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Selling under the swastika : advertising and commercial culture in Nazi Germany PDF

341 Pages·2014·14.95 MB·English
by  Swett
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Stanford University Press Stanford, California ©2014 by the Board of Trustees of the Leland Stanford Junior University All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Library of Congress Cataloging-in-Publication Data Swett, Pamela E., author. Selling under the swastika : advertising and commercial culture in Nazi Germany / Pamela E. Swett. pages cm. Includes bibliographical references and index. ISBN 978-0-8047-7355-3 (cloth : alk. paper) 1. Advertising—Germany—History—20th century. 2. Advertising—Political aspects—Germany—History—20th century. 3. Germany—History—1933– 1945. I. Title. HF5813.G4S94 2013 659.10943'09043—dc23 2013021445 ISBN 978-0-8047-8883-0 (electronic) Printed in the United States of America on acid-free, archival-quality paper Typeset at Stanford University Press in 10/13 Galliard SELLING UNDER THE Swastika ADVERTISING AND COMMERCIAL CULTURE IN NAZI GERMANY Pamela E. Swett STANFORD UNIVERSITY PRESS Stanford, California For Matt Yb Acknowledgments Throughout the research and writing of this book, I have often looked forward to this moment. It is very satisfying to be able to thank all those who helped me arrive at this point. Let me begin with the institutions and individuals that made the research possible. The John W. Kluge Center at the Library of Congress was the first institution to support this project; I am particularly grateful for their early interest. The Social Science and Humanities Research Council of Canada provided me with three years of research funding, including one term of teaching release. This generous grant covered numerous forays into the archives and provided some uninterrupted time to write, a precious commodity indeed. The Alexander von Humboldt Foundation also provided welcome funds for two research stays in Germany and should be commended for recognizing the desire of scholars to have their families with them while abroad. Among the many archivists who helped push this project toward completion, special thanks are owed to Petra Secunde (Daimler), Sonja Nilson (Henkel), Thorsten Finke (Beiersdorf), and Birgit Nachtwey (Bahlsen). Dr. Henrich Hunke was also kind enough to welcome me into his home and share his personal collection of his father’s writings. I very much appreciated his openness and hospitality. McMaster University, my institutional home, and its Arts Research Board also deserve thanks for supporting this project financially as well as for offering a stimulating environment in which to work. Not least of the perks of being on faculty at McMaster is the ability to access the McMaster Children’s Centre. The staff at the Centre has been a part of my family’s life for more than a decade and has contributed in important ways to any success I have enjoyed. Thanks also goes to those who invited me to present my research over the last few years, including Hartmut Berghoff of the German Historical Institute, Washington, DC; Peter C. Caldwell of Rice University; Till van Rahden, Université de Montreal; Thomas Schaarschmidt of the Zentrum für Zeithistorische Forschung, Potsdam; and Annette Timm, University of Calgary. My editor at Stanford, Norris Pope, was patient while I wrote and a pleasure to work with through the production process. The two reviewers for the press were equally collegial and suggested improvements that I readily incorporated. Tim Mueller, Katrina Espanol-Miller, and Gerulf Hirt provided me with some key technical assistance down the stretch. I thank them for their help. Wendy Benedetti and Debbie Lobban also deserve mention for their administrative skills, without which my job as department chair would be much more time consuming. I also owe much to those friends and colleagues whose wise counsel and timely pep talks were instrumental in the completion of the project. At McMaster, Stephen Heathorn and Martin Horn have been trusted friends for many years and came to my rescue in a variety of ways during the writing of this book. I am grateful to Justin Powell, who continues to