Screen 1993: Vol 34 Index

7 Pages·1993·1.1 MB·English

index to
volume 34
ALEXANDER, KAREN CORNER, JOHN
review: Trinh T. Minh-ha, Woman, Native, review: Bill Nichols, Representing Reality: Issues
Other: Writing, Postcoloniality and Feminism, and Concepts in Documentary, vol. 34, no. 4,
vol. 34, no. 1, (1993), pp. 85-7. (1993), pp. 414-17.
ALLOR, MARTIN DARKE, CHRIS
debate: Cultural méttisage, national formations Rupture, continuity and diversification: Cahiers
and productive discourse in Quebec cinema du cinéma in the 1980s, vol. 34, no. 4, (1993),
and television, vol. 34, no. 1, (1993), pp. 362-79.
pp. 69-75. FLITTERMAN-LEWIS, SANDY
ALLOR, MARTIN Magic and wisdom in two portraits by Agnés
review: len Ang, Desperately Seeking the Audience; Varda: Kung-Fu Master and Jane B. by Agnés
James Lull, Inside Family Viewing, vol. 34, no. V., vol. 34, no. 4, (1993), pp. 302-20.
1, (1993), pp. 99-102. FLORENCE, PENNY
BAERT, RENEE A conversation with Sally Potter, vol. 34, no. 3,
Desiring daughters, vol. 34, no. 2, (1993), pp. 109- (1993), pp. 275-84.
23. FORBES, JILL
BALIDES, CONSTANCE review: T. Jefferson Kline, Screening the Text:
Scenarios of exposure in the practice of everyday Intertextuality in New Wave French Cinema;
life: women in the cinema of attractions, vol. 34, Rene Prédal, Le Cinema francais depuis 1945;
no. 1, (1993), pp. 19-37. Jacques Siclier, Le Cinema frangais (2 vols);
BORN, GEORGINA Alan Williams, Republic of Images: A History
Against negation, for a politics of cultural of French Filmmaking, vol. 34, no. 4, (1993), pp.
production: Adorno, aesthetics, the social, vol. 407-13.
34, no. 3, (1993), pp. 223-42. FOWLER, CATHY AND KUPPERS, PETRA
CHISHOLM, DIANNE report: Creteil Women’s Film Festival, vol.
review: Peter Brunette and David Wills, Screen/ 34, no. 3, (1993), pp. 289-92.
Play: Derrida and Film Theary, vol. 34, no. 2, HANSEN, MIRIAM
(1993), pp. 190-5. Early cinema, late cinema: permutations of the
COLLINS, RICHARD public sphere, vol. 34, no. 3, (1993), pp. 197-
report: Public service broadcasting by satellite in 210.
Europe: Eurikon and Europa, vol. 34, no. 2, HANSON, ELLIS
(1993), pp. 162-75. Technology, paranoia and the queer voice, vol.
COLLINS, RICHARD 34, no. 2, (1993), pp. 137-61.
Public service versus the market ten years on: HAYWARD, SUSAN
reflections on Critical Theory and the debate on State, culture and the cinema: Jack Lang’s
broadcasting policy in the UK, vol. 34, no. 1, strategies for the French film industry, vol. 34,
(1993), pp. 243-59. no. 4, (1993). pp. 380-91.
418 Screen3 4 - Index
index to
volume 34
ALEXANDER, KAREN CORNER, JOHN
review: Trinh T. Minh-ha, Woman, Native, review: Bill Nichols, Representing Reality: Issues
Other: Writing, Postcoloniality and Feminism, and Concepts in Documentary, vol. 34, no. 4,
vol. 34, no. 1, (1993), pp. 85-7. (1993), pp. 414-17.
ALLOR, MARTIN DARKE, CHRIS
debate: Cultural méttisage, national formations Rupture, continuity and diversification: Cahiers
and productive discourse in Quebec cinema du cinéma in the 1980s, vol. 34, no. 4, (1993),
and television, vol. 34, no. 1, (1993), pp. 362-79.
pp. 69-75. FLITTERMAN-LEWIS, SANDY
ALLOR, MARTIN Magic and wisdom in two portraits by Agnés
review: len Ang, Desperately Seeking the Audience; Varda: Kung-Fu Master and Jane B. by Agnés
James Lull, Inside Family Viewing, vol. 34, no. V., vol. 34, no. 4, (1993), pp. 302-20.
