning, Industry and Environment) 141 xi 1 Introduction Abstract This chapter will foreground the core contribution of this book – an exploration of the spatiality of post-World War II Australian capitalism, seen through the vehicle of David Ireland’s Miles Franklin prize-winning novel The Unknown Industrial Prisoner (hereafter TUIP). It will be posited in this chapter that the current crisis of space makes 2021, the fiftieth anniversary of TUIP’s publication, an ideal moment to return to the novel. It will be argued that the class constitution and effects of space in the Australian context is generally under-theorised. The use of TUIP to shed light on these spatial concerns is rooted in the idea of liter- ary geography, a burgeoning field of study which argues that literature “knows things” about the spatial structure of the world it is born into. It will be argued that TUIP is particularly rich in such knowledge, given that it is perhaps the most incisive and critical account of post-World War II Australian capitalism, rich with revealing, often paradoxical and hith- erto unexplored spatial themes. This introduction will then outline the structure of the book, justifying the division of the chapters into treat- ments of space, place and the special role of the state. © The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2021 1 B. Heino, Space, Place and Capitalism, https://doi.org/10.1007/978-981-16-4262-3_1

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