Small Batch Rowman & Littlefield Studies in Food and Gastronomy General Editor: Ken Albala, Professor of History, University of the Pacific ([email protected]) Food studies is a vibrant and thriving field encompassing not only cooking and eating habits but also issues such as health, sustainability, food safety, and animal rights. Scholars in disciplines as diverse as history, anthropology, sociology, literature, and the arts focus on food. The mission of Rowman & Littlefield Studies in Food and Gastronomy is to publish the best in food scholarship, harnessing the energy, ideas, and creativity of a wide array of food writers today. This broad line of food-related titles will range from food history, interdisciplinary food studies monographs, general interest series, and popular trade titles to textbooks for students and budding chefs, scholarly cookbooks, and reference works. TITLES IN THE SERIES Appetites and Aspirations in Vietnam: Food and Drink in the Long Nineteenth Century, by Erica J. Peters Three World Cuisines: Italian, Mexican, Chinese, by Ken Albala Food and Social Media: You Are What You Tweet, by Signe Rousseau Food and the Novel in Nineteenth-Century America, by Mark McWilliams Man Bites Dog: Hot Dog Culture in America, by Bruce Kraig and Patty Carrol New Orleans: A Food Biography, by Elizabeth M. Williams (Big City Food Biographies series) A Year in Food and Beer: Recipes and Beer Pairings for Every Season, by Emily Baime and Darin Michaels Breakfast: A History, by Heather Arndt Anderson (The Meals series) Celebraciones Mexicanas: History, Traditions, and Recipes, by Andrea Lawson Gray and Adriana Almazán Lahl Food History Almanac: Over 1,300 Years of World Culinary History, Culture, and Social Influence, by Janet Clarkson The Food Section: Newspaper Women and the Culinary Community, by Kimberly Wilmot Voss Small Batch: Pickles, Cheese, Chocolate, Spirits, and the Return of Artisanal Foods, by Suzanne Cope Small Batch Pickles, Cheese, Chocolate, Spirits, and the Return of Artisanal Foods Suzanne Cope ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 16 Carlisle Street, London W1D 3BT, United Kingdom Copyright © 2014 by Rowman & Littlefield All photos courtesy of Steve Mayone, except where credited otherwise. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Cope, Suzanne. Small batch : pickles, cheese, chocolate, spirits, and the return of artisanal foods / Suzanne Cope. pages cm—(Rowman & Littlefield studies in food and gastronomy) Includes bibliographical references and index. ISBN 978-1-4422-2734-7 (cloth : alk. paper)—ISBN 978-1-4422-2735-4 (electronic) 1. Food industry and trade—United States. 2. Cottage industries—United States. 3. Small business—United States. I. Title. HD9321.5.C588 2014 338.4'766400973—dc23 2014011222 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Acknowledgments Small Batch grew out of my dual love of true storytelling and food. While it came from a very personal place—I had been practicing home preserving and cheese making and urban gardening and had been devoting more than a reasonable portion of my time and disposable income to “artisanal” foods— I approached this project with the eye of an academic. My goal was to tell the stories of the artisans who graciously gave their time, and often samples of products, without bias. Although I will admit that my bias was inherent, in that I generally shared most producers’ worldview regarding foodways. I encourage all readers to seek out these artisans—and others like them—to support these often barely self-sustaining businesses, as I truly believe that their collective presence is an important one in our continually changing food culture. I must first thank the artisans who shared time and insight, in person, on the phone, or via the Internet. Many are noted by name here, as I used their stories and insights directly, but there are others whose feedback influenced this book less directly. I also want to thank my editor, Ken Albala, whose initial belief in my work led me to such an interesting project. And of course I must thank my family, especially Steve, who was my companion through much of this research and supportive throughout, and Rocco, who was with me from the beginning. Chapter 1 Artisanal Foods From Here to There and Back Again Did it start with fresh mozzarella, with a handwritten sign that said it had been made that morning and sold, conveniently, just a few tables away from the heirloom tomatoes and bunches of fresh-picked basil? Or maybe it was the jars of pickles— flavored with garlic and a sprig of fresh dill, which I had only ever before seen my grandmother use—that lined the shelf of the new small grocer, who sold mostly locally made goods. I don’t recall the first time I truly became aware of the growing offerings of “artisanal” goods that were for sale at the farmers market or specialty shop where I bought much of my food. But once I tasted them, I knew they were different from anything I had eaten in a long time. I finally remembered that mozzarella wasn’t just for melting, and could taste of cream and salt and freshly mown grass. Pickles could crunch again—and they could be spicy and tangy and more than vinegar-soaked cucumbers. And I soon had my choice of offerings from a local chocolate maker and other handmade goods made by mostly small, start- up entrepreneurs as well. I took the inherent narrative of these newly available foods for granted. I assumed that each was made by one person or by a small team, perhaps the same people selling them at the farmers market or whose name graced the label. Because I had been among those who had gotten to know the farmers who sold me much of my produce, I supposed that many of these new goods were made by folks with similar values: quality ingredients, environmental stewardship, perhaps a connection to the land and traditional preparation and preservation methods. And as I got to know some of these producers, I found that by and large I was correct. These small business owners were passionate about their products and had often started their business, in part, because of a desire to work with their hands, to make a product that upheld many of the same values hands, to make a product that upheld many of the same values that I held dear with my food sourcing. I found my favorites in