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Shelley's Music PDF

217 Pages·2009·2.75 MB·English
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Shelley’s Music Fantasy, Authority, and the Object Voice Paul A. Vatalaro Shelley’S MuSic For Sandy Shelley’s Music Fantasy, Authority, and the Object Voice PAul A. VAtAlArO Merrimack College, USA © Paul A. Vatalaro 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Paul A. Vatalaro has asserted his right under the copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing limited Ashgate Publishing company Wey court east Suite 420 union road 101 cherry Street Farnham Burlington Surrey, Gu9 7Pt Vt 05401-4405 england uSA www.ashgate.com British Library Cataloguing in Publication Data Vatalaro, Paul A. Shelley’s music: fantasy, authority, and the object voice. 1. Shelley, Percy Bysshe, 1792–1822 – criticism and interpretation. 2. Music in literature. 3. Self in literature. i. title 821.7–dc22 Library of Congress Cataloging-in-Publication Data Vatalaro, Paul A. Shelley’s music: fantasy, authority, and the object voice / Paul A. Vatalaro. p. cm. includes bibliographical references and index. ISBN 978-0-7546-6233-4 (alk. paper) 1. Shelley, Percy Bysshe, 1792–1822 – criticism and interpretation. i. title. Pr5438.V28 2009 821’.7–dc22 2009013491 iSBN 978-0-7546-6233-4 (hbk) iSBN 978-0-7546-9459-5 (ebk.V) contents List of Abbreviations vii Acknowledgements ix introduction 1 1 Subjectivity and the Self-Present Voice 21 2 Poetic Authority and “interpassivity” 43 3 Sounding the “real” 95 4 Power, Desire and Poetics 147 conclusion: Fantasy and renunciation 187 Bibliography 191 Index 197 This page has been left blank intentionally list of Abbreviations CWWH The Complete Works of William Hazlitt. ed. P. P. howe. 21 vols. New York: AMS P, 1967. JMS The Journals of Mary Shelley: 1814–1844. ed. Paula r. Feldman and Diana Scott-Kilvert. Baltimore and London: The Johns Hopkins uP, 1987. MWSL The Letters of Mary Wollstonecraft Shelley. ed. Betty t. Bennett. 3 vols. Baltimore and London: The Johns Hopkins UP, 1980–8. MYR The Manuscripts of the Younger Romantics. Percy Bysshe Shelley. Fair Copy Manuscripts of Shelley’s Poems in European and American Libraries. Vol. 8. New York and London: Garland Publishing, 1997. PBSL The Letters of Percy Bysshe Shelley. Ed. Frederick L. Jones. 2 vols. Oxford: clarendon P, 1964. SPP Shelley’s Poetry and Prose. ed. Donald h. reiman and Neil Fraistat. New York and London: W. W. Norton & Company, 2002. SPW Shelley’s Poetical Works. ed. thomas hutchinson. corr. G. M. Mathews. Oxford and New York: Oxford UP, 1970. This page has been left blank intentionally Acknowledgements I would like to thank Marilyn Gaull and Adam Potkay for their valuable advice early on, and i remain grateful to William Keach, whose response to an early iteration of this project proved helpful right to the end. i am greatly indebted to Ann Donahue, my commissioning editor at Ashgate, for her unwavering support and to my anonymous reader at Ashgate, who reviewed my manuscript and pointed me in the right direction. Finally, I would like to thank Steven Scherwatzky, my friend and colleague at Merrimack, who has shepherded this project right from the very beginning.

Description:
"Shelley's Music" regards music images and allusions to music in Shelley's writing as evidence that Shelley sought to infuse the masculine word with the music of feminine expression. Set within his configuration of hetero-erotic relationships, this agenda reveals Shelley's desire to remain eternally
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