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Six Tragedies (Oxford World's Classics) PDF

277 Pages·2010·0.7 MB·English
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oxford world’s classics SIX TRAGEDIES Lucius Annaeus Seneca was born some time between 1 bce and 4 ce, in Corduba, in southern Spain, to a Roman equestrian family. Seneca’s father (‘Seneca the Elder’) had a successful rhet- orical career, and educated his sons in Rome, in rhetoric and phil- osophy. Seneca was a life-long adherent to Stoic philosophy. In the year 41ce Caligula was murdered, and Claudius took over as emperor. Soon after the new ruler’s accession Caligula’s sister, Julia, was accused of committing adultery with Seneca. They were tried before the Senate and sentenced to death, but Claudius altered the sentence to exile. Seneca was sent to Corsica, where he spent the next eight years, and where several of his prose works were probably written. Perhaps many or most of the tragedies were written on Corsica. Seneca was brought back to Rome in 49 ce through the intercession of Agrippina, who wanted a tutor for her son Nero. On Nero’s accession in 54 ce Seneca became a very powerful man. He was Nero’s speechwriter, and perhaps political adviser. Along with the praetorian prefect Burrus, he may have been respon- sible for the relative restraint of Nero’s early years as emperor. Their power diminished after 59 ce when they refused to help Nero kill his mother, Agrippina. In the early 60s ce Seneca officially retired from pu blic life. In 65ce there was a plan to assassinate the emperor the (‘Pisonian Conspiracy’). Nero accused Seneca of involvement in the plot and forced him to commit suicide; he died in a hot steam-bath. Emily Wilson is Associate Professor in Classical studies at the University of Pennsylvania. She is the author of Mocked with Death: Tragic Overliving from Sophocles to Milton (2004) and The Death of Socrates: Hero, Villain, Chatterbox, Saint (2007). oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature. Now with over 700 titles — from the 4,000-year-old myths of Mesopotamia to the twentieth century’s greatest novels — the series makes available lesser-known as well as celebrated writing. The pocket-sized hardbacks of the early years contained introductions by Virginia Woolf, T. S. Eliot, Graham Greene, and other literary figures which enriched the experience of reading. Today the series is recognized for its fine scholarship and reliability in texts that span world literature, drama and poetry, religion, philosophy, and politics. Each edition includes perceptive commentary and essential background information to meet the changing needs of readers. OXFORD WORLD’S CLASSICS SENECA Six Tragedies Translated with an Introduction and Notes by EMILY WILSON 1 1 Great Clarendon Street, Oxford ox26dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Emily Wilson 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as an Oxford World’s Classics paperback 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Data available T ypeset by Cepha Imaging Private Ltd., Bangalore, India Printed in Great Britain on acid-free paper by Clays Ltd., St Ives plc ISBN 978 – 0 – 19 – 280716–9 1 3 5 7 9 10 8 6 4 2 CONTENTS Introduction vii Note on the Text and Translation xxvii Select Bibliography xxix Chronology xxxiii Mythological Family Trees xxxiv PHAEDRA 1 OEDIPUS 39 MEDEA 71 TROJAN WOMEN 103 HERCULES FURENS 139 THYESTES 179 Explanatory Notes 213 This page intentionally left blank INTRODUCTION Biography and History Seneca’s tragedies are intense. They show us people who push themselves too far, beyond the limits of ordinary behaviour and emo- tion. Passion is constantly set against reason, and passion wins out: as Seneca’s Phaedra asks: ‘What can reason do? Passion, passion rules’ (184). Seneca’s characters are obsessed and destroyed by their emotions: they are dominated by rage, ambition, lust, jealousy, desire, anger, grief, madness, and fear. The literary style of these plays, too, is intense: they use dense, witty, hyperbolic language and imagery to evoke an endless struggle for more and more absolute power. Seneca’s tragedies reflect the emotional and political intensity of the time in which they were written. Lucius Annaeus Seneca was a contemporary of Jesus, born some time between 1bce and 4ce.1 He lived in one of the most interesting and dangerous periods of Roman history, under the emperors Tiberius, Gaius (Caligula), Claudius, and Nero. The Roman Republic was long dead. Over the course of Seneca’s lifetime the empire expanded, while Rome’s rulers grew ever more corrupt. Seneca was born in Corduba, in southern Spain, at a distance from Rome, the centre of imperial power, and both his parents had also been born in Spain. Seneca’s tragedies have many passages that evoke the vast size of the Roman empire: lists of the most far-flung regions lying at or beyond the borders of Roman power. The fact that Seneca came from an outlying part of the empire may have made him particularly aware of the scale of Roman dominance in the west- ern world of his time. But Corduba was not a provincial backwater; it was an important centre of Roman culture. Moreover, Seneca came from a privileged, educated, and wealthy background. His family was upper class, belonging to the equestrian order. Equestrians (or ‘knights’ — the word literally suggests horse-rider or cavalryman) were traditionally 1 The best overview of Seneca’s life, and his interactions with the political circum- stances of his times, is Miriam Griffin’sSeneca: A Philosopher in Politics (Clarendon Press,1976). viii introduction focused on business rather than politics — in contrast to senatorial families, but Seneca was to rise to enormous political prominence. According to Tacitus, one of our main sources for this period, Seneca expressed to Nero, towards the end of his life, his amazement at his own social rise: ‘Am I, born of an equestrian father in the prov- inces, actually numbered among the leaders of the state? Has my newcomer presence achieved distinction amongst noblemen who can put on display a long series of glittering decorations?’2 But there is some rhetorical disingenuousness in the implication that Seneca’s rise to prominence from humble family origins was due entirely to the benevolence of the emperor Nero. In fact his success owed a great deal both to his own literary talent and to the influence of his family. Seneca did not come from nowhere. Seneca’s father (‘Seneca the Elder’) had a successful rhetorical career. He spent most of his life in Rome, studying oratory. He wrote a history of Rome (which has not survived), and also two sets of textbook examples of rhetorical exercises, called the Suasoriae (Persuasions) and Controversiae (Controversial Issues), sections of which are extant. These were written at the request of his sons, towards the end of his life. Seneca the Elder had three sons; Lucius Annaeus was the middle child. Their father brought all three to Rome to be educated. All the brothers became intimately involved, in very different ways, with the workings of Roman imperial power. The elder brother, Annaeus Novatus, became the governor of southern Greece. He is mentioned in Acts (18:12 – 16), since it was under his rule that the Jews brought an accusation against Paul for persuading people to ‘worship God contrary to the law’. Annaeus Novatus, referred to in Acts under the name Gallio, dismissed the case, arguing that the issue was a matter of religious law, outside the realm of Roman legislation. The youngest brother, Annaeus Mela, did not undertake an official political career. He became a successful businessman, and eventually helped to manage Nero’s finances. He was the father of the poet Lucan — author of the Civil War, a great Republican epic poem about the war between Julius Caesar and Pompey. We do not know much detail about the life of Lucius Annaeus Seneca, the middle brother, as a teenager and young man. These must have been the years in which he was educated in rhetoric. 2 Tacitus, Annals 14. 53: trans. J. C. Yardley, Oxford World’s Classics (Oxford University Press, 2008),330. introduction ix The influence of Roman rhetorical training is evident in all of his work. He also trained with several different tutors in philosophy. A Stoic named Attalus emphasized the importance of ascetic habits: he recommended always sleeping on a hard bed, and avoiding luxurious foods such as oysters and mushrooms. Seneca became a life-long adherent to Stoic philosophy.3 He also studied at the school of Quintus Sextus, another primarily Stoic philosopher. From Sextus he seems to have learnt the moral practice of daily self-examination. He also became a vegetarian, but was talked out of it after only a year by his father, who thought the meatless diet was weakening his son’s health. Seneca’s health was certainly bad. He was a lifelong sufferer from chest problems, which may have been caused by cardiac asthma or angina. In his Epistle 78 to Lucilius, Seneca tells the story of how, in his early years, he was able to ‘adopt a defiant attitude to sickness’: But eventually I succumbed to it altogether. Reduced to a state of complete emaciation, I had arrived at a point where the catarrhal discharges were virtually carrying me away with them altogether. On many an occasion I felt an urge to cut my life short there and then, and was only held back by the thought of my father, who had been the kindest of fathers to me and was then in his old age. Having in mind not how bravely I was capable of dying but how far from bravely he was capable of bearing the loss, I commanded myself to live. There are times when even to live is an act of bravery.4 After this episode, which perhaps took place when he was in his twenties, Seneca seems to have recuperated in Egypt. His aunt — his mother’s stepsister — was the wife of the prefect of Egypt at this time, and probably cared for him in his illness. Seneca returned to Rome in 31ce. His father wanted him to begin a political career, and his aunt’s connections were also useful in achieving this aim. At some point after his return to Rome — but per- haps as late as 37ce, after several more years devoted to study — he took his first step on to the ladder of the traditional Roman political career (the cursus). He was appointed as a ‘quaestor’ (a financial officer), and enrolled in the Senate. It was a comparatively late start for a political career: Seneca’s peers would have already begun to 3 For more on Stoicism, see ‘Stoicism and Seneca’s Tragedies’, below. 4 Epistle 78.1 – 2:Letters from a Stoic, trans. Robin Campbell (Penguin Books, 2004), 131.

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Here is a lively, readable, and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers--the only tragic playwright from ancient Rome whose work survives. Tutor to the emperor Nero, Seneca lived through uncertain, oppressive, and violent times,
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