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Singing The Glory Down: Amateur Gospel Music in South Central Kentucky, 1900-1990 PDF

264 Pages·1991·44.4 MB·English
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SINGING THE GLORY DOWN SINGING THE GLORY DOWN Amateur Gospel Music In South Central Kentucky 1900-1990 WILLIAM LYNWOOD MONTELL THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1991 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40508-4008 Library of Congress Cataloging-in-Publication Data Montell, William Lynwood, 1931- Singing the glory down : amateur gospel music in south central Kentucky, 1900-1990 / William Lynwood Montell. p. cm. Includes bibliographical references and Index. ISBN 0-8131-1757-7 (alk. paper) 1. Gospel music—Kentucky—History and criticism. I. Title. ML3187.M66 1991 782.25'09769'6—dc20 91-8688 This book is affectionately dedicated to all the shape-note music teachers, gospel song writers, singers, and musicians from south central Kentucky, including those whose time to cross over the river they wrote and sang about came before their involvement in gospel music was documented in print. CONTENTS Acknowledgments ix Introduction 1 1. The Shape-Note Era 9 2. The Singing Convention Movement 30 3. Shape-Notes and l Quartets 52 4. The Transition Years 73 5. The Beginnings of a New Era 93 6. Present Times 116 7. Walking Narrower 138 8. Singing the Glory Down 157 9. Singing Families 180 Conclusion 199 Appendix A: South Central Kentucky Singing Groups 203 Appendix B: South Central Kentucky Shape-Note Teachers 226 Notes 229 Bibliography 238 Index 244

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In Singing the Glory Down, William Lynwood Montell contributes to a fuller understanding of twentieth-century American culture by examining the complex relationships between gospel music and the culture of the nineteen-county study area in which this music has flourished for a hundred years. He has
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