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Sold On Radio: Advertisers in the Golden Age of Broadcasting PDF

333 Pages·2008·1.65 MB·English
by  Jim Cox
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SOLD ON RADIO ALSOBYJIMCOX ANDFROMMCFARLAND The Great Radio Soap Operas (1999; paperback 2008) Radio Speakers: Narrators, News Junkies, Sports Jockeys, Tattletales, Tipsters, Toastmasters and Coffee Klatch Couples Who Verbalized the Jargon of the Aural Ether from the 1920s to the 1980s— A Biographical Dictionary (2007) The Great Radio Sitcoms (2007) The Daytime Serials of Television, 1946–1960 (2006) Music Radio: The Great Performers and Programs of the 1920s through Early 1960s (2005) Mr. Keen, Tracer of Lost Persons: A Complete History and Episode Log of Radio’s Most Durable Detective (2004) Frank and Anne Hummert’s Radio Factory: The Programs and Personalities of Broadcasting’s Most Prolific Producers (2003) Radio Crime Fighters: Over 300 Programs from the Golden Age (2002) Say Goodnight, Gracie: The Last Years of Network Radio (2002) The Great Radio Audience Participation Shows: Seventeen Programs from the 1940s and 1950s (2001) S R OLD ON ADIO Advertisers in the Golden Age of Broadcasting Jim Cox McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Photographs provided by Photofest LIBRARYOFCONGRESSCATALOGUING-IN-PUBLICATIONDATA Cox, Jim, ¡939– Sold on radio : advertisers in the golden age of broadcasting / Jim Cox. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3391-9 illustrated case binding : 50# alkaline paper 1. Radio advertising—United States—History—20th century. 2. Radio broadcasting—United States—History—20th century. I. Title. HF6146.R3C69 2008 659.14'20973—dc22 2008014538 British Library cataloguing data are available ©2008 Jim Cox. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: Ralph Edwards hosting “Truth or Consequences” for Procter & Gamble’s laundry detergent Duz (Photofest); radio ©2007 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com To the memory of Willard K. (Daddy) Weeks E. Odell Crowe and Chauncey R. Daley three men whose mentoring profoundly shaped my life and the lives of my contemporaries This page intentionally left blank Acknowledgments No author acts independently. I’ve said it before and I’m saying it again: were it not for a handful of individuals who supplied information and verified tenuous facts, a project like this would never be completed. With a diverse contingent of resources at my fingertips, I still lean heavily upon the expertise of a handful of confidantes who have proven themselves as reliably accurate as they are depend- able, competent and gracious with their time and substance. At the head of the list is research colleague Irene Heinstein whose ability to discover obscure details about individuals, enterprises and events is mesmerizing. Tirelessly, proficiently, profusely she labors, never satisfied until the most infini- tesimal nagging quest is satisfied. Irene possesses the uncanny ability to find and furnish reams of substantive documentation on any topic and does so with dis- patch and—I believe—glee. A whole lot of the data in this book passed before her eyes, much of it originating with an august array of factoids she can summon at a moment’s notice. I am enduringly grateful for her commitment and am priv- ileged to acknowledge it here. My chum Charlie Niren came to my rescue several times with tapes of shows and their commercials that were helpful in completing the manuscript. I was pro- foundly dependent on a similar series of MP3 discs provided by Gary Mercer which he labeled Encyclopedia of Radio & TV: A History of Radio & TV. Cope Robinson, a veteran of Newell-Emmett ad agency in “those days,” read significant portions of the manuscript and offered priceless comments along the way. He, Chris Chandler, Ted Meland and Jim Widner evaluated my original theme for the project and rendered helpful reactions before I launched into the venture. Several others supplied information, answers and assistance when summoned: Conrad Binyon, Claire Connelly, Jack French, Russell Hudson, Bill Jaker and Lee Mun- sick. I’m indebted to a few colleagues who motivated me with their own often unheralded journalistic pursuits in the preservation of vintage radio. My pals include editors Bob Burchett, Steve Darnall, Jack French, Jay Hickerson, Ken Krug, Patrick Lucanio and Mike Utz. Tom Heathwood and Walden Hughes, a couple of stalwarts on the air, lent empathy to these endeavors. vii viii Acknowledgments Once again, I’m indebted to my lifelong companion, Sharon Cox, for her willingness to share me with my pursuits into the days of yesteryear. All of my family does likewise, in fact, and I am deeply grateful to each one. I’m also thankful for you, dear reader—for your interest, encouragement and cheer. You are the reason I do this. I trust you will be rewarded with the outcome of these modest endeavors. Contents Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . vii Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 PART I. THE COMMERCIALIZATION OF AMERICAN NETWORK RADIO 1. Ancestors of Radio Advertising  . . . . . . . . . . . . . . . . . . 7 2. Commercializing the Ether  . . . . . . . . . . . . . . . . . . . 17 3. Ad Agencies: They Held the Whip Hand . . . . . . . . . . . . 32 4. Audience Measurement Services: Counting the House  . . . . . 41 5. Commercial Copywriters: Persuasive Penmanship  . . . . . . . 52 6. Commercial Spokesmen: They Delivered the Goods  . . . . . . 60 PART II. PATRONAGE OF AMERICAN NETWORK RADIO American Home Products . . . . . . . . . . . . . . . . . . . . . . 73 American Tobacco Company  . . . . . . . . . . . . . . . . . . . . 79 Andrew Jergens Company . . . . . . . . . . . . . . . . . . . . . . 88 Bristol-Myers Company . . . . . . . . . . . . . . . . . . . . . . . 95 Brown & Williamson Tobacco Company  . . . . . . . . . . . . . 101 Campbell Soup Company  . . . . . . . . . . . . . . . . . . . . . 106 Coca-Cola Company  . . . . . . . . . . . . . . . . . . . . . . . 113 Colgate-Palmolive-Peet Company . . . . . . . . . . . . . . . . . 121 Ford Motor Company  . . . . . . . . . . . . . . . . . . . . . . . 129 General Foods Corporation  . . . . . . . . . . . . . . . . . . . . 136 ix

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How was it that America would fund its nascent national radio services? Government control and a subscription-like model were both considered! But soon an advertising system emerged, leading radio into its golden age from the 1920s to the early 1960s. This work, divided into two parts, studies the c
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