ECONOMYO F MOTION FORT HES HOOTINSGP ORTS SmaMrotv e: EconoofMm oyt ifootnrh S eh ooStpionrgt s ByK:i Btuas se Copyright © 2019 by Kita Busse ISBN-13: 978-1-09-241567-5 All rights reserved. No part of this publication may be reproduced, distributed, or transmitted In any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the author, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. Contact the author by emailing: [email protected]. In handling a firearm, you are responsible for you own safety and the safety of those around you. Please follow and respect firearm safety rules at all times. The author of this book is not responsible for your safety, and you are taking the risk upon yourself that comes along with handling a firearm. The following is a good example of firearm safety from Jeff Cooper's Four Rules (Morrison & Cooper, 1991): 1. All guns are always loaded. 2. Never let the muzzle cover anything you are not willing to destroy. 3. Keep your finger off the trigger until your sights are on the target. 4. Be sure of your target and what is beyond it. Table of Contents Acknowledgments Foreword iii Introduction V Chapter 1: Movement in the 3rd Dimension 2 Chapter 2: Energy Leaks 24 Chapter 3: Grip Training 35 Chapter 4: Resistance Training for Explosive Movement 46 Chapter 5: The Quiet Eye 64 Chapter 6: Resistance Training for Transitions 81 Chapter 7: Explosive Movement 105 Chapter 8: Accelerating and Decelerating Steps/Moving Around Obstacles 159 Chapter 9: Leaving/Entering a Position 173 Chapter 10: Perpetual Motion and Stage Planning 208 Chapter 11: Training Techniques 243 Conclusion 267 Drill Index 268 Contribution Index 269 Bibliography 270 ACKNOWLEDGMENTS Contributions and Permissions: Maria Gushchina, Ljubisa Momcilovic, Jorge Ballesteros, Eduardo de Cobos Abreu, Simon JJ Racaza, Dave Sevigny, Saul Kirsch, Scott Greene, Josh Froelich, Tim Yackley, Ron Avery, Daan van Etten (thank you for also editing!), Paul Hagiantoniou, Hwansik Kim, Tim Herron, Brannon Le Bouef, Craig Osborne, James DeLambert. A special thanks to all of you for sharing your expertise with others through this book. Cover Design: Jessica Hook Front Cover Photo: Bee Silva Photography Back Cover Photo: Candi Lee Photography Photographs: Bee Silva Photography, Candi Lee Photography and Beyond Photography Photography: See text for additional photo credits. Diagrams: Kate Forner and Ryan McNamara Inspiration: I have learned so much from watching great shooters, asking questions and testing my theories on them. There would not be a movement book if it wasn't for a long list of them including but not limited to the shooters listed above and also: Robin Sebo, Ben Stoeger, Mason Lane, Joel Park, Jared Fox, Alexandre Berdat, Pavel Torgashov, Matt Hopkins, Max Leograndis, Edcel Gino, and many more. Support: Thank you to the amazing companies who showed me support through the process of writing this book! A..,...•A Gofllau..A 5flOfll75 SMART MOVE: Economy of Motion for the Shooting Sports <blPSCSEtEorMeA NN w www.lPSCStore.com TECH 'MAKE QualEixtpye.r ience.Technology, � YOU ,--- ____ ·a£l· ........,. ;::IIIREADY simply more •.. N UTERS* GOLD They CHANGE so you don't have to:" II Foreword If I had to describe Kita with only one word, it would be pioneer. I say this because she has identified a training gap in the shooting sports industry and filled it with a wealth of knowledge through research and development. She put in the time required to truly take a scientific approach to movement in the shooting sports. When I first met Kita, she was just embarking on her journey of becoming a world class movement coach. After learning she was teaching classes related to her research on movement, I coordinated one at the shooting range where I work and teach. Naturally, I was curious to see how her instruction could improve my performance. I was amazed at the plethora of knowledge she taught me; always backing up her instruction with cited research and proven results. Shortly after attending her class, I developed what she likes to call "new girlfriend syndrome" for training. Simply put, my drive and motivation to practice and better myself increased substantially. What kept that motivation fueled was seeing seconds melt off my stage times. I know I'm not the only student in her class to notice significantly improved results in movement. After becoming more familiar with her practices, I started using portions of her curriculum with my own students. To me it didn't make sense not to. As an instructor, I appreciated the way she could articulate and adapt her curriculum to each student individually. Being able to recognize that each student learns a different way and at a different pace is an amazing quality to have as a coach. Another aspect of her class that caught my eye was her ability to diagnose a student's past injuries just by observing their movement throughout a drill or stage. Having a background in assisting post-operative patients in gaining back their movement is likely what helped her achieve this unique