1, (1993), pp. 99-102. FLORENCE, PENNY
BAERT, RENEE A conversation with Sally Potter, vol. 34, no. 3,
Desiring daughters, vol. 34, no. 2, (1993), pp. 109- (1993), pp. 275-84.
23. FORBES, JILL
BALIDES, CONSTANCE review: T. Jefferson Kline, Screening the Text:
Scenarios of exposure in the practice of everyday Intertextuality in New Wave French Cinema;
life: women in the cinema of attractions, vol. 34, Rene Prédal, Le Cinema francais depuis 1945;
no. 1, (1993), pp. 19-37. Jacques Siclier, Le Cinema frangais (2 vols);
BORN, GEORGINA Alan Williams, Republic of Images: A History
Against negation, for a politics of cultural of French Filmmaking, vol. 34, no. 4, (1993), pp.
production: Adorno, aesthetics, the social, vol. 407-13.
34, no. 3, (1993), pp. 223-42. FOWLER, CATHY AND KUPPERS, PETRA
CHISHOLM, DIANNE report: Creteil Women’s Film Festival, vol.
review: Peter Brunette and David Wills, Screen/ 34, no. 3, (1993), pp. 289-92.
Play: Derrida and Film Theary, vol. 34, no. 2, HANSEN, MIRIAM
(1993), pp. 190-5. Early cinema, late cinema: permutations of the
COLLINS, RICHARD public sphere, vol. 34, no. 3, (1993), pp. 197-
report: Public service broadcasting by satellite in 210.
Europe: Eurikon and Europa, vol. 34, no. 2, HANSON, ELLIS
(1993), pp. 162-75. Technology, paranoia and the queer voice, vol.
COLLINS, RICHARD 34, no. 2, (1993), pp. 137-61.
Public service versus the market ten years on: HAYWARD, SUSAN
reflections on Critical Theory and the debate on State, culture and the cinema: Jack Lang’s
broadcasting policy in the UK, vol. 34, no. 1, strategies for the French film industry, vol. 34,
(1993), pp. 243-59. no. 4, (1993). pp. 380-91.
418 Screen3 4 - Index
KEMP, SANDRA SELIG, MICHAEL
review: Philip Hayward (ed.), Picture This: Genre, gender and the discourse of war: the
Media Representations of Visual Art and Artists a/historical and Vietnam films, vol. 34, no. 1,
and Culture Technology and Creativity in the (1993), pp. 1-18.
Late Twentieth Century, vol. 34, no. 1, (1993), STACEY, JACKIE
pp. 94-8. debate: Textual obsessions: methodology, history
KNIGHT, ARTHUR and researching female spectatorship, vol. 34,
report: Silent Screen, Live Sounds: A no. 3, (1993), pp. 260-74.
Symposium on Music and Silent Film, vol. 34, STEWART, MICHAEL
no. 3, (1993), pp. 287-9. report: BFI Melodrama Conference, vol. 34, no.
KOCH, GERTRUD 1, (1993), pp. 80-2.
Mimesis and Bilderverbot, vol. 34, no. 3, (1993), STODDART, HELEN
pp. 211-22. report: Screen Studies Conference, vol. 34, no.
KUPPERS, PETRA AND FOWLER, CATHY 1, (1993), pp. 82-4.
report: Creteil Women’s Film Festival, vol. 34, STRAW, WILL
no. 3, (1993), pp. 289-92. report: Film Studies in Canada, vol. 34, no. 2,
LANG, ROBERT (1993), pp. 176-8.
An interview with Fereydoun Hoveyda, vol 34, STREIBLE, DAN
no. 4, (1993), pp. 392-400. report: Society for Cinema Studies Conference,
LONGFELLOW, BRENDA vol. 34, no. 4, (1993), pp. 404-6.
