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Management Research Review Social media marketing in luxury brands: A systematic literature review and implications for management research Elisa Arrigo, Article information: To cite this document: Elisa Arrigo, (2018) "Social media marketing in luxury brands: A systematic literature review and implications for management research", Management Research Review, https://doi.org/10.1108/ MRR-04-2017-0134 Permanent link to this document: https://doi.org/10.1108/MRR-04-2017-0134 T) Downloaded on: 03 April 2018, At: 06:42 (PT) P 8 ( References: this document contains references to 84 other documents. 1 0 To copy this document: [email protected] 2 pril A 3 0 2 4 6: 0 At Access to this document was granted through an Emerald subscription provided by emerald- s arie srm:161304 [] Libr For Authors U C If you would like to write for this, or any other Emerald publication, then please use our Emerald E y for Authors service information about how to choose which publication to write for and submission b d guidelines are available for all. Please visit www.emeraldinsight.com/authors for more information. e d a o About Emerald www.emeraldinsight.com nl w Do Emerald is a global publisher linking research and practice to the benefit of society. The company manages a portfolio of more than 290 journals and over 2,350 books and book series volumes, as well as providing an extensive range of online products and additional customer resources and services. Emerald is both COUNTER 4 and TRANSFER compliant. The organization is a partner of the Committee on Publication Ethics (COPE) and also works with Portico and the LOCKSS initiative for digital archive preservation. *Related content and download information correct at time of download. ThecurrentissueandfulltextarchiveofthisjournalisavailableonEmeraldInsightat: www.emeraldinsight.com/2040-8269.htm Social media marketing in Socialmedia marketingin luxury brands luxurybrands A systematic literature review and implications for management research ElisaArrigo DepartmentofEconomics,ManagementandStatistics(DEMS), Received30April2017 Revised28August2017 UniversityofMilan-Bicocca,Milan,Italy 29October2017 14December2017 Accepted2January2018 Abstract T) Purpose–Digitaltechnologiesandsocialmediahaveimprovedtheconnectivityandcollaborationbetween P firmsandcustomersinallsectors.However,intheluxurysector,theapproachtosocialmediaanddigital 8 ( technologieshasbeenslowerthaninotherindustries.Thepurposeofthispaperistoreviewtheacademic 1 20 literatureonsocialmediamarketinginluxurybrandstohighlightthecurrentstateoftheart,theaddressed pril keyresearchthemesandtheimplicationsformanagementresearchandpractice. A Design/methodology/approach–Asystematicliteraturereviewofacademicresearchonsocialmedia 3 0 marketing has been conducted to gather, examine and synthetize studies related to luxury brands. By 42 followingareviewprotocolbasedonbothautomaticandmanualsearchontheScopusdatabase,allrelevant 06: studiesonluxurybrandswereidentifiedandanalyzed. At Findings–Acriticalconceptualizationofsocialmediamarketinginluxurybrandshasbeenprovidedand s e theemergingkeyresearchthemeshavebeencategorizedintofourmainareas. brari Originality/value–Academicliteratureaboutsocialmediamarketingactivitiesinluxuryfirmsisvery Li limitedandexistingstudiesfocusonlyoncertainaspects,contextsorsinglecases.Incontrast,thevalueof U thisstudy,forbothacademicsandpractitioners,liesinproviding,forthefirsttime,acomprehensiveand C E criticalsystematizationofsocialmediamarketingacademicliteratureinthefieldofluxurybrands. y d b Keywords Systematicreview,Co-creation,Competitiveadvantage,Socialmediamarketing, de Digitalluxury,Luxurybrand a o nl PapertypeLiteraturereview w o D 1.Introduction Theadventofsocialmediaanddigitaltechnologieshaschangedthecompetitivelandscape forfirmsthatquicklyacknowledgedtheincreasingrelevanceofsocialmediaplatformsfor businesspurposes(KaplanandHaenlein,2010,2011;Safko,2010;Bruhnetal.,2012;Levy, 2013;WangandKim,2017;KeeganandRowley,2017).Socialmediahasbeendefinedas“a group of