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Sexual Futures, Queer Gestures, and Other Latina Longings SEXUAL CULTURES General Editors: José Esteban Muñoz and Ann Pellegrini Titles in the series include the following: Times Square Red, Times Square Blue Arranging Grief: Sacred Time and the Samuel R. Delany Body in Nineteenth-Century America Dana Luciano Queer Globalizations: Citizenship and the Afterlife of Colonialism Cruising Utopia: The Then and Edited by Arnaldo Cruz Malavé There of Queer Futurity and Martin F. Manalansan IV José Esteban Muñoz Queer Latinidad: Identity Another Country: Queer Anti-Urbanism Practices, Discursive Spaces Scott Herring Juana María Rodríguez Extravagant Abjection: Blackness, Love the Sin: Sexual Regulation and Power, and Sexuality in the African the Limits of Religious Tolerance American Literary Imagination Janet R. Jakobsen and Ann Pellegrini Darieck Scott Boricua Pop: Puerto Ricans and the Relocations: Queer Suburban Imaginaries Latinization of American Culture Karen Tongson Frances Négron-Muntaner Beyond the Nation: Diasporic Filipino Manning the Race: Reforming Black Literature and Queer Reading Men in the Jim Crow Era Martin Joseph Ponce Marlon Ross Single: Arguments for the Uncoupled In a Queer Time and Place: Transgender Michael Cobb Bodies, Subcultural Lives Brown Boys and Rice Queens: Judith Halberstam Spellbinding Performance in the Asias Why I Hate Abercrombie and Fitch: Essays Eng-Beng Lim on Race and Sexuality in the U.S. Transforming Citizenships: Transgender Dwight A. McBride Articulations of the Law God Hates Fags: The Rhetorics Isaac West of Religious Violence The Delectable Negro: Human Consumption Michael Cobb and Homoeroticism within US Slave Culture Once You Go Black: Choice, Desire, Vincent Woodard, Edited by Justin and the Black American Intellectual A. Joyce and Dwight A. McBride Robert Reid-Pharr Sexual Futures, Queer Gestures, The Latino Body: Crisis Identities in and Other Latina Longings American Literary and Cultural Memory Juana María Rodríguez Lázaro Lima For a complete list of books in the series, see www.nyupress.org Sexual Futures, Queer Gestures, and Other Latina Longings Juana María Rodríguez a NEW YORK UNIVERSITY PRESS New York and London NEW YORK UNIVERSITY PRESS New York and London www.nyupress.org © 2014 by New York University All rights reserved References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. Library of Congress Cataloging-in-Publication Data Rodriguez, Juana Maria.   Sexual futures, queer gestures, and other Latina longings / Juana María Rodríguez.        pages cm   Includes bibliographical references and index.   ISBN 978-0-8147-6075-8 (hardback) — ISBN 978-0-8147-6492-3 (pb)  1.  Hispanic American lesbians. 2.  Sex—Social aspects—United States. 3.  Queer theory— United States.  I. Title.   HQ76.3.U5R633 2014   306.76010973—dc23                                                             2014005190 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Also available as an ebook Contents Acknowledgments vii Introduction 1 1. Who’s Your Daddy? Queer Kinship and Perverse Domesticity 29 2. Sodomy, Sovereignty, and Other Utopian Longings 69 3. Gesture in Mambo Time 99 4. Latina Sexual Fantasies, the Remix 139 The Afterglow 183 Notes 189 Bibliography 213 Index 229 About the Author 245 >> v This page intentionally left blank Acknowledgments In a book that is, above all, about sociality and the promise of friendship, the moment to acknowledge the real-world social connections that have made the work possible seems overly burdened with significance. But because this book is also about ephemera, the unseen but felt, let me begin instead by thanking the spirits that have opened doors, protected me, and taken the time to whisper in my ear. Let me offer gratitude for the many memories of love and care that I carry under my skin. What- ever comes next, I know I have already been touched by magic. In a world filled with quotidian cruelty, I am blessed to make fam- ily with those who make the promise of a future somewhere I want to live, and who fill my everyday present with all manner of joy. Mateo is a sweet, funny, smart, and caring companion. He is a kind person, and that makes me so happy and proud. Rosío is an assemblage of love, encouragement, passion, intellectual stimulation, tech support, edito- rial advice, ravishing good looks, and an unending source of inspiration. Thank you, Daddy, for holding my hand through the fire, and not letting go. Juju and Suki are just who they need to be, and we love each other. This seems to be an important lesson. A girl needs her sisters: thank you to Dinorah de Jesús Rodríguez, Julia LaChica, and María Cora, a vir- tual trinity of outstanding sisterly support. My brother René is so easy to love, and I do. Beauty, strength, and resilience to Anila, Isis, Israel, Michael, Carrie, René, Summer, Isabela, and those yet to come. Peace to my parents, Dignora and René, and light to those on the other side. Today many of the folks I call family live in the academy. José Este- ban Muñoz saw the potential en esta guajira de Placetas, invited me to the party, and got me drunk on inspiration and potentiality. The good in my work is due to his enduring example