Lesbian phantasy and the Other woman in SWANSON, GILLIAN
Ottinger’s Johanna d’Arc of Mongolia, vol. 34. review: Jackie Byars, All That Hollywood
no. 2, (1993), pp. 124-36. Allows: Rereading Gender in 1950s Melodrama,
LUCKETT, MOYA Mary Ann Doane, Femmes Fatales: Feminism,
report: ‘Console-ing Passions’: Television, Video Film Theory, Pyschoanalysis; Christine Gledhill
and Feminism Conference, vol. 34. no. 4, (ed.), Stardom: Industry of Desire, vol. 34, no.
(1993), pp. 401-3. 2, (1993), pp. 179-89.
MARGULIES, IVONE TARR, CARRIE
Delaying the cut: the space of performance in Questions of identity in Beur cinema: from Tea
Lightning over Water, vol. 34, no. 1, (1993). pp. in the Harem to Cheb, vol. 34, no. 4, (1993), pp.
54-68. 321-42.
McKEE, ALAN THOMPSON, FELIX
review: Richard Dyer. Now you see it: Studies on Metaphors of space: polarization, dualism and
Lesbian and Gay Film; Bad Object Choices, Third World cinema, vol. 34, no. 1, (1993), pp.
How Do I Look: Queer Film and Video, vol. 34, 38-53.
no. 1, (1993), pp. 88-91. VINCENDEAU, GINETTE
MUSCIO, GIULIANA Gérard Depardieu: the axiom of contemporary
report: Pordenone Silent Film Festival, vol. 34, French cinema, vol. 34, no. 4, (1993), pp. 343-
no. 3, (1993), pp. 285-7. 6l.
NOWELL-SMITH, GEOFFREY WILSON, DAVID
review: David Bordwell, Making Meaning: debate: Inside observations, vol. 34, no. 1,
Inference and Rhetoric in the Interpretation of (1993), pp. 76-9.
Cinema, vol. 34, no. 3, (1993), pp. 293-298.
419 Screen3 4 - Index
index of
books reviewed,
volumes 31-34
ALLEN, ROBERT C. (ed) BRUNETTA, GIAMPIERO
Channels of Discourse, vol. 31, no. 1, (1990), Buio in sala: cent‘anni di passioni dello spettatore
pp. 113-18. cinematografico, vol. 32, no. 2, (1991), pp. 228-
ALTMAN, RICK 33.
The American Film Musical, vol. 31, no. 1, BRUNETTE, PETER AND WILLS, DAVID
(1990). pp. 119-24. Screen/Play: Derrida and Film Theory, vol. 34, no.
ANG, IEN 2. (1993). pp. 190-5.
Desperately seeking the audience, vol. 34, no. BURCH, NOEL
(1993). pp. 99-102. Life to those Shadows, vol. 33, no. 1, (1992), pp.
AUMONT, JACQUES 103-9.
L ‘Oeil Interminable: cinema et peinture, vol. 32. BYARS, JACKIE
no. 2, (1993), pp. 234-7. All That Hollywood Allows: Rereading gender in
BAD OBJECT CHOICES 1950s Melodrama, vol. 34, no. 2. (1993). pp.
How do I look: Queer Film and Video, vol. 34. 179-89.
no. 1, (1993), pp. 88-91. Camera Obscura:
BARKER, ADAM WITH ELSAESSER, THOMAS (eds) A Journal of Feminism and Film Theory, nos 20-
Early Cinema: Space, Frame, Narrative, vol. 33. 21. special issue ‘The Spectratrix’, vol. 32, no. 3.
no. 1, (1992). pp. 103-9. (1991). pp. 339-4.
BFI VIDEOS CARDIFF, DAVID AND SCANNELL, PADDY
Early Cinema: Primitives and Pioneers, vol. 33. A Social History of Broadcasting: Volume 1,
no. 1, (1992), pp. 103-9. 1922-1939, vol. 33. no. 4, (1992), pp. 455-61.
