Shindig! - Issue 129 - July 2022

102 Pages·2022·22 MB·English

ANNIE NIGHTINGALE FIRST LADY OF RADIO DEAF SCHOOL IT’S ART, LA!
l
MARMALADE SKIES AND
ARTISTIC CONSEQUENCES
THE FANTASTIC JOURNEY OF
GODLEY &
CREME’S
LOST ’60s RECORDINGS
EXCLUSIVE VINYL
OFFER!
DENIM, VELVET AND SPILT MILK
OUR PICK OF UNDER-THE-RADAR ALBUMS FROM THE ’90s
ZAL YANOVSKY • BARNEY BUBBLES • GWENNO
ISSUE 129•£6.49
CYMANDE • CHRIS BANGS & MICK TALBOT • TRIPTIDES
LINDA HOOVER • WAX MACHINE • LIMELIGHT RECORDS

contents
ISSUE 129, JULY 2022
Features
’90s Albums 52
The Shindig! team pick their favourite under-the-
radar long-players from The Decade That Doesn’t Fit
Deaf School 60
The second most important band to come out of
Liverpool? Let’s find out
Godley & Creme 72
Their ’60s pop roots and late ’70s and ’80s
grand ambitions
Regulars
Thoughts & Words 6
Your letters, tweets and emails
Shindiggin’ 8
What’s hot on the Shindig! turntable
It’s A Happening Thing 10
Gwenno, Barney Bubbles, Linda Hoover, Revelators
Sound System, Earl’s Closet, Bangs & Talbot, Triptides,
Mr Bongo, Lost Cat, Ghost Woman, Fox Paloma, :
Lunar Towers, Wax Machine, Bobby Oroza, Wilderness
America, Josiah, Caleb Nichols, Mighty Absalom
Family Album 40
Cymande’s 1972 celebratory debut of Caribbean cool
Deep Cuts 42
The avant-pop, jazz and electronica of Limelight Records
Deep Cuts Extra 44
Limelight Records’ head honcho Robin McBride speaks
20 Questions 46
Broadcaster, writer, deejay and icon Annie Nightingale
Reviews 78
The best in reissues, new releases, books and live shows
Prize Crossword 97
Win a copy of Picadilly Line’s Yellow Rainbow
Vinyl Art 98
The Monkees: big in Japan
66
Zal Yanovsky
How The Lovin’ Spoonful’s talented
guitarist and zany charmer fell from
grace but refused to go away
“I thought John’s writing was
pretty sappy and, on a flight back
from Denver, I told him so. There
was a huge fight and then the boys
got together and they fired me”
welcome
Dear Shindiggers,
It’s with great pleasure that on the back of this issue’s cover stars we present our fi rst
vinyl exclusive. Yes, that’s right. Not only does Michael Björn get the full low-
down on how Kevin Godley and Lol Creme became Frabjoy & Runcible Spoon
after they’d learned how to “play around”, but we’re issuing, in conjunction with
Guerssen Records, their “album that should have been”.
Editor-in-Chief:
Although only one single, ‘I’m Beside Myself’ / ‘Animal Song’, appeared from Jon ‘Mojo’ Mills
the sessions they cut with Giorgio Gomelsky for the proposed 1969 set, esteemed [email protected]
music historian David Wells recently tracked down the remaining material, 64 North View Road, London N8 7LL
resulting in Grapefruit’s recent CD anthology Frabjous Days: The Secret World Of Reviews Editor:
Godley & Creme 1967-1969. On hearing the proposed original album (or what’s Andy Morten
[email protected]
left of it) I just knew it had to appear on vinyl. After some conversation a deal was
Live Reviews Editor:
struck, and for the very reasonable price of £20 plus p&p you can now own this
Kate Hodges
delightful dose of late ’60s pastoral and progressive pop on LP, which we’ve titled
[email protected]
Fly Away. See pre-ordering details on our website, the subs page and at the end of
Senior Editor:
our feature on page 77. Act fast, as there will only be 200 copies on tasteful lavender Thomas Patterson
vinyl. [email protected]
We hope to do more exclusive albums – if it goes well, this may become Assistant Editor:
something we do regularly. This issue’s idea chimed perfectly with our wonderful Paul Osborne,
[email protected]
cover story. I hope you can enjoy both.
