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Sonar 5 Power!: The Comprehensive Guide PDF

681 Pages·2005·33.929 MB·English
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5 SONAR TM POWER! T h e C o m p r e h e n s i v e G u i d e Q Q Q Scott R. Garrigus © 2006 by Thomson Course Technology PTR. All rights reserved. No part of this Publisher and General book may be reproduced or transmitted in any form or by any means, electronic Manager, Thomson or mechanical, including photocopying, recording, or by any information storage Course Technology PTR: Stacy L. Hiquet or retrieval system without written permission from Thomson Course Technology PTR, except for the inclusion of brief quotations in a review. Associate Director of Marketing: The Thomson Course Technology PTR logo and related trade dress are trademarks Sarah O’Donnell of Thomson Course Technology and may not be used without written permission. Manager of Editorial Cakewalk® and SONAR™ are registered trademarks or trademarks of Twelve Tones Services: Systems, Inc. Heather Talbot All other trademarks are the property of their respective owners. Marketing Manager: Important: Thomson Course Technology PTR cannot provide software support. Mark Hughes Please contact the appropriate software manufacturer’s technical support line or Senior Acquisitions Web site for assistance. Editor: Todd Jensen Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following Marketing Coordinator: the capitalization style used by the manufacturer. Jordan Casey Information contained in this book has been obtained by Thomson Course Project Editor and Technology PTR from sources believed to be reliable. However, because of the Copyeditor: possibility of human or mechanical error by our sources, Thomson Course Marta Justak Technology PTR, or others, the Publisher does not guarantee the accuracy, Technical Reviewer: adequacy, or completeness of any information and is not responsible for any errors Ryan Pietras at Cakewalk or omissions or the results obtained from use of such information. Readers should PTR Editorial Services be particularly aware of the fact that the Internet is an ever-changing entity. Some Coordinator: facts may have changed since this book went to press. Elizabeth Furbish Educational facilities, companies, and organizations interested in multiple copies Interior Layout Tech: or licensing of this book should contact the publisher for quantity discount Digital Publishing information. Training manuals, CD-ROMs, and portions of this book are also Solutions available individually or can be tailored for specific needs. Cover Designers: ISBN: 1-59200-995-6 Mike Tanamachi Nancy Goulet Library of Congress Catalog Card Number: 2005931908 Indexer: Printed in the United States of America Kelly Talbot 06 07 08 09 10 PH 10 9 8 7 6 5 4 3 2 1 Proofreaders: Gene Redding Sean Medlock Thomson Course Technology PTR, a division of Thomson Course Technology 25 Thomson Place Boston, MA 02210 http://www.courseptr.com I would like to dedicate this book to my best friend and companion Figaro, the best cat in the world. Figaro passed away on July 30th, 2005. He and I had been together since I was 18 and in my senior year in high school. That was almost 18 and 1/2 years ago. I’m going to miss him so much, I can’t even express it in words. Towards the end, he was having health problems, so I’m glad that he’s at peace. And I know that he and my grandfather are together in the next life and will be watching over me until it’s my time to join them. Thank you, Figaro, for the experience of having you as a friend and for teaching me so much about love, caring, and how to live life. I will love you forever! If you are interested in seeing a picture of Figaro or would like to share your own pet-related stories, go to http://www.digifreq.com/digifreq/ discussdetail.asp?TopicID=8246, where I’ve set up a special topic in the DigiFreq Discussion area. Acknowledgments Thanks to all my music technology friends who take the time to visit my Web site and to read my ramblings in the DigiFreq newsletter each month. The DigiFreq family is now over 17,000 strong! Thanks to all the Cakewalk SONAR users whose dedication and support helped to make this book possible. Thanks to all my friends over at Cakewalk (Steve Thomas, Carl Jacobson, Morten Saether, Jesse Jost, Tom Roussell, Russell Soule, Dave Malaguti, Ryan Pietras, Alex Westner, and others). Thanks to Marta Justak, Todd Jensen, Mark Garvey, Mark Hughes, and the rest of the Thomson Course Technology publishing team. Thanks to my friends and neighbors Ron, Claire, Ellie, Vinnie, Ron Jr., Mandy, and Rita for all your love and support. And, as ever, thank you to my family (Babci, Dziadzi, Grandma, Grandpa, Mark, Richard, Diane, Steve) and to God for all the good that has happened in my life. iv Q Q Q About the Author Scott R. Garrigus (www.garrigus.com) has been involved with music and computers since he was 12 years old. He earned a B.A. in music per- formance with an emphasis in sound recording technology at UMass Lowell. In 1993, he released his first instrumental album on cassette, titledPieces of Imagination. In 1995, he began his professional writing career when his first article appeared in Electronic Musician magazine. In 2000, he authored his first book, Cakewalk Power! This was the first book to deal exclusively with the Cakewalk Pro Audio, Guitar Studio, and Home Studio software applications. Since then he has authored a number of other titles, including Sound Forge Power!,SONAR Power!,SONAR 2 Power!,Sound Forge 6 Power!,SONAR 3 Power!,SONAR 4 Power!, andSound Forge 8 Power! Today, Garrigus continues to contribute arti- cles to a number of print and online publications. He also publishes his own music technology e-zine, called DigiFreq (www.digifreq.com), which provides free news, reviews, tips, and techniques for music tech- nology and home recording users. v Q Q Q } Contents TABLE OF CHAPTER 1 MIDI and Digital Audio Basics ..........................................................1 What Is MIDI? ..........................................................................................................2 What Is Digital Audio? .............................................................................................3 So What’s Really the Difference? .............................................................................4 CHAPTER 2 Getting Started with SONAR 5 ..........................................................7 What Version of SONAR Do You Have? ................................................................7 Getting the Latest Product Update ............................................................................8 Registering Your Software ........................................................................................9 Taking a Quick Tour of SONAR ............................................................................10 Projects ..............................................................................................................11 Tracks, Clips, and Events ..................................................................................11 Track View ........................................................................................................11 Staff View .........................................................................................................12 Piano Roll View ................................................................................................12 Event List View ................................................................................................13 Loop Construction View ...................................................................................14 Console View ....................................................................................................14 StudioWare and CAL ........................................................................................15 What’s New in SONAR 5? .....................................................................................15 A Basic Studio Setup ..............................................................................................17 Computer ...........................................................................................................17 Sound Card ........................................................................................................19 MIDI Interface ..................................................................................................21 Microphone .......................................................................................................22 vi Q Q Q CONTENTS Speakers ............................................................................................................22 Finding Help When You Need It ............................................................................23 CHAPTER 3 Customizing SONAR 5 ....................................................................25 Organizing Files ......................................................................................................25 Changing File Locations ...................................................................................25 Putting