internet-based applications that build on the ideological and technological foundationsofWeb2.0andthatallowthecreationandexchangeofuser-generatedcontent” (Kaplan and Haenlein, 2010, p. 61). Several forms of social media exist such as social networkingsites(SNSs),microblogs,contentcommunities,virtualworldsandinallofthese differentways,customersandfirmsshareinformation,insightsandexperiences. Several benefits arise in participating on social media for businesses. For example, building brand reputation (Ngai et al., 2015), developing collaborative products (Mangold and Faulds, 2009) and marketing strategies for brand management (Laroche et al., 2013). ManagementResearchReview Socialmediahassurelyofferedcompaniesnewbusinessopportunitiesbutalsoimportant ©EmeraldPublishingLimited dilemmasandchallenges(Coulter, 2012; DelGiudiceet al., 2013) by providing consumers 2040-8269 DOI10.1108/MRR-04-2017-0134 MRR withmuchmorecontrol,informationandpoweroverthemarketingprocess.Customerscan generateinformationandshareopinionsaboutafirm’sproductsandserviceswithabigger scopeandwiderinfluencethanwasthecasepreviously(Sashi,2012).Thenewcompetitive landscape,wherecustomersandbrandsareincreasinglyembeddedinsocialmediasuchas Facebook,Instagram,TwitterandYouTube,isfierceandfirmsareinasituationinwhich they co-own their brands and co-define their symbolic meanings with customers (Tynan etal.,2010;NietoandSantamaría,2007). Socialmediaand,ingeneral,thedigitaldomainposeanenormouschallengeforluxury firmsbyquestioningthetraditionalbusinessmodel.Infact,eventhoughthediffusionand adoptionofsocialmediainmostindustrieshasbeenrelativelyrapid,luxuryfirmshavelong been hesitant (Okonkwo, 2010; Kapferer and Bastien, 2012; Chevalier and Gutsatz, 2012). Onlyinrecentyears,theluxurysectorhasapproachedsocialmediatomeettheincreasing pervasiveness of social networks and communities in customers’ lives (Arrigo, 2014b). Luxury brand lifecycles have become shorter and the growing relevance in the luxury market of young customers who use social media has forced traditional luxury firms to T) developinnovativestrategiestostayrelevantinthisdynamicandvolatilemarket(Koetal., P 8 ( 2016).Luxuryfirmsneedtodevelopaclearunderstandingofwhatsocialmediacoulddofor 01 them,anddefineaclearstrategytoimprovecustomers’experienceandperceptionsoftheir 2 April braHndoswoenvesro,caiaclamdeemdiiac(Prehsaenarecthale.,x2a0m11in).ing the role of social media in luxury firms has 3 0 receivedlittleattentionandremainslargelyunexplored.Todate,therehasbeennoeffortto 2 4 reviewsystematicallyandsynthesizeexistingstudiesonthemarketingpotentialofsocial 6: At 0 media for luxury brands. Often, the few existing studies on this topic are focused on a s particularaspectof social mediaactivities(Kim andKo, 2010; Hughes etal.,2016; Godey arie et al., 2016), a specific context of analysis (Stokinger and Ozuem, 2014, 2016) or single br companycases(Phanetal.,2011;Ng,2014).Thus,aresearchgapemergesonthestateofthe Li U artinthedomainofsocialmediamarketingstudiesaddressedatluxurybrands. EC The present research aims to fill this gap by providing a systematic literature review by (WebsterandWatson,2002;Kitchenhametal.,2009)ofsocialmediamarketingstudiesin ed the field of luxury brands to highlight the addressed key research themes and suggest d oa furtherresearchdevelopments.Thecontributionofthisstudyis,therefore,tooffer,forthe wnl first time, a comprehensive understanding and overview of social media marketing in o D luxurybrands,andtomapthoseresearchthemesalreadyaddressedforacademicswanting todevelopnewresearchstudiesinthisdomain. Theremainderofthepaperisorganizedasfollows:Section2providesthebackground on social media marketing and the evolution of luxury brands’ presence in the digital domain; Section 3 describes the research methodology used to realize this systematic literaturereview;Section4containsthesynthesisofdataextraction;Section5providesthe results and discussion on the highlighted research themes. Finally, Section 6 draws conclusions,managerialandtheoreticalimplicationsformanagementresearchwithpossible futureresearchdirectionsandlimitations. 