If we pushed the envelope with both Blondie and New Age Travellers last Editorial Assistance:
Phil Suggitt
month, this issue brings us back to something a bit more usual, if there is such a
[email protected]
thing for Shindig! in 2022. Liverpool’s Deaf School tell their fascinating story, and Fiona McQuarrie
octogenarian deejay, broadcaster and writer Annie Nightingale undergoes our Martin Ruddock 
20 Questions – discussing how she interviewed Sean Connery in a Wimpy bar in Contributors:
1962, her love of The Byrds, being Radio One’s fi rst female broadcaster and her Camilla Aisa, Richard Allen, Joe Banks, Grahame
Bent, Michael Bjorn, Christopher Budd, Sean Casey,
predilection for American EDM. The Lovin’ Spoonful’s Zal Yanovsky’s exodus is
Stuart Draper, Duncan Fletcher, Mike Fornatale, Peter
charted, Gwenno talks about her new album Tresor, Cymande’s debut falls under
Gallagher,  Ben Graham, Sarah Gregory, Lenny Helsing,
the spotlight and we curate a selection of our favourite albums from the ’90s that we Paul Hillery, Kate Hodges, Henry Hutton, Johnnie
think merit your attention and may have passed some of us by the fi rst time round. Johnstone, Murdo Mathewson, Fiona McQuarrie, Jon
‘Mojo’ Mills, Andy Morten, Paul Osborne, Thomas
I also want to thank you for your continued support, and must ask for those of
Patterson, Jeff Penczak, Ben Phillipson, Jeff Pitcher,
you who love the Shindig! but are yet to subscribe to please do so. It really does help
Paul Ritchie, Martin Ruddock, Vic Templar, Elvis
us invest in bringing you the best magazine we possibly can. People’s shopping habits Thirlwell, Chris Twomey, Gary von Tersch, Michael
are changing, as is the high street, and I’d hate to think that you may somehow miss Todd, Andrew Ure, Simon Wordsworth, Melanie Xulu
an issue. Our subscribers’ prize draw this month is a bountiful, limited edition £325 Publisher:
Tom Saunders, Silverback Publishing
Al Stewart box, so if you want to win you really do need to sign up now.
[email protected]
Don’t forget to keep your correspondence coming in and to follow us on social
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can venture even further into the artists we write [email protected]
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Regards,
Design: Andy Morten, Martin Cook
Jon ‘Mojo’ Mills,
Editor-In-Chief Printed by: Warners Group
If you have trouble fi nding Shindig! magazine in the UK please contact
Susan Stone, Seymour Distribution Ltd, 2 East Poultry Avenue, London
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While every effort is made in compiling Shindig! magazine the publishers
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Jon ‘Mojo’ Mills listens to records on the Pro-Ject X2 record deck through the Phono without the consent of the publisher. Registered at Stationers Hall
Copyright. Direct Input by Silverback Publishing Ltd.
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4

thoughts&words
shindig-magazine.com
[email protected]
facebook.com/Shindig.Magazine
@shindigmagazine
shindig_magazine
PLANTING POTATOES BEATNICKS D’OCCASION these can be easily found on YouTube. Of course, though,
Hello Jon, Hello Jon, she is still in the music business today and still an amazing
I had to smile when Shindig! mentioned The Edgar Broughton I wanted to commend you for the in-depth reporting on singer – after all, she has been the principal singer in the
Band and the line, “Do you want to plant potatoes boy?” I can the careers of members of the wonderful psych band The legendary French progressive band Magma since the early
remember my cousin playing me that record when it fi rst United States Of America. I remember buying that album way to mid-70s. She is now, of course, Stella Vander, who was
came out. I must have been 10 or 11, and it has stuck in my back, more than 50 years ago, and loving the heck out of it. married to master drummer Christian Vander, and is now
mind since then. Clearly, a great deal of research went into the article and I married to Francis Linon, the band’s sound and recording
Back in those days, my cousin had his bedroom painted am happily surprised to see how the musicians in the band engineer. She is at work preparing a new Magma record
bright orange and on the ceiling was a painting of a giant eye! lent their talents to such a wide variety of artists across the right now, in fact, set for release in October. She is 71, still
Proof that psychedelia was alive and kicking in Chesterfi eld musical spectrum. Huzzah! gorgeous and a force to be reckoned with. I believe that she
as well as Swinging London. The yé-yé girls article was equally well researched. has had by far the longest career of any yé-yé singer. It is
Regards, And it is a topic that deserves attention. I think you missed worth mentioning.