BODDY, WILLIAM CHRISTIE, IAN AND TAYLOR, RICHARD (eds)
Fifties Television: The Industry and its Critics. Inside the Film Factory: New Approaches to
vol. 33, no. 3, (1992). pp. 335-41. Russian and Soviet Cinema, vol. 33, no. 3.
BORCHERS, HANS; KREUTZNER, GABRIELE; SEITER, (1992). pp. 327-30.
ELLEN AND WARTH, EVA-MARIA (eds) CLARK, VEVE A.; HODSON, MILLICENT AND NEIMAN,
Remote Control: Television, Audiences and CATRINA
Cultural Power, vol. 32, no. 4, (1991). pp. 477- The Legend of Maya Deren, Volume 1, Part 1,
82. Chambers (1942-1947), vol. 31, no. 1, (1992).
BORDWELL, DAVID pp. 110-6.
Making Meaning: Inference and Rhetoric in the CLAUSIUS, CLAUDIA
Interpretation of Cinema, vol. 34, no. 3, (1993). The Gentleman is a Tramp, vol. 31, no. 4.
pp. 293-8. (1990). pp. 458-61.
BROWN, MARY ELLEN (ed.) COLLINS, JIM
Television and Women’s Culture, vol. 33, no. 2. Uncommon Cultures: Popular Culture and Post-
(1992), pp. 122-6. modernism, vol. 31, no. 2, (1990), pp. 231-5.
420 Screen 34 - index
CORNER, JOHN (ed.) HACKER, JONATHAN AND PRICE, DAVID
Popular Television in Britain: Studies in Cultural Take 10: Contemporary British Film Directors,
History, vol. 33, no. 4, (1992), pp. 455-61. vol. 33, no. 2, (1992), pp. 220-6.
CRAFTON, DONALD HAYWARD, PHILIP (ed.)
Emile Cohl, Caricature and Film, vol. 33, no. 4, Picture This: Media Representations of Visual Art
(1992), pp. 441-6. and Artists and Culture Technology and
DELEUZE, GILLES Creativity in the Late Twentieth Century, vol. 34,
Cinema 1: The Movement-Image and Cinema 2: no. 1, (1993), pp. 94-8.
The Time-Image, vol. 32. no. 2. (1991), pp. 238- HERZOG, CHARLOTTE AND GAINES, JANE (eds)
43. Fabrications: Costume and the Female Body, vol.
DOANE, MARY ANN 32, no. 4, (1991), pp. 483-90.
Femmes Fatales: Feminism, Film Theory, HODSON, MILLICENT; CLARK, VEVE A. AND NEIMAN,
Psychoanalysis, vol. 34, no. 2, (1993), pp. 179- CATRINA
89. The Legend of Maya Deren, Volume 1, Part
DONALD, JAMES (ed.) 1, Chambers (1942-1947), vol. 33, no. 1, (1992),
Psychoanalysis and Cultural Theory: Thresholds, pp. 110-16.
vol. 32, no. 3, (1991), pp. 329-38. HOLLAND, PATRICIA AND SPENCE, JO (eds)
DYER, RICHARD Family Snaps: The Meanings of Domestic
Now you see it: Studies on Lesbian and Gay Photography, vol. 33, no. 2, (1992), pp. 227-32.
Film, vol. 34, no. 1, (1993), pp. 88-91. INGLIS, FRED
ELSAESSER, THOMAS WITH BARKER, ADAM, (eds) Media Theory: An Introduction, vol. 32, no. 4,
Early Cinema: Space, Frame, Narrative, vol. 33, (1991), pp. 471-76.
no. 1, (1992). pp. 103-9. KAES, ANTON
FISHER, LUCY From ‘Hitler’ to ‘Heimat’: The Return of History
Shot/Countershot: Film Tradition and Women’s as Film, vol. 33, no. 2, (1992), pp. 215-19.
Cinema, vol. 32, no. 1, (1991), pp. 109-13. KAPLAN, ANN (ed.)
FISKE, JOHN, Psychoanalysis and Cinema, vol. 32. no. 3,
Television Culture, vol. 31. no. 1, (1990), pp. (1991), pp. 329-38.
