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Shakespeare After All PDF

867 Pages·2013·4.14 MB·English
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ACCLAIM FOR MARJORIE GARBER'S Shakespeare After All “A return to the times when the critic's primary function was as an enthusiast, to open up the glories of the written word for the reader.” —The New York Times “A lifetime of learning has gone into the production of this massive volume.… Garber is sensitive to significant details in the language … and she gives cogent accounts of historical contexts.” —The Boston Globe “She lights up the plays with insights you'll kick yourself for not having had first.” —Newsweek “A delight…. Polished, thoughtful, eminently useful…. Not only a wonderful guide to the plays, but just as importantly, it's a guide to the reading of the plays…. Garber writes elegantly and insightfully…. The reader seeking an informed guide to each play simply can not do better.” —The Providence Journal “Impossibly full … engagingly written…. It fills you with gratitude on virtually every page. Here, in a book, is a Shakespearean course for our time.” —The Buffalo News “An absolute joy…. Extremely lively and witty…. Remarkable…. Authoritative.” —Tucson Citizen “Stimulating and informative.” —The Charlotte Observer “Garber keeps her eye on the goal, to illuminate the experience of reading and seeing the plays, and achieves it with quiet efficiency.” —San Jose Mercury News “A commanding performance, not to be missed…. Garber brings the Bard into our hearts…. Fascinating.” —Republican-American (Waterbury, CT) “Shakespeare After All is worth the cost for the introduction alone.” —South Florida Sun-Sentinel “Every page has something that will make you rethink what you've seen or read, or make you want to read a work for the first time.” —The Register-Guard (Eugene, OR) “Her chapters on individual plays have the rhythm of the classroom and the voice of the master teacher who still marvels at her subject.” —The Bloomsbury Review Shakespeare After All Marjorie Garber is William R. Kenan, Jr., Professor of English and American Literature and Language and chair of the Department of Visual and Environmental Studies at Harvard University. She lives in Cambridge and Nantucket, Massachusetts. ALSO BY MARJORIE GARBER A Manifesto for Literary Studies Quotation Marks Academic Instincts Sex and Real Estate Symptoms of Culture Dog Love Bisexuality and the Eroticism of Everyday Life Vested Interests: Cross-Dressing and Cultural Anxiety Shakespeare's Ghost Writers: Literature as Uncanny Causality Coming of Age in Shakespeare Dream in Shakespeare For B. J., the onlie begetter Indeed all the great Masters have understood that there cannot be great art without the little limited life of the fable, which is always the better the simpler it is, and the rich, far-wandering, many-imaged life of the self-seen world beyond it. William Butler Yeats, “Emotion of Multitude” CONTENTS A Note on the Text Introduction The Two Gentlemen of Verona The Taming of the Shrew Titus Andronicus Henry VI Part 1 Henry VI Part 2 Henry VI Part 3 Richard III The Comedy of Errors Love's Labour's Lost Romeo and Juliet A Midsummer Night's Dream Richard II King John The Merchant of Venice Henry IV Part 1 Henry IV Part 2 The Merry Wives of Windsor Much Ado About Nothing Henry V Julius Caesar As You Like It Hamlet Twelfth Night Troilus and Cressida Measure for Measure Othello All's Well That Ends Well Timon of Athens King Lear Macbeth Antony and Cleopatra Pericles

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the modern concept of copyright was in its nascent form, work against this .. First Folio, Ben Jonson says he had “small Latin and less Greek,” but this may . progresses, or her successor, King James, enter the city of London amid
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.