my neighborhood, and I sought out others when I traveled farther afield. “Artisanal” goods, these were starting to be called. Sometimes “small batch” or “craft.” These descriptions made sense—the mozzarella I often purchased was made by an artisan who learned her craft from her grandfather. The pickles I preferred were certainly made in small batches by one skilled pickler. The chocolate and the spirits and the other products as well exhibited a level of craft—nuanced quality and skill of production—that their mass-produced counterparts lacked. But then there were more and more of these products, proudly defining themselves as “artisanal,” some seen in glossy advertisements and on supermarket shelves and seemingly far from the craftsmen and -women of the farmers market just a few years prior. The idea of an “artisanal food revolution” was being bandied about, and as I read the write-ups and tasted the offerings of many of these new businesses I was soon left wondering what the term meant to those who, I knew, were pouring their heart and soul into every bottle of bourbon, every round of cheese. Artisanal has become one of the newest buzzwords used to describe food and beverage products like chocolates, cheese, and gin that have been showing up on shelves of specialty shops and on tables at farmers markets within the last decade. Like so many monikers before and since—such as “natural” and “healthy”—the word is not regulated and has since been adopted by behemoth companies like Frito-Lay and Domino’s Pizza to describe their (by most accounts decidedly non-) artisanal goods. Why the sudden interest in “artisanal” as a product descriptor? The word itself comes from the Italian artigiano, which means “artisan” or “craftsman,” and refers to someone who makes a specific product or provides a specialized service with a high degree of skill, similar to the English word artisan. Artisanal thus describes, in its broadest sense, a product that is made by an artisan, and most properly, something that is handmade, unique, and of high quality—the very opposite of what we mean by mass-produced. Many believe it was the industrialization of the American food system, with its cheap meat and dairy, bland vegetables, and proliferation of processed foods, that sparked a growing revolution back to personal gardens, small farms, and traditional forms of food preparation and preservation. Counterculture and “back-to-the- land” movements from the 1960s through the 1980s, and the rising environmental concerns of the early 2000s led to interest in organic foods and small farms, eventually coining the term locavore in 2005, and strengthening a movement toward more local and sustainable food sourcing. But while most can agree that the co-opting of the term by marketers in recent years is causing the true meaning of the word artisan to be diluted, the stereotype that has developed of the typical artisanal food maker is also one that these new producers either embrace or reject, and this further complicates the understood definition. I will venture to ask—must there be art in artisanal? Is skill enough? My goal is to begin to paint the landscape of the new artisanal producer today by way of four craft products: pickles, cheese, chocolate, and alcoholic spirits, looking at what artisanal, craft, and small batch really mean and how this new food revolution is reflecting the larger culture—and changing it along the way. HISTORY FROM SETTLEMENT TO MID-1900S When the first permanent settlers from Europe arrived in America in the early 1600s, they brought with them provisions including cheese, oatmeal, bread and butter, peas, onions, raisins, pork and beef, cider, beer, and some brandy. They quickly established working farms and learned to hunt and fish from Native Americans, replacing their disappearing stores with rye, maize, wheat, game, and seafood. Those who had livestock had access to milk and milk products, which, predating refrigeration, was often in the form of curds. In fact the preservation of milk in the form of curds and cheese—as well as other methods for preserving foods—was continually being developed at this time to provide nourishment beyond harvest times and for sailors making increasingly long journeys between and around the continents.[1] In New England by the 1700s, major international trade routes had been established and exotic goods such as spices, sugar, coffee, and chocolate were widely available to supplement the standard boiled meats and vegetables that were popular among the growing colonies. Thus, these “exotics” became a standard part of the average eighteenth-century American diet, along with produce, meats, and dairy products available locally and seasonally. The working-and middle-class Puritans, mainly from England, were not used to much variety in their diet, although the newly wealthy merchant class was increasingly seeking out varied and extensive menus via their access to international trade, adding new selections of meats, sweets, and liquors to their diet. German immigrants came to the New World around this time as well, settling farther south in what is now Pennsylvania, bringing with them cast-iron cooking pots, new kinds of sausages, and vinegar, among other culinary influences.[2] Farther south, large plantations were established that grew mainly tobacco, corn, and grain, as well as other produce for subsistent consumption. Rum from the British West Indies in the Caribbean that was easily imported to the north was harder to come by in the south, and wine and beer was more difficult to keep in the southern heat, so distilled liquors, like corn whiskey, became a popular spirit in an area known for prodigious drinking.[3] By the 1800s, large urban areas were being established in the north, creating low-income slums with little access to fresh produce. Farm animals, such as dairy cows, were still being kept within city limits, but the conditions were increasingly unsanitary—garbage and animal waste pickup was not yet a city function, and there was little ability to keep foods chilled, leading to spoilage and illness. Outside of prime harvest times, hearty vegetables like cabbage and foods preserved in salt or vinegar provided the main sustenance for urban dwellers.[4] Pickled and preserved produce, done in the home when
Description: