Sonic Synergies: Music, Technology, Community, Identity PDF
Preview Sonic Synergies: Music, Technology, Community, Identity
Sonic SynergieS: MuSic, Technology, coMMuniTy, idenTiTy Sonic Synergies: Music, Technology, community, identity Edited by gerry BlouSTien, MargareT PeTerS and SuSan luckMan University of South Australia, Australia First published 2008 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © 2008 gerry Bloustien, Margaret Peters and Susan luckman The contributors have asserted their moral right under the copyright, designs and Patents act, 1988, to be identified as the authors of this work. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used on ly for identi fication and ex planation without intent to infringe. British Library Cataloguing in Publication Data Sonic synergies : music, technology, community, identity. – (ashgate popular and folk music series) 1. Popular music – Social aspects 2. Music and technology i. Bloustien, gerry ii. Peters, Margaret iii. luckman, Susan 306.4’842 Library of Congress Cataloging-in-Publication Data Sonic synergies : music, technology, community, identity / [edited by] gerry Bloustien, Margaret Peters, and Susan luckman. p. cm. – (ashgate popular and folk music series) includes bibliographical references (p.) and index. iSBn 978-0-7546-5721-7 (alk. paper) 1. Popular music–Social aspects. 2. Music and technology. i. Bloustien, gerry. ii. Peters, Margaret. iii. luckman, Susan. Ml3918.P67S66 2007 306.4’842–dc22 2006103143 iSBn 9780754657217 (hbk) contents List of Figures vii List of Tables ix Notes on Contributors xi General Editor’s Preface xvii Acknowledgements xix Introduction xxi PART 1 SHIFTING CONTEXTS introduction to Part 1 Margaret Peters 3 1 Music, cities, and cultural and creative industries Policy Terry Flew 7 2 Futures for Webcasting: regulatory approaches in australia and the uS Axel Bruns 17 3 Postmusics Jody Berland 27 4 on the Fetish character of Sound and the Progression of Technology: Theorizing Japanese audiophiles Shuhei Hosokawa and Hideaki Matsuoka 39 5 The elvis Spectacle and the culture industry Douglas Kellner 51 PART 2 PLACING muSIC introduction to Part 2 Susan Luckman 65 6 Popular Music, Media and the narrativization of Place Andy Bennett 69 7 There’s no There There Ian Maxwell 79 vi SONIC SYNERGIES 8 ethnic and Social differences in Music Behaviour in a Fragmented Berlin Bruce M.Z. Cohen 91 9 ‘dis is england’s new voice’: anger, activism & the asian dub Foundation Ian Collinson 105 10 From Folk devils to Folk Music: Tracing the Malay heavy Metal Scene in Singapore Kelly Fu Su Yin and Liew Kai Khiun 115 11 The Jamaican dancehall Sound System as a commercial and Social apparatus Julian Henriques 125 PART 3 CREATING AGENCy introduction to Part 3 Gerry Bloustien 141 12 use, Misuse and abuse: Problems Surrounding Popular Music and its young Performers Sheila Whiteley 145 13 The Idol audience: Judging, interactivity and entertainment Jon Stratton 157 14 risky economies: community-Based organizations and the Music-Making Practices of Marginalized youth Margaret Peters 169 15 ‘unalienated labour’ and creative industries: Situating Micro- entrepreneurial dance Music Subcultures in the new economy Susan Luckman 185 16 up the down Staircase: grassroots entrepreneurship in young People’s Music Practices Gerry Bloustien 195 Bibliography 211 Index 229 list of Figures 8.1 Map of Berlin showing location of research sites 93 11.1 Winston ‘WeePow’ Powell at Stone love hQ on a ‘Weddi Weddi Wednesday’ Session, June 2004 © Julian henriques 126 11.2 The Stone love logo © Julian henriques 127 11.3 outside Stone love hQ, Burlington avenue, on a ‘Weddi Weddi Wednesday’ night in June 2004 © Julian henriques 129 11.4 unloading the Sound Trucks at Skateland, kingston, July 2002 © Julian henriques 132 16.1 Front of da klinic brochure © dJ Shep 196 16.2 Back of da klinic brochure © dJ Shep 197 16.3 Snapshot from Patterns in Static website © Patterns in Static 205 16.4 detail of badges available on Patterns in Static website © Patterns in Static 206 list of Tables 1.1 Producer and distribution services for Sydney, Melbourne and Brisbane, 2001. Source: immedia 11 1.2 Progress on recommendations in report. Source: Music Industry Development and Brisbane’s Future as a Creative City (Flew et al. 2001) 15 8.1 comparison of researched districts in Berlin 95
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