Andrew Redding a signifi cant opportunity here in one small regard: Stella. You do wonderful work with Shindig! I enjoy every issue.
Stella began her singing career as Stella Zelcar, and released Sincerely,
Ha brilliant. What must have your parents thought? several strong yé-yé singles back in the mid-60s – all of Dana Lawrence
Thanks Dana, so glad you apreciate what our brilliant
writers put in. Did you see our Magma feature in issue
#95? If not, it can be bought from our online store.
REMEMBER THE FUTURE
Hello Jon,
Thanks for a nice article about Nektar. This reminds me of a
good moment from way back in 1973 or ’75. One evening in
the Forest-National arena, here in Brussels, Nektar opened for
the mighty Frank Zappa & The Mothers. My friends and I were
very impressed. That light show (Mick Brockett – thanks) was
unbelievable. 
This was something we had never seen. Brussels isn’t
London nor San Francisco. 
Nektar was so good that 7,000 Zappa fans asked for an
encore! Zappa was his formidable self. What a great night. 
New Age Travellers, Phil Gosez
The Tibetan Ukrainian
Mountain Troupe
off er some sage And what a band! So glad to see them getting so much
advice of how to live in love.
Thatcher’s Britain
STAR LETTER IN THE FLESH
Hi Jon,
Reading the Blondie the article brought back memories
of seeing the band support the magnifi cent Television at
ON THE ROAD the life of the New Age Traveller. I’m more of an Old Age Manchester’s Free Trade Hall in May 1977. They had a hard
Hi Jon, Traveller myself now, but glad I was there in the new age. time winning over the audience, Clem Burke making his
“New Age Travellers, not in this age, not in any age,” Loving your Spotify play lists and, as ever, the mag feelings known by smashing a bottle on his kit, as the crowd
said John Major, then Prime Minister. After The Battle and radio show.
Of The Bean Field the authorities stamped down hard Yours,
on the travellers and made life very diffi cult for them. R M Booker
I attended many travellers’ festivals and gatherings at
sites all across Britain at the time and used to get stopped As far as history goes, this period is relatively recent,
regularly and searched, and asked silly questions like “Did but man, it really does feel like an entirely different
my dog catch rabbits?”, “Was I working”, “Was I carrying time. A better one in so many ways. I’m glad to have
illegal substances?” etc. But beyond this we had a great grown up through it, as
time seeing the festival bands and performing artists, and it certainly informed so
the vibe was a real happy one for most of the time. The many of us. I hope you
festival scene was really big and little ones used to crop enjoy the Seelie Court
up at stone circles that were off the radar. Your article reissue of Bertie’s 1970
brought back lots of memories, good and bad. I never took private pressing that
to the road but have friends who did and are still living I’m sending you.
The New York scene ventures North
6
resorted to appalling sexist nonsense aimed at Debbie Harry. Clem is still the greatest
drummer I have ever seen. What a band. What a gig. Television, for all their static, too
cool for school, calculated inertia were truly superb. Two great bands, I was very lucky
to see them both at that time.
Best,
Bri Davies
Thanks Brian. It’s great to hear your memories about Blondie.
AROUND AND AROUND
Hi Jon,
In the latest issue, there’s a letter on inner sleeves, with a picture of a CBS Greatest Hits
sleeve and a question about inner sleeves. You say “We’ll explore this idea.”
This crosses over with the latest addition to Around & Around, my record collecting
site. I just completed a long piece on inner sleeves with illustration… way longer than
you’d need, but it has the basics. aroundandaroundcom.wordpress.com/lp-inner-sleeves
Have a look around while you’re there. The most popular section is ‘Reviled: The
Albums Critics Love To Hate’ – see the top bar.
Best wishes,
Peter Viney
I’m sure our readers, especially those who spend time dwelling on the magic of inner
sleeves, will find much to love on your site.
UNIVERSAL STRANGERS
Hi Jon,
Just a line of thanks as regards the Diesel Park West item – so great to see them
getting some supportive press after all these years.  No, that’s a trifle harsh –
press has been supportive throughout – it was just a lack of breakthrough sales. 
I have been an admirer since first hearing ‘All The Myths On Sunday’.
Besides their canon of work, which has rarely suffered from any slip in
standards, I found that John Butler’s Universal Stranger release from 2017 was a
fine piece of work – particularly with the bonus CD A Backward Glance – what a
shame no major selling artist has never trawled his work for material.
For me ‘The Girl With The Name’ was just about the finest thing that paid
homage to the hallmark traits from the well from which they drew their
inspiration.  Pure genius that Nicky Hopkins graced ‘When The HooDoo Comes’.  If
only ‘Like Princes Do’ had been their breakthrough hit ……
I really enjoyed catching them whenever they played The Borderline.
And, whenever they did a cover, it always had the required degree of
reverence yet they made them their own – their 2017 ‘Summer Of Love’ being as
good a case as you could find. Worthy of mention also is their cover of Dylan’s ‘The
Man In The Long Black Coat’.
Thanks for the recent Nektar and Dave Davies articles too.
I wonder if any of these may be worthy of a future Shindig! article: The House
Of Love, The Chameleons,  Comsat Angels, Donovan’s Brain, Scott Miller, Scott
Matthews.
Keep up the impressive standards – we’re fortunate to have such a tome of
quality reference.
Regards,
Richard Gould
Hi Jon,
I just wanted to say how good it was to see Diesel Park West featured. I loved
Shakespeare Alabama when it was released and return to it often. I could not
understand how it wasn’t a huge seller at the time, but as the article explains, if
you couldn’t get on Radio One at the time you were struggling. Radio One was all
powerful at the time, it’s a rather different broadcasting landscape these days.
I did also buy the follow up album Decency and enjoyed it but it did feel as
though the moment had passed. That first album is, however, a classic! 
All the best to you,
Roger Nicholls
Richard and Roger, it’s lovely to hear your respect for the unheralded Diesel
Park West. Being able to rekindle memories and steer others to bands they may
have missed out on is always a great pleasure.
What’s HOT on the Shindig! turntable
The brand new releases, compilation
standouts, old album tracks and dusty 45s
rockin’ our world this month
APHRODITE’S CHILD PENZA PENZA
The Four Horsemen Jaw Drop
The recent loss of synth visionary Vangelis has had Estonian multi-instrumentalist and producer Misha
many reaching for the florid prog-psych of his late ’60s Panfilov has become one the most prolific and interesting
band Aphrodite’s Child. The best-known track from the musicians to emerge in recent times, creating a canon
Greek combo’s strange, sometimes beautiful, and often of wonderful, inventive music under various incarnations
terrifying double concept album swansong 666, the that fuse disparate styles such as library atmospherics,
doomy ‘The Four Horsemen’ sees them at their most heavy-funk, Zamrock and cinematic soundscapes. This
driving. Vangelis largely provides spooky ambience, tune, the flipside of a killer two-sider under his super-
while guitarist Silver Koulouris goes nuts with squalling heavy Afro and funk-rock channelling Penza Penza
wah-wah licks and Loukas Sideras thrashes his kit. Atop all this are the bemused, but utterly moniker, is an outstanding slice of raw, fuzzy garage-funk that maintains an otherworldly, lo-fi
haunting tones of Demis Roussos. Altogether now. “The leeeeading horse is whiiiite...” analogue vibe whilst still managing to hit hard.
Available on: 666 (MUSIC ON VINYL 2-LP) Available on: Funk Night 45
CHRIS BANGS & MICK TALBOT WESLEY GONZALEZ
Blues Walk Greater Expectations
While the preceding 11 tracks of Bangs and Talbot’s Only a brave gambler would’ve taken a punt that members
mod-jazz instrumental album evoke smoke-filled of mid-noughties novelty girl group The Pipettes would
basement clubs packed with sharp-dressed groovers, be making some of the most interesting music around 15
‘Blues Walk’, with its bop-jazz feel, conjures up a brisk years later, but here we are: Gwenno Saunders gets prime
but contemplative journey home in the wee small billing at the front of this month’s IAHT whilst Rose Elinor
hours after the clubs have all closed their doors. It also Dougall has released a trio of delightful albums and now
presents a chance for the track’s guest players to shine: co-written and co-sings the opening track from London
Dave Priseman’s trumpet takes the melody line, Roger singer/songwriter Wesley Gonzalez’s brilliant new LP Wax
Beaujolais lays down perfect accompaniment on the vibes, while in-demand session guitarist Limousine. It’s an indelibly catchy Alexandra Park-set slice of romantic indie-pop that should find
Julian Burdock busts loose with a solo on the outro. Hip, happening and damn groovy! its way onto the opening credits of a British indie flick asap. Are you listening, Edgar Wright?
