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Second Sight in the Nineteenth Century: Prophecy, Imagination and Nationhood PDF

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Palgrave Studies in Literature, Science and Medicine Series Editors Sharon Ruston Dept. of English and Creative Writing Lancaster University Lancaster, United Kingdom Alice Jenkins School of Critical Studies University of Glasgow Glasgow, United Kingdom Catherine Belling Feinberg School of Medicine Northwestern University Chicago, Illinois, USA Palgrave Studies in Literature, Science and Medicine is an exciting new seriesthatfocusesononeofthemostvibrantandinterdisciplinaryareasin literary studies: the intersection of literature, science and medicine. Comprised of academic monographs, essay collections, and Palgrave Pivotbooks,theserieswillemphasizeahistoricalapproachtoitssubjects, inconjunctionwitharangeofothertheoreticalapproaches.Theserieswill cover all aspects of this rich and varied field and is open to new and emerging topics aswell asestablished ones. Editorial board: Steven Connor, Professor of English, University of Cambridge, UK; Lisa Diedrich, Associate Professor in Women’s and Gender Studies, Stony Brook University, USA; Kate Hayles, Professor of English, Duke University, USA; Peter Middleton, Professor of English, University of Southampton, UK; Sally Shuttleworth, Professorial Fellow in English, St Anne’s College, University of Oxford, UK; Susan Squier, ProfessorofWomen’sStudiesandEnglish,PennsylvaniaStateUniversity, USA;MartinWillis,ProfessorofEnglish,UniversityofWestminster,UK. More information aboutthisseries at http://www.springer.com/series/14613 ElsaRichardson Second Sight in the Nineteenth Century Prophecy, Imagination and Nationhood ElsaRichardson StrathclydeUniversity Glasgow,UnitedKingdom PalgraveStudiesinLiterature,ScienceandMedicine ISBN978-1-137-51969-6 ISBN978-1-137-51970-2(eBook) DOI10.1057/978-1-137-51970-2 LibraryofCongressControlNumber:2017938578 ©TheEditor(s)(ifapplicable)andTheAuthor(s)2017 Theauthor(s)has/haveassertedtheirright(s)tobeidentifiedastheauthor(s)ofthisworkin accordancewiththeCopyright,DesignsandPatentsAct1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher,whetherthewholeorpartofthematerialisconcerned,specificallytherightsof translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodology nowknownorhereafterdeveloped. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthis publicationdoesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesare exemptfromtherelevantprotectivelawsandregulationsandthereforefreeforgeneraluse. Thepublisher,theauthorsandtheeditorsaresafetoassumethattheadviceandinformation in this book are believed to be true and accurate at the date of publication. Neither the publishernortheauthorsortheeditorsgiveawarranty,expressorimplied,withrespectto thematerialcontainedhereinorforanyerrorsoromissionsthatmayhavebeenmade.The publisherremainsneutralwithregardtojurisdictionalclaimsinpublishedmapsandinstitu- tionalaffiliations. Coverillustration:OldPaperStudios/AlamyStockPhoto Printedonacid-freepaper ThisPalgraveMacmillanimprintispublishedbySpringerNature TheregisteredcompanyisMacmillanPublishersLtd. Theregisteredcompanyaddressis:TheCampus,4CrinanStreet,London,N19XW,United Kingdom A CKNOWLEDGEMENTS This book is the product of journeys north and south. It began when I tookthepathtroddenbymanyoftheLowlandScotsfeaturedinthisbook and moved to London in search of broader horizons. There I joined the History Department of Queen Mary University of London (QMUL), whereIstartedthisresearch,workedinabookshop,taughtbrightunder- graduates, got lost on night buses and eventually completed a doctorate. Thenlastyear,horizonssufficientlybroadened,Iretracedmystepsnorth- wards to the calm of a wet Glasgow summer and to the quiet needed to finish thisbook. Along the way, my work has benefited from the generous input of colleagues, from the patience of friends and from the support of family. Special thanks to Rhodri Hayward and Thomas Dixon for granting my membership to the Centre for the History of the Emotions at QMUL where,asanEnglishliteraturestudentwithitchyfeetandinterdisciplinary tendencies,itwasarelieftofindmyselfamongthesimilarlyafflicted.The Centre was a hugely stimulating environment in which to undertake a PhD and my research was greatly influenced by the astute, rigorous scholarship pursued by its members. I owe a substantial intellectual debt toRhodri,myprimarysupervisor,mentorandfriend,withoutwhomthis projectwouldneverhavecomeintobeing.Ithasbeenapleasuretolearn from such an original thinker, whose criticisms, multiple read-throughs and countless acts of kindness have proved invaluable. To find my own wildlydiverseinterestsnotonlymatchedbutbestedbymysupervisorwas aremarkablestrokeofgoodluck.IamgratefulalsotoJohannaCohenfor her clear-headed guidance; to Catherine Maxwell for her advice at a v vi ACKNOWLEDGEMENTS formative stage; to Barbara Taylor for advocating for my work; to Christine Ferguson and Roger Luckhurst for reading the manuscript in itsnascentformandforofferingsoundadviceonhowtoimprove it;and to TiffanyWatt-Smithforherfriendship andkeenscholarly insight. Libraries and archives have, of course, played an essential role in the successofthisresearch.Muchofthisbookwaswritteninthelibraryatthe Wellcome Collection, a quiet space in the centre of London with well- stocked shelves and well-informed librarians. Special thanks to Ross MacFarlane for pointing me in the direction of useful material and for indulging my interest in malevolent Highland fairies. I also spent a good deal of time in Senate House Library, where a