2.Theoreticalbackground 2.1Socialmediamarketing Social media refers to the concept of Web 2.0 that involves the collection of open-source, interactive and user controlled online applications that can help users to share their experiencesasparticipantsinbusinessandsocialprocesses.Web2.0applicationssupport the creation of informal users’ networks and the diffusion of user-generated content that facilitate the flow of information and knowledge (Constantinides and Fountain, 2008; Socialmedia Carayannis,2010). marketingin Inthemanagerialacademicliterature,socialmediahasbeenrecognizedasanimportant luxurybrands channeltoreachthemarketforbusinesspurposes(MangoldandFaulds,2009;Kaplanand Haenlein, 2010; Bruhn et al., 2012; Sashi, 2012; Risius and Beck, 2015; Lamberton and Stephen, 2016). Social media allows firms to achieve many goals that go beyond simply havingadirectrelationshipwithcustomers.Forexample,theseincluderecognitionofnew business opportunities, delivery of commercial and institutional content, collection of customerfeedbackandthecreationofcommunities(Michaelidouetal.,2011;Berthonetal., 2012). The huge amount of social media data such as customers’ personal data, available marketoffersandcustomers’opinionsrepresentavaluablesourceofinformationtodrive marketingdecisions(HoffmanandFodor,2010;Coulter,2012).Bymonitoringsocialmedia sites, firms can obtain a multifaceted vision of the market and a clear understanding of currentorpotentialinsideissues(Arrigo,2014a,2016). T) Socialmediacanplayausefulroleindevelopingstrongmarketknowledge(Bharatietal., 8 (P 2015)astheinformationanddatarequiredtodealwithcompetitivechallengeshavebeen 1 quicklyrelocatedfrompublishedandproprietarysourcestoopensocialplatforms.Through 0 pril 2 aancdonptrinobuloeumsssceannconuinngteprreodcwesisthofesxoisctiianlgmperdoida,udcatstacaconllteackteiopnlaocnecautstaonmyemrso’mlifeenstty(Clehsu,naeaendds A 3 Banerjee,2013;StoneandWoodcock,2014).Additionally,socialmediaanalyticshasproven 0 2 to provide practical solutions to support management decisions (Risius and Beck, 2015). 4 6: Withthisaiminmind,Petersetal.(2013)haverecentlyproposedaframeworkformanaging 0 At social mediabydesigninga socialmediametricssystem appropriateforindividualfirms es throughtheconstructionofasensitivesocialmediadashboard. brari Social media represents forbusinesses also an efficient channel to display commercial Li andinstitutionalcommunicationstotheextentthatitisevenconsideredahybridelementof U C thepromotionmix.Infact,itconnectsaspectsofthetraditionalmarketingcommunication y E mixtoa“highlymagnifiedformofword-of-mouth”amongcustomerswherefirmscannot d b manage either the content or the frequency of this communication (Mangold and Faulds, e d 2009).Inthesocialmediaenvironment,thecustomerpostsopinionsandquestionsabouta a nlo firm’sofferandothercustomersanswerandcomment.Consequently,initself,thecustomer ow becomesa vehicle of information toward other customers,andfirms needto engage with D their customers to successfully exploit these new forms of marketing communication (Brondoni,2006). Moreover,onsocialmedia,firmscanimprovethecustomerengagement“byproviding superiorvaluethancompetitorstobuildtrustandcommitmentinlong-termrelationships” (Sashi,2012,p.260)butalsobyactivelyinteractingandcollaboratingwithcustomersinthe co-creation process of new products (Gummerus et al., 2012; Hollebeek et al., 2014). AccordingtoPilleretal.(2012),customerco-creationcanbedescribedasasetofmethods that establish an active, creative and social collaboration process between producers and customersinthecontextofnewproductdevelopmentanddetermineaparadigmshiftfrom amanufacturer-activeparadigmtoacustomer-activeone. Socialmediaprovidesausefulchannelforcommunicatingwithcustomersandobtaining from them data, information or ideas. “Starbucks Ideas,” the social platform where customerscansharefeedback,representsagoodexampleofcustomerco-creationbasedon social media applications (Chua and Banerjee, 2013). Thus, it is possible to argue that through social media, firms can rely on using a co-creation approach to deal with their innovativenessandopeninnovationpurposes(DelGiudiceandDellaPeruta,2013).Infact, MRR the context of the internet of things has pushed companies to become more open to new collaborativeinnovationapproaches(Shinetal.,2017)wherecustomersareconsiderednot just the final buyers of a product but innovation partners, especially inside social media networks(Scuottoetal.,2017b;Scuottoetal.,2017c). Knowledgemanagementsystemsareproventobeabletosimplifythecreationofopen and collaborative ecosystems and the exploitation of internal and external flows of knowledge,throughthedevelopmentofinternalknowledgemanagementcapacity,whichin turnincreasesinnovationcapacity(Santoroetal.,2017).Moreover,socialmediaplatforms have delivered new ways of sharing knowledge and communicating inside organizations wherespecificfactorsdriveandhampertheemployees’participation(VuoriandOkkonen, 2012; Razmerita et al., 2016). In fact, in the current competitive environment, knowledge managementcanexplaintheexistingconnectionbetweenfirm-levelcompetitiveadvantage anddifficult-to-useknowledgeassets(Carayannisetal.,2017). As well as using social media for innovation and knowledge purposes, the marketing relevanceofsocialmediaforcompaniesliespreciselyintheinteractionbetweenconsumers T) and the community, and in immediate, interactive and low-cost communications (Kaplan 8 (P and Haenlein, 2011). Social media enhances the power of online communities in various 1 ways(Milleretal.,2009;Antonaccietal.,2017).First,socialplatformsstimulateamongusers 0 pril 2 dmeoebpilirzealatitoionnosfhitphseothnalitnearceomrimchuenrittyhafonriansptheecifipcasetv.eSnetcsouncdh, athseaybcuasninepsrsodpurocemoatiroanpoidr A 3 deal. Moreover, within social media, the knowledge generated by members is aggregated 0 2 intodocumentsorWebpagesthatarefrequentlyupdatedandcorrectedbyothermembers 4 6: bydeepeningthediffusionofnewsandknowledgeaboutcompanyproductsorbrands. 0 At Becauseofthemultitudeofsocialmediaavailable,firmsneedtochooseefficientlyhowto es construct their social presence by usingdifferent social media sites anddefining in other ari words what Weinberg and Pehlivan (2011) label as the “social media mix.” Each social Libr media site performs a particulartask relatedto oneof thefunctionalblocks identifiedby U Kietzmann et al. (2011) such as, for example, identity, conversations or sharing. By C E analyzingeachblock,firmscanmonitorandunderstandhowsocialmediavaries,thereby y d b developing an efficient social media strategy by maximizing the return of their social de presence (Kumar and Mirchandani, 2012). In fact, social media management has been a nlo recognized as a valuable solution for influencing relational outcomes, as online users can w display empathy toward a brand even if they cannot buy a firm’s product (Clark and o D Melancon,2013). Drawing on brand community literature, Laroche et al. (2013) show that brand communitiesonsocialmediacanimprovebrandtrustandloyaltybyenhancingcustomer relationshipswiththebrand,othercustomers,thefirmanditsproducts.Thesefindingsare consistentbothwithpreviousstudiesonthepositiveeffectofsocialmediaonbrandloyalty (Casal(cid:1)oetal.,2010)andwiththose(FournierandAvery,2011)proposingthatsocialmedia sites are designed to simplify interactions among users not solely for business purposes. Thisresultsincustomers’improvingtheirrelationshipswitheachothertoimprovebrand loyalty and trust. Thus, social media marketing appears as a very multifaceted field of researchand,recently,KeeganandRowley(2017)haveprovidedinterestinginsightsonits complexity. 