S H I P 001_prelim.indd 1 23/09/16 3:55 pm 002-003_prelims.indd 2 23/09/16 3:55 pm HH-207433(3)T-16101875_UK_305220_003_TB S H I P 5,000 YEARS OF MARITIME ADVENTURE B R I A N L A V E R Y 002-003_prelims.indd 3 20/10/16 5:06 pm HH-207433(3)T-16101875_UK_305220_004_TB Senior Editor Peter Frances Project Editor Sarah Larter, Gill Pitts Editors Georgina Garner, Ben Hoare, Giles Sparrow, David and Sylvia Tombesi-Walton, Nikky Twyman Indexer Jane Parker Senior Art Editor Sunita Gahir Project Art Editors David Ball, Vanessa Marr, Lee Riches Designers Paul Drislane, Simon Murrell Picture Researcher Louise Thomas Illustrators Tim Loughead, John Plumer DTP Designers John Goldsmid, Paul Maguire, Rajen Shah, Adam Shepherd Production Controller Melanie Dowland Managing Editor Liz Wheeler Managing Art Editor Philip Ormerod Category Publisher Jonathan Metcalf Art Director Bryn Walls Special Photography Gary Ombler Revised Edition DK DELHI Senior Art Editor Chhaya Sajwan Project Editor Nisha Shaw Assistant Editor Smita Mathur Art Editors Meenal Goel, Roshni Kapur Assistant Art Editor Rohit Bhardwaj Senior DTP Designers Harish Aggarwal DTP Designers Anita Yadav, Syed Md Farhan Picture Researcher Deepak Negi Managing Jackets Editor Saloni Talwar Senior Managing Editor Rohan Sinha Senior Managing Art Editor Arunesh Talapatra Pre-production Manager Balwant Singh Production Manager Pankaj Sharma Picture Research Manager Taiyaba Khatoon DK LONDON Senior Editor Jemima Dunne Senior Art Editors Helen Spencer, Nicola Rodway Jackets Designer Jon Durbin Jacket Design Development Manager Sophia MTT Producer, Pre-production Jacqueline Street Producer Mandy Inness Managing Editor Gareth Jones Managing Art Editor Lee Griffiths Associate Publishing Director Liz Wheeler Art Director Karen Self Publishing Director Jonathan Metcalf Curatorial Consultant Simon Stephens Smithsonian Consultant Paul F. Johnston Project Co-ordinators Katie Mann, Ellen Nanney First published in Great Britain in 2004 This edition published in 2017 by Dorling Kindersley Limited 80 Strand, London WC2R 0RL Copyright © 2004, 2005, 2017 Dorling Kindersley Limited A Penguin Random House Company Text copyright © 2004, 2005, 2017 National Maritime Museum 10 9 7 6 5 4 3 2 1 001–305220–Feb/2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owner. A CIP catalogue record for this book is available from the British Library ISBN: 978-0-2412-9804-6 Printed in China A WORLD OF IDEAS: SEE ALL THERE IS TO KNOW www.dk.com 004-005_SHIP_contents_smCa.indd 4 20/10/16 5:07 pm CONTENTS foreword 6 1 THE BIRTH OF SHIPS 8 the first boats 10 the ship in ancient times 18 2 SAILORS OF THE SEAS 30 the ship in northern europe 32 the ship in the mediterranean 50 the ship in the east 56 3 EUROPEAN EXPANSION 66 early explorers 68 colonization 82 gunpowder and sail 92 4 THE AGE OF SAIL 110 wars for empire 112 trade under sail 140 exploration 156 5 THE AGE OF STEAM 168 steam power 170 maritime trade 184 new imperialism 194 the great shipping lines 200 naval warfare 212 6 THE LAST DAYS OF SAIL 228 sail in the age of steam 230 fishing and whaling 246 to sea for pleasure 260 7 THE WORLD WARS 268 the road to war 270 the first world war 286 between the wars 298 the second world war 310 8 THE GLOBAL AGE 336 the new warship 338 ships in the consumer age 358 leisure, pleasure, and sport 368 ships and ocean resources 378 glossary 390 index 393 acknowledgments 399 004-005_SHIP_contents_smCa.indd 5 23/09/16 5:32 pm HH-207433(3)T-16101875_UK_305220_006_TB FOREWORD My earliest significant encounter with Ship wonderfully illustrates the It was not until the 15th century, ships and the sea was as a 14-year-old importance of humankind’s seafaring however, that European development on a six-week voyage on board the P&O endeavours, past and present, in of the truly ocean-going, three-masted liner, Oronsay, when my family moved exploration, commerce, and conflict. sailing ship enabled exploration and from Australia to the UK. This journey Our oceans and rivers cover more than intercontinental trade on a sustained eventually carried through to my 70 per cent of the Earth’s surface. Since global scale. Many people may not professional life when I became a the earliest times, they have presented fully appreciate the important role maritime museum director in Australia, formidable navigational challenges and the sea continues to exert on our daily and later took me back across the oceans tremendous opportunities for the lives. For instance, the introduction to become Director of the National movement of people, free and forced, of containerization in the 1960s has Maritime Museum at Greenwich, and their goods. Today, it is estimated revolutionized international trade. London, in 2007. Drawing upon the that 80 per cent of the world’s population Today, goods and component parts can Museum’s magnificent collections, lives only a day’s travel from the coast. be manufactured virtually anywhere in 006-007-Foreword.indd 6 20/10/16 5:07 pm HH-207433(3)T-16101875_UK_305220_007_TB the world, then shipped to another people still rely on ferries, large and combine as Royal Museums Greenwich. country for assembly before the finished small, for short journeys across rivers Ships are not the only subject the product is exported, again by ship and and straits, between islands, or for Greenwich collections cover, but this worldwide. Such networks save both deeper sea crossings. book splendidly represents that key time and money and therefore, not Brian Lavery’s text, a fascinating aspect of them. surprisingly, 90 per cent of the world’s and comprehensive look at 5,000 years trade is still carried by sea. of man’s encounter with the sea, is richly Moreover, the massive growth of illustrated with images and objects cruise ship tourism, together with drawn from the world-class holdings more affordable access to sailing and at Greenwich, where the National DR KEVIN FEWSTER water sports, now allows more people Maritime Museum, the historic Royal to interact with ships and the sea than Observatory and Queen’s House, and DIRECTOR ever before. And, of course, many the famous tea clipper Cutty Sark, now ROYAL MUSEUMS GREENWICH 006-007-Foreword.indd 7 20/10/16 5:07 pm 008-009 Chapter1 Opener 12/05/2004 18:44 Page 8 (TEXT BLACK plate) NAVAL DOMINATION The Roman emperor Trajan presides at the stern of a trireme on this carved column commemorating victory against the Dacians in AD105–106. The Romans’ naval superiority was the culmination of thousands of years of maritime achievement in the Mediterranean.
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