number of knowledgeable archivists helped me to steer a path through the supernatural immensity that is the Harry Price Collection. Further acknowledgements are due to thepatientarchivistsattheUniversityofKentandtothecustodiansofthe Pitt Rivers Museum who allowed me to access their vast storehouse of curiosities. This research was made possible by the long-term financial support of the Carnegie Trust and the Wellcome Trust, and by small grants fromthe StirlingshireEducational Trust andQMUL. Lastly, I am indebted to my wonderful friends for cooking me dinner, keeping me sane and offering endless encouragement. Special thanks to my old housemate Elaine Tierney for her editorial prowess and scholarly enthusiasm; to Rosie Eveleigh for understanding how one does judge a book by its cover; and to Laura Guy for seeing it through. My deepest thanks are reserved for my parents, Eileen and Alistair Richardson, for theirunwaveringsupport,kindnessandwit.Idedicatethisbooktothem. C ONTENTS 1 Introduction 1 2 Second Sightand theCreation of the Highlands 17 3 Mesmerism,Phrenologyand SupernaturalHistory 57 4 PrimitiveSpiritualism andOriginStories 103 5 PsychicalResearch, Folklore andRomance 151 6 Research inthe Field: Ada Goodrich Freer andFiona Macleod 195 7 Conclusion 245 Index 255 vii CHAPTER1 Introduction On 23 August 1894, the Dundee Courier printed a short report that detailed a tour being taken through the West Highlands and Islands by several members of a London-based organisation called the Society for Psychical Research (SPR). The purpose of their trip, we are told, con- cerned ‘that peculiar faculty said to be possessed by many people, espe- cially in the Highlands, and popularly known as “second sight”’. Accompanied by a small white terrier, two of the organisation’s ‘lady members’ were making their way through the small fishing villages and farming communities of Tiree, Iona, Eriskay, Barra and Portree in search of people in possession of this special ocular capacity.1 Writing in Cock Lane and Common Sense (1894), Andrew Lang, a Scottish writer and prominent member of the SPR, described the hallmarks of the phenom- enonunder investigation: In second sight the percipient beholds events occurring at a distance, sees peoplewhomheneversawwiththebodilyeye,andwhoafterwardsarrivein hisneighbourhood;orforeseeseventsapproachingbutstillremoteintime. The chief peculiarity of second sight is, that the visions often, though not always,areofsymbolicalcharacter.Ashroudisobservedaroundtheliving man who is doomed; boding animals, mostly black dogs, vex the seer; funerals are witnessed before they occur, and ‘corpse-candles’ (some sort oflight)arewatchedflittingabovetheroadwherebyaburialprocessionisto takeitsway.2 ©TheAuthor(s)2017 1 E.Richardson,SecondSightintheNineteenthCentury, PalgraveStudiesinLiterature,ScienceandMedicine, DOI10.1057/978-1-137-51970-2_1 2 1 INTRODUCTION Described in Gaelic asthe An-da-shealladh orthe ‘two sights’, thisintui- tivevisionwassaidto thriveamongtheScottishHighlanders. Unlikethe doctrinal revelations of the religious prophet or the nation-forming pro- clamations of the oracle, the premonitions associated with second sight trafficked in quotidian experience. To give an example, in one account recordedbytheSPRanislandwomandelayspackingforatriptoEngland becauseofavisioninwhicha‘messengercameonhorsebackwithaletter’ tellingofadeathinthefamily;twodayslater,justassheisconfessingthis ‘foolishness’toherhusband,theletterarrivesexactlyasforecast.3Arriving unsought,suchpredictionsdetailedeverydayeventsinthelivesofpeople living in remote communities: the death of a neighbour, the unexpected arrival of a relative, the wrecking of a fishing boat or the success of a harvest. From thelate seventeenthcentury onwards, thesemundane pro- phecies began to attract the attention of scientists, antiquarians, travel writers, artists, novelists, folklorists and eventually, psychical researchers. This book is, in part, an examination of these varied enquiries and an attempt to understandhow the oddportents ofa remotepeople cameto occupya prominentpositionin the British imagination. Second sight was an object of fascination for many English-speaking observers, drawn north in search of symbolical visions and eerie prophe- cies. Writing in A Journey to the Western Islands of Scotland (1775), the lexicographerandessayistSamuelJohnsonavowedthathistravelnarrative would really have ‘little claim to the praise of curiosity’ if it failed to address the question of second sight among the Highlanders. Describing itasan‘impressionmadeeitherontheeye,orbytheeyeuponthemind’, Johnson finds that the premonitions associated with second sight feature set narratives: such as, a man ‘on a journey far from home falls from his horse’ and is seen ‘bleeding on the ground’ by a relative working miles away from the accident, or a seer ‘driving home his cattle’ is surprised by the sudden appearance of a spectral‘bridal ceremonyor a funeral proces- sion’blockinghisway.4Thesevisionsare,thewriterexplains,thespectral imprints ofdistantorfuture eventsseenas‘ifthey were present’,thatare brought about by a ‘superadded’ power of sight.5 Having encountered ‘many tales of these airy shows’ and carefully weighed their evidentiary value, Johnson departed from Scotland unconvinced but ‘willing to believe’ in the possibility of supernatural foresight.6 The measured tone of this conclusion, grounded in empirical observation and probabilistic reasoning,istypicaloftheinvestigativeculturesexaminedbythisbook.In hishistoryofghost-seeingfromtheReformationtothetwentiethcentury,

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