2.2Luxurybrandsinthedigitalage Several definitions of luxury brands have been proposed in the managerial academic literature, most of which refer to elements such as excellence, high transaction value, exclusivity,artisanshipandpremiumprice(FiondaandMoore,2009;Heine,2010;Chevalier andMazzalovo,2012;KapfererandValette-Florence,2016).Luxurybrandsareconsidered Socialmedia asasignalofwealthandstatusandtwoofthekeydifferencesbetweenprestigebrandsand marketingin non-prestigebrandscenterexactlyontheiruniquenessandscarcity,as,ifeveryoneowned luxurybrands luxuryitems,thentheywouldnotberegardedasprestigious.Keller(2009)arguedthat,in general,luxurybrandsfacethreeimportanttrade-offsreflectingthechallengesencountered by managers in handling their development over time: exclusivity–accessibility; classic– contemporaryimages;andacquisition–retention.Theseparadoxesmakethemanagement ofluxurybrandsacomplexactivityandputpressureonmarketingmanagerstofindnew evolvingstrategiesthatprovetobeconsistentinthelongterm. Luxury has been influenced by the digital revolution in many ways (Kapferer, 2014): digitaloffersgreatopportunitiestomanageomni-channelconnectionsand,consideringthe increasingrentalcostsofphysicalstoresinthemaincapitalsoftheworld,luxuryfirmstry to optimize the synergies between digital and offline. Moreover, digital allows firms to deliverbrandcontentbypromotingtheirheritageandvalues.However,luxuryismoreoften centeredonrarity,scarcityanddiscretion;thus,fullaccessibilityandavailabilityofcontent T) of thedigital world seemsto contrastwith theexclusiveness ofluxury brands (Hennings P 8 ( etal.,2012). 01 Attheoutset,luxuryfirmsapproachedtheonlinemarketwithcuriosityandskepticism 2 April (aObkouontkthweo,“2In0t1e0r)naentdd,iilnemdemsacr”ibfoinrgluthxiusriynibtiraalnrdelsucintatnhcee,dKigaiptfaelrecronatnedxtBaasntdienCh(2e0v1a2li)esrpaonkde 03 Gutsatz (2012) of a “love/hate relationship.” Recently, with the convergence of digital 42 applicationsandnewmediasuchasmobiletechnology,luxuryfirmshavefullyunderstood 06: theinevitabilityofdevelopinganonlinepresence(Arrigo,2014b).Infact,thisrepresentsa At prerequisite to guarantee online an official brand representation and assure efficient s brarie synMerogsytflruoxmurdyiffiferrmensthcahvaennthelussomfcoovmedmubneyicoantdionqu(Peastriroonttinegtatlh.,e2o0p15p)o.rtunitiesofhavinga Li digitalpresenceandaremanaginghowtocreateandmaintainadigitalpresencewithout U C damagingtheessenceofluxurybrands.However,threemainfactorsareslowingdownthe E y integrationofdigitaltoolsintheluxurysector: b ed (1) thevarietyandcomplexityofdigitalchannels; d a o (2) theconfusionbetweenseparateandinteractiveeffectsandplatforms;and nl w o (3) theperceptionthatluxuryanddigitalarequiteincompatible(Dubois,2015). D Infact,thewideavailabilityofdigitalchannelsandplatformsmakesitdifficultforluxury managerstochoosewhichisbestindesigningaluxurybrandstrategy.Furthermore,the customerexperienceismultisensory(KapfererandBastien,2012),customersexpecttofeel luxuryproductsthroughalltheirsenses,andthequalityofthisexperienceinfluencestheir perceptionsoftheluxurybrand.Digitalchannelscouldovercometheabsenceofphysical contactbetweensellerandbuyerbypreservingthemultisensoryexperience,forexample, throughtouchscreeninterfacesthatincreaseatactileinteractionwithproducts(Okonkwo, 2016). Inrecentyears,theriseofsocialmediahasbroughtnewchallengesforluxurybrands, even if, nowadays, the majority have already developed a social media presence to effectively engage with customers (Kontu and Vecchi, 2014). While luxury brands have alwaysbeenfashionindustryleaders,theentryofanumberofnewfashionbrandsinthe luxurymarket,duetothetrendforaffordableluxury,combinedwithaslowdowninsales, hasposedsomedifficulties(KimandKo,2010).Thus,luxuryfirmshaveengagedinsocial mediatoincreasetheirbrandexposuretoawidersegmentofthemarket,tostayrelevantto MRR younger customers, to leverage innovation (Choi et al., 2016; Scuotto et al., 2017a) and, fundamentally,tobeatthecompetitionandincreasesales(GautamandSharma,2017;Kim andLee,2017). However,academicliteratureonthemarketingopportunitiesforluxurybrandsrelatedto astrategicuseofsocialmediaisstillunderdevelopedandfragmented,therelationexisting betweensocialmediaandluxuryremainslargelyunexplored.Therefore,thisstudyaimsat settingoutthestateoftheartofresearchonsocialmediamarketingbyluxurybrandsand mappingtheaddressedkeyresearchthemesoutlinedinthefollowingsections. 