113-18. KLINE, JEFFERSON T.
FLITTERMAN-LEWIS, SANDY Screening the Text: Intertextuality in New Wave
To Desire Differently: Feminism and the French French Cinema, vol. 34, no. 4, (1993), pp. 407-
Cinema, vol. 31, no. 4, (1990), pp. 454-7. 13.
GAINES, JANE AND HERZOG, CHARLOTTE (eds) KREUTZNER, GABRIELE; BORCHERS, HANS; SEITER,
Fabrications: Costume and the Female Body, vol. ELLEN AND WARTH, EVA-MARIA (eds)
32, no. 4, (1991), pp. 483-90. Remote Control: Television, Audiences and
GERAGHTY, CHRISTINE Cultural Power, vol. 32, no. 4, (1991), pp. 477-
Women and Soap Opera, vol. 33, no. 2, (1992), 82.
pp. 122-6. KRUGER, STEPHEN AND WALL, IAN
GLEDHILL, CHRISTINE (ed.) The Media Pack; The Media Manual: A
Stardom: Industry of Desire, vol. 34, no. 2, Teacher's Guide to Media Studies, vol. 32, no. 4,
(1993). pp. 179-89. (1991). pp. 465-70.
GOODWIN, ANDREW AND WHANNEL, ANDREW (eds) LANT, ANTONIA
Understanding Television, vol. 32, no. 4, (1991), Blackout: Reinventing Women for Wartime
pp. 458-64. British Cinema, vol. 33, no. 4, (1992), pp. 45044.
GORBMAN, CLAUDIA LAPSLEY, ROBERT AND WESTLAKE, MICHAEL
Unheard Melodies: Narrative Film Music, vol. Film Theory: An Introduction, vol. 32, no. 4,
33, no. 1, (1990), pp. 119-24. (1991), pp. 471-76.
471 Screen3 4 - Index
LULL, JAMES ROSS, ANDREW
Inside Family Viewing, vol. 34, no. 1, (1993), pp. No Respect Intellectuals and Popular Culture,
99-102. vol. 31, no. 2, (1990), pp. 231-S.
MALAND, CHARLES J. ROUDEVITCH, MICHEL AND VIMENET, PASCAL (eds)
Chaplin and American Culture: The Evolution of a Le Cinema d'‘animation, vol. 33, no. 4, (1992),
Star Image, vol. 31, no. 4, (1990), pp. 458-61. pp. 446-9.
MAYNE, JUDITH ROUTLEDGE
The Woman at the Keyhole: Feminism and The Cinema and Society series, vol. 31, no. 2,
Women’s Cinema, vol. 33, no. 3, (1992). pp. (1990), pp. 223-30.
33144. SCANNELL, PADDY AND CARDIFF, DAVID
MELLENCAMP, PATRICIA A Social History of Broadcasting: Volume 1,
Indiscretions: Avant-Garde Film, Video and 1922-1939, vol. 33, no. 4, (1992), pp. 455-61.
Feminism, vol. 32, no. 3, (1991), pp. 345-9. SEITER, ELLEN; BORCHERS, HANS; KREUTZNER,
MELLENCAMP, PATRICIA (ed.) GABRIELE; AND WARTH, EVA-MARIA (eds)
Logics of Television: Essays in Cultural Remote Control: Television, Audiences and
Criticism, vol. 32, no. 4, (1991). pp. 477-82. Cultural Power, vol. 32, no. 4, (1991), pp. 477-
MINH-HA, TRINH T. 82.
Woman, Native, Other: Writing, Postcoloniality SHIACK, MORAG
and Feminism, vol. 34, no. 1, (1993), pp. 85-7. Discourse on Popular Culture, vol. 33. no. 2.
MULVEY, LAURA (1990), pp. 231-5.
Visual and Other Pleasures, vol. 32, no. 1, SICLIER, JACQUES
(1991), pp. 109-13. Le Cinema frangais (2 vols), vol. 34, no. 4,
NEIMAN, CATRINA; CLARK, VEVE A. AND HODSON, (1993). pp. 407-13.