provide me a most welcoming home in Berlin. In addition, I must also thank Richard Bessel, Belinda Davis, Peter Fritzsche, Jeff Hayton, Claudia Koonz, Lisa Heineman, and Jonathan Wiesen for their input in discussions of this material. My deepest gratitude goes to those who read whole sections of the manuscript: Frank Biess, Paul Lerner, Corey Ross, and Jonathan Zatlin. Their criticism and enthusiasm were invaluable. In the final inning H. V. Nelles willingly stepped up to the plate and read the entire book. I am very lucky to know so many generous scholars. Lastly, I thank my family. My boys, Jack, Nathaniel, and Paul, to my continued bewilderment show an interest in my work that reminds me on a daily basis of the connections between historical scholarship, teaching, and a healthy civil society. Happily, my husband, Matt Leighninger, looks forward to time in Berlin’s Staatsbibliothek as much as I do. He was probably less excited to edit this manuscript, but he did so willingly nonetheless. I dedicate this book to him. Contents Abbreviations Introduction PART I: From Internationalism to “German Advertising” 1. Advertising in the Weimar Republic 2. Coordination from Above and Below PART II: Branding for the Volksgemeinschaft 3. Advertising and the Everyday in Peacetime 4. Buyers and Sellers PART III: Preparing for Victory and Surviving Defeat 5. Advertising in the First Half of the War 6. Ads amid Ashes Notes Works Cited Index Illustrations 1.1. Advertisement for ad space in the Nazi press 2.1. The boycott of Jewish businesses, April 1, 1933 2.2. Heinrich Hunke, 1935 2.3. Proper and improper femininity in advertisements 2.4. Advertisement with women smoking 2.5. Sex still sells in the illustrated press 2.6. New state advertising school on KuDamm in Berlin 2.7. Cooperative advertisement for barbers 3.1. Boys watching Henkel film outdoors 3.2. Dreaming of Henkel products 3.3. Publicity for Henkel’s whaling expedition 3.4. BMW Blätter image 3.5. Weimar-era Mercedes-Benz advertisement 3.6–7. Mercedes-Benz advertisements, mid-1930s 3.8. Osram image of city and country unified 3.9–10. Osram mimics Nazi propaganda 3.11. Osram campaign for “better light” 4.1–2. Siemens brochure images 4.3. Camelia in the illustrated press 4.4. Fear of infection, Bayer advertisement 4.5–6. Competing toothpaste ads from Chlorodont and Nivea 4.7. Entrepreneur as advertiser 4.8. Controversial Fewa advertisement 4.9. Caricature of untrustworthy salesmanship 4.10. Traveling salesman for Henkel walking above flooded streets 5.1. Adman standing strong in war 5.2–4. Advertisements to help Germans cope with war 5.5. Agfa and the separation of war 5.6. Humor in war 5.7–8. Nivea ads—normal life in abnormal times 5.9–10. Dr. Oetker recipes 5.11. Henkel on Hygiene 5.12. 1938 RVA washing primer which encourages the use of Persil 5.13. “Johanna is going—but she’ll be back” 5.14. Daimler-Benz stands behind the war 5.15. Henkel products on sale in the Sudetengau 5.16. Signal cover 5.17. Zeiss binoculars advertisement in Dutch 5.18. Reich lottery tickets 6.1. BMW merchandise 6.2. BMW wartime advertisements in multiple languages 6.3. BMW Blätter cover image 6.4. BMW French poster 6.5. Nivea canisters 6.6. Hansaplast on the home front 6.7. Bahlsen’s abstract aesthetic 6.8–9. Bahlsen packaging and classified, 1944 6.10–12. The hope for resurrection: Maggi, Bayer, and a soldier’s obituary 6.13. Nivea postwar advertisement 6.14. Mercedes-Benz and empire Abbreviations The following abbreviations are used in the text: AFE Working Association for the Advancement of the Electric-Economy BFC Böhme Fettchemie BIZ Berliner Illustrierte Zeitung DAF German Labor Front DRV German Advertising Association DW Die Deutsche Werbung GfK Society for Consumer Research JWT J. Walter Thompson Advertising Agency NSDAP National Socialist Party of Germany

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Selling under the Swastika is the first in-depth study of commercial advertising in the Third Reich. While scholars have focused extensively on the political propaganda that infused daily life in Nazi Germany, they have paid little attention to the role played by commercial ads and sales culture in
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