SIDNEY POITIER Sidney ARAM GOUDSOUZIAN Poitier MAN, ACTOR, ICON The University of North Carolina Press Chapel Hill & London ∫ 2004 The University of North Carolina Press All rights reserved Manufactured in the United States of America Set in Sabon and Castellar types by Keystone Typesetting, Inc. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Library of Congress Cataloging-in-Publication Data Goudsouzian, Aram. Sidney Poitier : man, actor, icon / by Aram Goudsouzian. p. cm. Includes bibliographical references and index. isbn 0-8078-2843-2 (alk. paper) 1. Poitier, Sidney. 2. Actors—United States—Biography. 3. African American actors—United States—Biography. I. Title. pn2287.p57g68 2004 791.43%028%092—dc22 2003019372 08 07 06 05 04 5 4 3 2 1 In memory of Andy Colligan This page intentionally left blank Along with the fight to desegregate the schools, we must desegregate the entire cultural statement of America; we must desegregate the minds of the American people. If we merely succeed in desegregating the school buildings, we may very well find that we have won the battle and lost the war. Integration begins the day after the minds of the American people are desegregated. john oliver killens The Black Man’s Burden (1965) Entertainment is not, as we often think, a full-scale flight from our problems, not a means of forgetting them completely, but rather a rearrangement of our problems into shapes which tame them, which disperse them to the margins of our attention. michael wood America in the Movies (1975) We’re all imperfect, and life is simply a perpetual, unending struggle against those imperfections. sidney poitier The Measure of a Man (2000) This page intentionally left blank contents Acknowledgments xi Introduction 1 part i: poverty and progress 1 Patches (1927–1943) 7 2 Great Migrations (1943–1945) 25 3 Stages (1945–1949) 43 part ii: race man 4 Message Movies (1949–1952) 63 5 Black Lists (1951–1954) 84 6 Threats (1955–1957) 103 7 Noble Savages (1956–1957) 123 part iii: black man’s burden 8 Decisions (1957–1959) 145 9 Burdens (1959–1961) 167 10 Blues (1960–1962) 189 11 Long Journeys (1963–1964) 208 part iv: alone in the penthouse 12 Crossroads (1965–1966) 231 13 Useful Negroes (1966–1967) 253 14 Last Hurrahs (1967–1968) 277 part v: through playing god 15 Exiles (1967–1971) 315 16 Survivors (1972–1978) 337 17 Ghosts (1978–2002) 358 Appendix: Performances by Sidney Poitier 381 Notes 397 Bibliography 447 Index 467 A section of photographs follows p. 296.
Description: