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Shakespeare's Ghost Writers: Literature as Uncanny Causality PDF

345 Pages·2010·2.108 MB·English
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Shakespeare’s Ghost Writers ‘Shakespeare’s Ghost Writersis a brave new book, for in justifying another book on Shakespeare, it has attempted nothing less than to make literature newly consequential.’ Margreta de Grazia, Shakespeare Quarterly Marjorie Garber Shakespeare’s Ghost Writers Literature as Uncanny Causality With a new preface by the author New York and London First published in 1987 by Methuen, Inc New York First published in Routledge Classics 2010 by Routledge 270 Madison Avenue, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN This edition published in the Taylor & Francis e-Library, 2010. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. Routledge is an imprint of the Taylor & Francis Group, an informa business © 1987, 2010 Marjorie Garber Chapter 7 “A Tale of Three Hamlets” first published in Shakespeare Quarterly 61 (2010) 28–55 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Garber, Marjorie B. Shakespeare’s ghost writers : literature as uncanny causality / Marjorie Garber. p. cm. – (Routledge classics) Includes bibliographical references and index. 1. Shakespeare, William, 1564–1616 – Criticism and interpretation. 2. Shakespeare, William, 1564–1616 – Authorship. 3. Shakespeare, William, 1564–1616 – Characters – Ghosts. 4. Psychoanalysis and literature. 5. Drama – Psychological aspects. 6. Ghosts in lierature. I. Title. PR2976.G37 2010 822.3′3 – dc22 2010006490 ISBN 0-203-85711-9 Master e-book ISBN ISBN 10: 0–415–87556–0 (pbk) ISBN 10: 0–203–85711–9 (ebk) ISBN 13: 978–0–415–87556–1 (pbk) ISBN 13: 978–0–203–85711–3 (ebk) For Rhoda and for Barbara Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman – But who is that on the other side of you? t. s. eliot, “the waste land” Nearly every man who loses a limb carries about with him a constant or inconstant phantom of the missing member, a sensory ghost of that much of himself, and sometimes a most inconvenient presence, faintly felt at times, but ready to be called up to his perception by a blow, a touch, or a change of wind. s. weir mitchell, injuries of nerves ...the phantom is meant to objectify, even if under the guise of individual or collective hallucinations, the gap that the con- cealment of some part of a loved one’s life produced in us. The phantom is, therefore, also a metapsychological fact. Consequently, what haunts are not the dead, but the gaps left within us by the secrets of others. nicolas abraham, “notes on the phantom” CONTENTS acknowledgments xi preface to the routledge classics edition xiii preface: ghostlier demarcations xxiii 1 Shakespeare’s Ghost Writers 1 2 Descanting on Deformity: Richard III and the Shape of History 37 3 A Rome of One’s Own 69 4 Freud’s Choice: “The Theme of the Three Caskets” 98 5 Macbeth: The Male Medusa 116 6 Hamlet: Giving up the Ghost 166 7 A Tale of Three Hamlets Or, Repetition and Revenge 238 notes 273 index 306

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