3.Researchmethodology Toanalyzesocialmediamarketingacademicliteraturefocusedonluxurybrands,thisstudy used a systematic literature review approach (Webster and Watson, 2002; Busalim and Hussin, 2016; Osobajo and Moore, 2017) to support theory development and discover research areas that need further investigation. A systematic review refers to a process of identifying,evaluatingandinterpretingallavailableresearchrelevanttoresearchquestions T) withtheaimofsummarizingtheevidenceaboutaphenomenonoramethodandprovide P 8 ( newunderstanding(Kitchenhametal.,2009).Asystematicliteraturereviewinvolvesthree 01 phases: planning, performing and reporting the review. Each step requires particular 2 April aexctcilvuistiieosn:cidrietnertiifay, preesrfeoarrmchaqquuesatliiotynsa,sessetsasbmliesnhtaprroecveisews apnrdoteoxctorla,citdednattiafyanindclsuysniothneasinzde 3 (BusalimandHussin,2016). 0 2 Theresearchquestionofthisstudywasthefollowing: 4 6: 0 At RQ1. What are the state of the art and the key research themes addressed in the s academicliteratureonsocialmediamarketingpertainingtoluxurybrands? e brari A review protocol was set in place to reduce research bias and was characterized in this Li studybyaninitialbackgroundreviewofsocialmediamarketingandluxurybrands.Next,a CU definitionofinclusionandexclusioncriteriawasusefulinselectingpublicationsspecifically E y related to this study. As the review is centered on analyzing the social media marketing b d policies used byluxury brands, only those publications with available abstracts andfull- e d text, published in English and during the period 2010-2016 were considered. The period a o nl 2010-2016waschosentoprovideafullanddeepunderstandingoftheevolutionofthetopic w o fromitsinitialbeginningsuntiltheendoflastyear. D The search strategy consisted of two stages. First, an automatic stage provided a primary result of studies related to social media marketing. According to Webster and Watson (2002), the search process should not be limited to a specific range of academic journals;therefore,threedifferentonlinedatabases(ScienceDirect,Scopus,ThomasRouters WebofScience)weresearchedtocoverabroadrangeofpublications.Thethreedatabanks were selected as they can be considered the most pertinent to the business management field. In March 2017, the Scopus database was searched with the expression “social media marketing” searched under “title,” “abstract” and “keywords.” The first filter provided a scoreof483documentsresultinginatimehorizonof2008-2017;publicationsnotinEnglish were excluded which resulted in 476 publications. Subsequently, a second filter “luxury brand” was entered in “title,” “abstract” and “keywords” and 15 results pertaining to the consideredtimehorizon2010-2016(Appendix1)werefound.IntheScienceDirectdatabase, bysearching“socialmediamarketing”automaticallyin“title,”“abstract”and“keywords,” 66resultsappearedand,byfilteringthoseintoEnglishrelatedtoluxurybrands,onlytwo resultsemerged(alreadycontainedintheScopusresults).Asimilarsituationoccurredusing theThomsonRouterofWebofSciencedatabase,wherethefirstsearchprovided103results Socialmedia andonlyoneremainedafterusingtheotherfilters(alsointhiscase,thepaperwasalready marketingin included in the Scopus results). Consequently, the Scopus database appeared as the most luxurybrands inclusiveand15resultswereanalyzed. Atthispoint,thesecondstage(manualstage)ofthesearchstrategyoccurred.Afulltext analysisoftheresultswascarriedouttoexcludethosethatwerenotfullypertinenttothe study’s research question, two publications were removed and, finally, 13 publications remained. Performing a quality assessment process represented a critical stage in evaluatingthequalityofthesestudiesandthefollowingthreecriteria(BusalimandHussin, 2016)wereestablished: (1) C1:Istheresearchmethodologydescribedinthestudy? (2) C2:Isthedatacollectionmethoddescribedinthestudy? (3) C3:Arethedataanalysisstepsdescribedinthestudy? The 13 studies were evaluated according to these three criteria and distinguishing three T) P levelsofquality:low,mediumandhigh.Forinstance,studiesthatfullysatisfyacriterion 18 ( obtain2;thosepartiallyachievingacriterionobtain1andiftheydonot,zero.Theoutcomes 0 2 ofthequalityassessmentaredisplayedinFigure1,andthelistofevaluationofeachstudyis pril presentedinAppendix2. A 3 0 2 4.Dataextractionandsynthesis 4 6: The data extraction process was realized by carrying out an accurate reading of all the 0 At studiesandusingaresearchframeworkstructuredonthefollowingelements: es (cid:1) researchtheme(thekeyaimofthestudy); ari br (cid:1) datacollectionmethods(survey,casestudyandobservation);and Li U (cid:1) methodology (qualitative, quantitative, conceptual and review) as displayed in C E TableI. y b ed The majority (87 per cent) of studies were articles published in management academic d oa journals, and this can be considered a first signal of good quality, while the remaining wnl publications were book chapters (13 per cent). With regard to a temporal view of the Do publications, they gradually increased in number from 2010 up to 2016 with a slight decreasein2013.Likely,therewillbeanincreaseinthearticleoutputastheresearcharea aboutdigitalmarketinginluxurybrandsbecomesmoresignificant. Theresearch methods that have beenadopted intheprimary studies aredisplayed in Figure2;ascanbeseen,morethanonethirdofstudies(39percent),inparticularsurveys, 0.307692308 0.46153846 Figure1. 0.230769231 Qualityassessment high medium low results MRR Quantitative Principalcomponentþanalysismultipleregressionanalysis Structuralequationmodel Structuralequationmodel Contentanalysis (continued) Methodology Qualitative Casestudy Casestudy w vie x Re al PT) nceptuper x 8 ( Copa 2 03 April 201 Observation Observationof52luxury’brandsFacebookpages U Libraries At 06:4 Collectionmethod Casestudy Lancomecasestudy Coachcasestudy wnloaded by EC Survey Self-administratedquestionnaireswithvisualstimuli 400surveyquestionnaires ’Participantssurvey Expertsurvey Do Researchtheme ’SocialmediamarketingseffectsoncustomerrelationshipsandpurchaseintentionRemovedToidentifyattributesofsocialmediamarketingactivitiesandexaminetherelationshipsamongthoseperceivedactivities,valueequity,relationshipequity,brandequity,customerequityandpurchaseintentionToexplorethemarketingpotentialofsocialmediaforluxurybrandmanagementToprovideluxurymarketerswithanoverviewofthemajordigitalluxurybrand-consumertouchpointsandcorrespondingdigitalworkingareasToexplorehowluxurybrandsusesocialmediatoconnectwithmiddle-classcustomersinChinaPresentationofthespecialissueonsocialmediamarketingandluxurybrandsToinvestigatetheroleofluxurybrandmarketingindrivingconsumerengagementonsocialmediaplatformsToprovidesomeinsightsintohowsocialmediaimpactsthecosmeticsindustry nt Documetype Article ArticleArticle Article Article Article Article Article Bookchapter TableI. Dsyantatheexsitsraocftipornimanardy Year 2010 20122012 2014 2014 2014 2014 2014 2014 studies dy u St 1 23 4 5 6 7 8 9 Socialmedia y nt Quantitative Quantitativesurvecustomersandfollowersindifferecountries lumxuarrkyebtirnagndins Methodology Qualitative Netnographicapproach Casestudy w vie x Re al PT) nceptuper x 8 ( Copa 1 2 03 April 20 Observation Observationaldataincludingblogtextsandaudiencecommentsforfourpopularforums 4 6: y U Libraries At 0 Collectionmethod Casestudy Tiffanycasestud C y wnloaded by E Survey Survey(845luxurbrandconsumers) Do Researchtheme Toreviewandanalyzebrandadvocacybehaviorwithinluxurybrandaccessoryforums RemovedToexploresocialmediaflinuenceoncustomerrententionintheluxurybeautyindustryStorygivingasaco-creationtoolforluxurybrandmanagersSocialmediamarketing’flactivitiesinuenceonbrand’equitycreationandconsumersbehaviortowardabrandPresentationofthespecialissueonluxurybrandstrategiesandcustomerexperiences nt Documetype Article ArticleBookchapter Article Article Article Year 2015 20152016 2016 2016 2016 y TableI. d Stu 10 1112 13 14 15

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Purpose – Digital technologies and social media have improved the scope and wider influence than was the case previously (Sashi, 2012) applications and new media such as mobile technology, luxury firms have fully managers to choose which is best in designing a luxury brand strategy.
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