ability. I personally suffer from a lower back injury and have always been afraid to explode out of position. She was able to pick up on my injury right away and offer me advice on how to combat the issue. Kita's personal attention and "outside of the box" approach to each student's individualized needs is exactly why she has become the dedicated and successful coach that she is today. Presently, Kita is an established coach in her respected field of movement and travels the world teaching her class to shooters of all skill levels and disciplines. At this moment, you are about to start reading her book, "Smart Move". I encourage you to approach this book with an open mind, but more importantly to hold yourself accountable while practicing these new movements and drills. After taking her class twice and reading her book, I can say without a doubt that I am still finding areas to improve on with my own movement. This book will forever be in my range bag and I hope it finds its way into yours as well! Kris R. Stover Director of Training Target Shooting Solutions ll1 SMART MOVE: Economy of Motion for the Shooting Sports Introduction Since 2010, I have had an unusual opportunity to observe, analyze, research and test movement for the shooting sports. I have years of experience in the medical field teaching proper body mechanics for injury treatment and prevention. The application of biomechanics to competitive shooting was a natural transition for me. It started when I observed my first USPSA match in 2010. I noticed that the way the shooters were moving was not the most efficient way to move their bodies, and a lot of time was being lost. Since time is such an important factor in this game, it was confusing to me that they would be hopping, falling out of positions only to get back in, and running backward. I understood that the movement couldn't always be done in the most efficient way, simply because they had a gun in their hands. After the match, I began to research, and tested a theory on a good shooter. I found that standing up in position was adding approximately 1/lOth of a second for that particular shooter to every position in a stage for every stage in a match. That could be half a second per field course! The results were very exciting, and I was hooked. I not only studied the movement of top competitors, but of top athletes across the board. I learned from watching the elite shooters compete, pouring over their videos, and comparing their movements with those of various sports. After continued research and development of movement techniques, I eventually began to travel around the world teaching them in classes and to champions. I am not a top shooter; I am a movement coach. However, I am a movement coach who also happens to shoot. There are many elite competitive shooters who are excellent at what they do, but they may not have the ability to put it into words in a way that others can relate to. As someone simply observing them, asking questions and testing theories, I can help put what these athletes are already doing into words, and confirm with them that it is, in fact, what is taking place. Playing is not coaching, as the saying goes. My goal in this book is to give you the tools you need to diagnose your movement and become more efficient. These observations that I had unusual opportunities to make, combined with my own experiences and tests, have shaped the lessons in this book. Many great shooters have been very generous about sharing their tips and tricks. My research always continues, and I am very grateful to the amazing shooters who have contributed to my knowledge along the way. This book is comprised of my observations and conclusions that I've drawn. The things we thought were right yesterday, we may consider wrong today. I'm putting out what I've learned and what has helped other people, and maybe it will work for you, maybe it won't. My goal is to give you tools and insights to help you to be more efficient and get better results in the shooting sports. Have fun! V SMART MOVE: Economy of Motion for the Shooting Sports Chapter1 MOVEMENT IN THE 3RD DIMENSION Movement in the 3rd dimension sounds way cooler than it is. The 3rd dimension is typically where extraneous movement takes place. This chapter talks about eliminating that extraneous movement and how to be more efficient (Scheoenfeld, 2016). Most shooters are very good at figuring out the most efficient movement in two dimensions. By two dimensions, I mean looking at a stage diagram on a piece of paper and finding the best foot path. This can also be done while finding the best foot path during a stage walk-through. Shooters look at where they must go within a stage, and then where they can eliminate steps or consolidate shooting positions. Let's try it on this stage diagram, where targets one and two are only visible from position A, and targets three and four are only available from position B. When looking at this diagram, keep in mind that it's an oversimplification ... don't overthink it. *)If« ��•-,.J 2