Everything in Its Place ..........................................................................28 Customizing Audio Folders ..............................................................................29 The Picture Folder .............................................................................................31 Customizing the Workspace .............................................................................31 Changing Colors ...............................................................................................32 Using Toolbars ..................................................................................................33 Working with Window Layouts ........................................................................34 Using Key Bindings ..........................................................................................36 Customizing MIDI Settings ....................................................................................39 Working with MIDI Devices ............................................................................40 Setting Global MIDI Options ............................................................................41 Understanding Instrument Definitions ..............................................................43 Optimal Audio Settings ...........................................................................................49 Adjusting the Latency Slider .............................................................................50 Setting Driver Mode ..........................................................................................51 Setting Queue Buffers and I/O Buffer Size ......................................................53 Read and Write Caching ...................................................................................54 Understanding DMA and the Wave Profiler .....................................................55 CHAPTER 4 Working with Projects ......................................................................57 Opening Projects .....................................................................................................57 Opening in Safe Mode ......................................................................................59 Finding Missing Audio Files .............................................................................60 Creating a New Project ...........................................................................................62 What’s a Template? ..........................................................................................63 Creating Your Own Template ...........................................................................63 vii Q Q Q CONTENTS Saving Your Project ................................................................................................75 Project File Types .............................................................................................76 CHAPTER 5 Getting Around in SONAR 5 ...........................................................81 The Now Time ........................................................................................................81 Show Me the Now Time ...................................................................................82 Setting the Now Time .......................................................................................85 The Go Menu ..........................................................................................................88 Go-Time (F5) ....................................................................................................88 Go-From and Go-Thru (F7 and F8) ..................................................................89 Go-Beginning and Go-End (Ctrl+Home and Ctrl+End) ...................................89 Go-Previous Measure and Go-Next Measure (Ctrl+PgUp and Ctrl+PgDn) .....89 Go-Previous Marker and Go-Next Marker (Ctrl+Shift+PgUp and Ctrl+Shift+PgDn) ........................................................................................89 Markers, Oh My! .....................................................................................................90 Make Your Mark(ers) .......................................................................................90 Editing the Markers ...........................................................................................91 Navigating with Markers ..................................................................................93 Where, Oh Where? ............................................................................................94 The Go-Search Challenge .................................................................................96 CHAPTER 6 Recording and Playback ...................................................................99 Preliminary Parameters ...........................................................................................99 The Track Inspector ........................................................................................100 Metronome ......................................................................................................101 MIDI Echo ......................................................................................................103 Sampling Rate and Bit Depth ..........................................................................106 Input Monitoring .............................................................................................108 Record Mode ...................................................................................................109 MIDI Track Recording and Playback ...................................................................111 Audio Track Recording and Playback ..................................................................114 Multiple Track Recording and Playback ..............................................................118 viii Q Q Q CONTENTS Loop Recording .....................................................................................................119 Punch Recording ...................................................................................................122 Step Recording ......................................................................................................123 Importing ...............................................................................................................128 Importing from SONAR Project Files ............................................................128 Importing MIDI Files and Project5 Patterns ...................................................129 Importing Audio Files .....................................................................................129 Synchronization ....................................................................................................131 Synchronization Basics ...................................................................................131 MIDI Sync .......................................................................................................131 SMPTE/MIDI Time Code ...............................................................................133 CHAPTER 7 Editing Basics .................................................................................137 Arranging with the Track View ............................................................................137 Dealing with Tracks ........................................................................................138 Dealing with Clips ..........................................................................................154 Using the Piano Roll View ....................................................................................175 Working with Multiple Tracks ........................................................................177 Dealing with Notes ..........................................................................................179 Dealing with Drum Tracks ..............................................................................186 Dealing with Controllers .................................................................................199 The Inline Piano Roll View ............................................................................205 Using the Event List View ....................................................................................207 Opening the View ...........................................................................................208 Filtering Events ...............................................................................................208 Editing Events .................................................................................................209 Using the Tempo View .........................................................................................212 Opening the View ...........................................................................................213 Editing Tempo Changes ..................................................................................213 Using the Tempo Commands ..........................................................................215 ix Q Q Q

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