Available on: Back To Business (ACID JAZZ LP) Available on: Wax Limousine (MOSHI MOSHI LP)
KIKAGAKU MOYO FOTHERINGAY
Monaka The Way I Feel
The lead track from Japanese psychedelicists This Gordon Lightfoot cover from Sandy Denny’s post-
Kikagaku Moyo’s final album fuses a lot of what has Fairport band’s sole album during their lifetime is often
made them so compelling over the past nine years overlooked, probably because Denny only sings low-key
into one five-minute East meets West piece. A taut backing vocals behind husband Trevor Lucas’s moody
kraut groove blends with sitar and a Japanese melody, lead. Yet instrumentally it’s one of the group’s finest five
ending with a blast of acid guitar, resulting in analogue minutes, from Gerry Conway’s rolling, propulsive drums to
heaven. Continuing the spirit of Flower Travellin’ Band Jerry Donahue’s scorching electric guitar. And then there’s
into the 2020s, just check out these guys’ socials that moment when it drops back to just Pat Donaldson’s
to see how far and wide the word has spread. It’s sad to see them go, but we’re sure Go nimble, surprisingly funky bass before the final flourish. Fotheringay was much more than just a
Kurosawa has more up his flowing sleeves. vehicle for their supernaturally talented female singer and here, should you need it, is the proof. 
Available on: Kumoyo Island (GURUGURU BRAIN LP) Available on: Fotheringay (ISLAND LP)
LYDSYN THE CITRADELS
To Syge Skud Racing Cars
Uffe Lorenzen of On Trial, Baby Woodrose and Spids Fire up the lava lamps and break out the party favours,
Nøgenhat fame has formed a new trio called Lydsyn that Melbourne’s psychedelic astral travellers are back
includes his old friends Palle Demant (The Sledge) on bass to feed your head – and they brought their toys with
and Jens Eyde on drums. The first fruits of their labours them… literally. Having recently built their own analogue
to be shared with the world is ‘To Syge Skud’ (‘Two Bad synthesiser, they decided to test drive it on their
Seeds’), a tale of two low-down lovers very much in Baby 11th album Contractor. The resulting dreamy, moody,
Woodrose’s fuzzy garage-rock style but boasting folky cinematic floaters occasionally ebb and flow with Eno-
minor key melody reminiscent of The Byrds’ ‘John Riley’. esque ambience and the warmth of ’70s synth pioneers,
We’re ready for the band’s self-titled debut album, due on 23rd September on Bad Afro.  most readily apparent on this saucer-eyed glacial trawl across marmalade skies.
Available on: Bandcamp Available on: Contractor (BANDCAMP DIGITAL)
THE ROLLING STONES MORNING
Bitch Roll ’em Down
So much about this is just perfect. It’s a low in the Imagine, if you will, the SoCal brothers of The Band
pocket, dirty ass groove, anchored deep by Charlie Watts’ circa “the brown album”, crafting meticulous,
signature swing with Keef and Mick Taylor’s duelling, riff- hydra-headed songs as the early morning sun seeps
locked guitar lines driving the song relentlessly forwards. in through the blinds and the mescalin flashes start
They’re augmented to great effect by the horns of Bobby to abate. That’s Morning’s self-titled debut right
Keys and Jim Price with one of the quintessential Jagger there. Few albums span the sounds of 1970 with such
vocal performances front and centre. The Stones have freewheeling lysergic ambition, sucking country,
seldom sounded more completely in their element and folk, acid-rock and pop influences into an endlessly
of the moment than on the strutting bump, grind and outrageous swagger of ‘Bitch’, which listenable whole. ‘Roll ’em Down’ may represent the straighter end of the record but it’s no
perfectly crystalises exactly where they were at circa 1971. less thrilling.
Available on: Sticky Fingers (ROLLING STONES RECORDS LP) Available on: Morning (VAULT LP)
Visit shindig-magazine.com to check out Shindiggin’ playlists, podcasts and much more
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it’s ahappeningthing
“Look at this beautiful
thing, hear this.”
PHOTO: CLAIRE MARIE BAILEY