of what academic work can aspire to be. El corazón de mi melón se lo entrego a José Quiroga, whose >> vii viii << Acknowledgments every breath radiates brilliance, who “gets” me, loves me, and always makes it better. Caren Kaplan and Eric Smoodin are the best Jewish family a Cuban girl could ask for in this world, and I look forward to a lifetime of robust conversation and meals at their table; their friendship and intellectual camaraderie have meant so much, so often. I am sur- rounded by women who redefine the feminine every day. High-femme propers to Nicole Fleetwood for being genuine, fearless, and on point; Gayatri Gopinath for continuing to gush sweet femme friendship from the right bank, and Jennifer Brody for her easy kindness and impeccable style. Marcia Ochoa is the trusted confidant every femme needs. Jafari Allen, Jossianna Arroyo, Marisa Belausteguigoitia, Kale Fajardo, Roder- ick Ferguson, Jack Halberstam, Licia Fiol-Matta, Lázaro Lima, Yolanda Martinez–San Miguel, Nguyen Tan Hoang, Ricardo Ortiz, Nayan Shah, Jennifer Terry, Karen Tongson, and Deb Vargas have been among my most trusted and cherished interlocutors, and I am blessed to call them friends. Sending fresh love to Mireille Miller-Young, Lorena Muñoz, Jil- lian Hernandez Bernal, Michelle Erai, and Alexandra Vazquez; you all make me want to keep reading. A special note of deep femme gratitude goes out to Elizabeth Freeman, who has shared so deeply. tatiana de la tierra, me haces un chingo de falta; I think you would have loved this book. You more than anyone helped me to say it loud. At the University of California–Berkeley, I have benefited from the intellectual companionship, friendship, camaraderie, and support of so many amazing colleagues across the campus. A special note of appreci- ation goes out to Kathy Abrams, Jac Asher, Barbara Barnes, Karl Britto, Mel Chen, Billy Curtis, Carla Hesse, Michael Lucey, Russell Robinson, Victoria Robinson, Leslie Salzinger, Darieck Scott, Sue Schweik, Cha- ris Thompson, Barrie Thorne, Trinh Minh-ha, and Leti Volpp; each of you has made Berkeley a better place to live and work and agitate. Shari Hundorf and Beth Piatote were sent to me by the unseen forces of magic; together with Nadia Ellis, Alisa Bierra, and Leigh Raiford, they are my colored girl academic posse; they bring radiant brown bril- liance to the struggle to make change happen in the academy. Eileen Andrade, Vernessa Parker, and Gillian Edgelow make everything eas- ier; Althea Grannum-Cummings is my Caribbean homegirl and she knows it; the work of these women has earned them my deepest appre- ciation. This work has been enriched by the intellectual communities I Acknowledgments >> ix have encountered through presentations at the Berkeley School of Law, California College of the Arts, Center for Race and Gender at Berkeley, Columbia University, California State University–Long Beach, LGBT Historical Museum of San Francisco, New York University, Oberlin College, Ohio State University, Rutgers University, Claremont College, University of California–Davis, University of California–Los Angeles, University of California–San Diego, University of California–Santa Cruz, University of Miami, University of Minnesota, and Williams Col- lege. I also want to acknowledge the financial support of the Abigail Reynolds Hodgen Publication Fund and the R. Alvarez Latina Femme Finishing Fellowship. Over the years, my students have always inspired me to be better than I am. I am humbled by their affection. Many of the ideas explored in this book were shared first with them, and those conversations flow through every chapter. Thank you all for allowing me to think aloud and for treating my ideas with such thoughtful consideration. Extra special thanks to Iván Ramos, Manuel Cuellar, Paige Johnson, Giancar- los Cornejo, Michelle Potts, Anastasia Kayiatos, Julia Chang, Ianna Owens, Takeo Rivera, Naomi Bragin, Anna Elena Torres, Hentyle Yapp, Sima Belmar, Susan Wooley, Marco Antonio Flores, Lara Maldjian, Juliana Delgado, and Louise Hickman. The CultStud crew from UC Davis continues to rock the house with their radical queer vision of the world—shout-outs to Abbie Boggs, Toby Beauchamp, Cynthia Degnan, Tallie Ben Daniel, Tristan Josephson, and Liz Montegary. Kara Thomp- son was my student and neighbor, and remains my trusted interlocutor and friend. Highest praise to Cathy Hannabach: in the long exchange of life between teacher and student, I have come out far ahead. This book would not have been what it is without her editorial support, boundless intellectual repertoire, and inspired intellect. Cathy read almost every word, twice, and the book is so much smarter for her many contribu- tions. I have enjoyed a lively and lovely ongoing writing exchange with Julian Carter, who helped me believe that I had something to say, and helped me to say it. This work is stronger for his many interventions. Ricardo Bracho is my ace, my treasure chest of Chicano boy brilliance, my ideal Latina femme reader; gracias,querid@, for all the gifts. Special belated thanks to Michelle Strizever, many years in coming and deeply deserved. Eric Zinner and the folks at New York University Press have

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