MILLICENT SPENCE, JO AND HOLLAND, PATRICIA (eds)
The Legend of Maya Deren, Volume 1, Part Family Snaps: The Meanings of Domestic
1, Chambers (1942-1947) . vol. 33. no. 1. (1992). Photography, vol. 33, no. 2, (1992), pp. 227-32.
pp. 110-16. STAM, ROBERT
NICHOLS, BILL Subversive Pleasures: Bakhtin, Cultural
Representing Reality: Issues and Concepts in Criticisms and Film, vol. 31, no. 3, (1990), pp.
Documentary, vol. 34, no. 4, (1993). 33440.
pp. 414-17. TAYLOR, RICHARD AND CHRISTIE, IAN (eds)
PENLEY, CONSTANCE Inside the Film Factory: New Approaches to
The Future of Illusion: Film, Feminism and Russian and Soviet Cinema, vol. 33, no. 3.
Psychoanalysis, vol. 32, no. 1, (1991), pp. 109- (1992). pp. 327-30.
13. rUDOR, ANDREW
PETRIE, DUNCAN Monsters and Mad Scientists: A Cultural History
Creativity and Constraint in the British Film of Horror Movies, vol. 31, no. 2, (1990), pp.
Industry, vol. 33, no. 2, (1992), pp. 220-6. 23642.
PREDAL, RENE TULLOCH, JOHN AND TURNER, GRAHAM (eds)
Le Cinema francais depuis 1945, vol. 34, no. 4. Australian Television: Programs, Pleasures and
(1993), pp. 407-13. Politics, vol. 32, no. 4, (1991), pp. 458-64.
PRICE, DAVID AND HACKER, JONATHAN rTURIM, MAUREEN
Take 10: Contemporary British Film Directors, Flashbacks in Film: Memory and History, vol. 32,
vol. 33, no. 2, (1992). pp. 220-6. no. 1, (1991), pp. 120-5.
RAINER, YVONNE TURNER, GRAHAM AND TULLOCH, JOHN (eds)
The Films of Yvonne Rainer, vol. 33, no. 1. (1992). Australian Television: Programs, Pleasures and
pp. 117-21. Politics, vol. 32, no. 4, (1991), pp. 458-64.
422 Screen 34 - Index
VIMENET, PASCAL AND ROUDEVITCH, MICHEL (eds) the Kennedy Years, vol. 33, no. 3, (1992), pp.
Le Cinéma d’animation, vol. 33, no. 4, (1992), 335-41.
pp. 446-9. WESTLAKE, MICHAEL AND LAPSLEY, ROBERT
WALKERDINE, VALERIE Film Theory: An Introduction, vol. 32, no. 4,
Schoolgirl Fictions, vol. 33, no. 2, (1992), pp. (1991), pp. 154-76.
227-32. WHANNEL, ANDREW AND GOODWIN, ANDREW (eds)
WALL, IAN AND KRUGER, STEPHEN Understanding Television, vol. 32, no. 4, (1991),
The Media Pack; The Media Manual: A pp. 458-64.
Teacher's Guide to Media Studies, vol. 32. no. 4, WILLIAMS, ALAN
(1991), pp. 465-70. Republic of Images: A History of French
WARTH, EVA-MARIA; BORCHERS, HANS; KREUTZNER, Filmmaking, vol. 34, no. 4, (1993), pp. 407-13.
GABRIELE AND SEITER, ELLEN (eds) WILLIAMS, LINDA
Remote Control: Television, Audiences and Hard Core: Power, Pleasure and the Frenzy of the
Cultural Power, vol. 32, no. 4, (1991), pp. 477- Visible, vol. 32, no. 1, (1991), pp. 114-19.
82. WILLS, DAVID AND BRUNETTE, PETER
WATSON, MARY ANN Screen/Play: Derrida and Film Theory, vol. 34, no.
The Expanding Vista: American Television and 2, (1993), pp. 190-5.
423 Screen 34 - Index