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Sonic identity at the margins PDF

313 Pages·2022·3.835 MB·English
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Sonic Identity at the Margins ii Sonic Identity at the Margins Edited by Jessie Fillerup and Joanna K. Love BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in the United States of America 2022 Copyright © Jessie Fillerup and Joanna K. Love, 2022 Each chapter copyright by the contributor, 2022 For legal purposes the Acknowledgments on pp. 281–282 constitute an extension of this copyright page. Cover design: Louise Dugdale Cover image © Scott P. Yates – USA TODAY NETWORK All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-5013-6878-3 ePDF: 978-1-5013-6880-6 eBook: 978-1-5013-6879-0 Typeset by Integra Software Services Pvt. Ltd. \To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. For the Department of Music at the University of Richmond vi Contents List of Illustrations ix Contributors xii Introduction to Sonic Identity at the Margins Joanna K. Love and Jessie Fillerup 1 Part 1 Hearing Race and Place 1 Mapping Sonic and Affective Geographies in Richmond, Virginia Andrew McGraw 19 2 Musical Indianism: Reassessing the Archive Victoria Rose Clark (Nanticoke) 43 3 Reconsidering “Rhythm” as a Cultural Marker in Black String Band Music Landon Bain 61 4 “The Year of Jubilee Is Come”: Metatextual Resonance in Antislavery Hymn Parodies Erin Fulton 75 5 Accidental Alterity in Messiaen’s Quatre études de rythme David Wolfson 97 Part 2 Sounding “Otherness” in Contemporary Media 6 Decolonizing Game Audio and Approaching Sound in Digital Storytelling Kate Galloway 113 7 Finding Home in the Unknown: Sounding Self-Determination from the Streets to the Void Andrew J. Kluth 135 8 Colonial Encounters, Alien Languages, and the Exotic Music of Denis Villeneuve’s Arrival Paige Zalman 151 9 Decolonizing Disability: “Muteness,” Music, and Eugenics in Screen Representation James Deaville 163 10 Hearing Borderline Personality Disorder in Crazy Ex-Girlfriend Joanna K. Love and Jessie Fillerup 185 viii Contents Part 3 Performing Identity 11 Shirish Korde on Intercultural Composition Christopher Chandler 205 12 Sonic Dismantling, Appropriation, and Confederate Monuments David Kirkland Garner 219 13 The Lanna Dream: Reflections of Constructed Identities Waewdao Sirisook and Abbas Rasul 235 14 American Blackness in Berlin: Race and Nationality in Contemporary Jazz Performance Bertram D. Ashe 247 15 Remaking Traditions and Rehearing the Self: A Conversation with Reena Esmail Christopher Chandler 263 Acknowledgments 281 Index 283 Illustrations Figures 1.1 AudibleRVA map with several layers displayed. Gray dots = noise complaints; black stars = active venues; gray stars = defunct venues; black pins = ethnographic interviews; black squares = music infrastructure (music schools, stores, studios) 20 1.2 Black population density/noise complaints 2007–2019. Black population density indicated by shading 23 1.3a–d Typical noise complaint patterns before and after passage of restrictive noise ordinance. (a) Top left: June–July 2010, “scatter plot” pattern. (b) Top right: November–December 2011, complaints registered along Chamberlayne Avenue. (c) Bottom left. August– September 2012, complaints registered along Jefferson Davis Highway. (d) Bottom right. May–June 2013, complaints bordering and within the Fan (center of map) 24 1.4a–b Richmond HOLC maps (Nelson et al. 2020). Top: original HOLC map from the late 1930s. Bottom: HOLC map with poverty data from the 2000s 29 1.5 HOLC map with typical soundscape spectrograms, June 2019 30 1.6 Black population density/venues/events from AudibleRVA Calendar, as heatmap 33 1.7 AudibleRVA calendar of events by genre. October 2018–October 2019 34 6.1 Never Alone gameplay stills. Top: Nuna and Fox maneuver across ice floes. Bottom: Nuna and Fox work together to defeat the Polar Bear in his cave 118 6.2 Invaders gameplay stills 124 6.3 Honour Water gameplay stills. Top: the song “Gizaagi’igonan Gimaamaanan Aki.” Bottom: the song “Miigwech Nibi” 127 7.1 Clipping. From left to right: Jonathan Snipes, William Hutson, and Daveed Diggs. Photo credit: Suzy Poling 138

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