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Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function PDF

408 Pages·2019·27.32 MB·English
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’ Schoenbergs Atonal Music Award-winningauthorJackBossreturnswiththe“prequel”toSchoenberg’s Twelve-ToneMusic(Cambridge,2014)demonstratingthattheterm“atonal”is meaningfulindescribingSchoenberg’smusicfrom1908to1921.Thisbookshows howSchoenberg’satonalmusiccanbeunderstoodintermsofsuccessionsofpitch andrhythmicmotivesandpitch-classsetsthatfleshoutthelargeframeworksof “musicalidea”and“basicimage.”Italsoexplainshowtonality,afterlosingits structuralroleinSchoenberg’smusicafter1908,beginstoreappearnotlongafter asanoccasionalexpressivedevice.Likeitspredecessor,Schoenberg’sAtonalMusic containsclosereadingsofrepresentativeworks,includingtheOp.11andOp.19 PianoPieces,theOp.15George-Lieder,themonodramaErwartung,andPierrot lunaire.Theseanalysesareillustratedbyrichlydetailedmusicexamples,revealing theunderlyinglogicofsomeofSchoenberg’smostdifficultpiecesofmusic. jack boss isProfessorofMusicTheoryandCompositionattheUniversityof Oregon.Hispreviousbook,Schoenberg’sTwelve-ToneMusic:Symmetryandthe MusicalIdea(Cambridge,2014)receivedtheWallaceBerryAwardfromthe SocietyforMusicTheoryin2015.HisarticlescanbefoundintheJournalofMusic Theory,MusicTheorySpectrum,PerspectivesofNewMusic,MusicTheoryOnline, MusicAnalysis,Intégral,andGamut. MusicSince1900 generaleditor ArnoldWhittall Thisseries–formerlyMusicintheTwentiethCentury–offersawideperspective onmusicandmusicallifesincetheendofthenineteenthcentury.Booksincluded rangefromhistoricalandbiographicalstudiesconcentratingparticularlyonthe contextandcircumstancesinwhichcomposerswerewriting,toanalyticaland criticalstudiesconcernedwiththenatureofmusicallanguageandquestionsof compositionalprocess.Theimportancegiventocontextwillalsobereflectedin studiesdealingwith,forexample,thepatronage,publishing,andpromotionofnew music,andinaccountsofthemusicallifeofparticularcountries. Titlesintheseries JonathanCross TheStravinskyLegacy MichaelNyman ExperimentalMusic:CageandBeyond JenniferDoctor TheBBCandUltra-ModernMusic,1922–1936 RobertAdlington TheMusicofHarrisonBirtwistle KeithPotter FourMusicalMinimalists:LaMonteYoung,TerryRiley,SteveReich,PhilipGlass CarloCaballero FauréandFrenchMusicalAesthetics PeterBurt TheMusicofToruTakemitsu DavidClarke TheMusicandThoughtofMichaelTippett:ModernTimesandMetaphysics M.J.Grant SerialMusic,SerialAesthetics:CompositionalTheoryinPost-WarEurope PhilipRupprecht Britten’sMusicalLanguage MarkCarroll MusicandIdeologyinColdWarEurope AdrianThomas PolishMusicsinceSzymanowski J.P.E.Harper-Scott EdwardElgar,Modernist YayoiUnoEverett TheMusicofLouisAndriessen EthanHaimo Schoenberg’sTransformationofMusicalLanguage RachelBecklesWillson Ligeti,Kurtág,andHungarianMusicduringtheColdWar MichaelCherlin Schoenberg’sMusicalImagination JosephN.Straus Twelve-ToneMusicinAmerica DavidMetzer MusicalModernismattheTurnoftheTwenty-FirstCentury EdwardCampbell Boulez,MusicandPhilosophy JonathanGoldman TheMusicalLanguageofPierreBoulez:WritingsandCompositions PieterC.vandenToornandJohnMcGinness StravinskyandtheRussianPeriod:SoundandLegacyofaMusicalIdiom DavidBeardHarrison Birtwistle’sOperasandMusicTheatre HeatherWiebe Britten’sUnquietPasts:SoundandMemoryinPostwarReconstruction BeateKutschkeandBarleyNorton MusicandProtestin1968 GrahamGriffiths Stravinsky’sPiano:GenesisofaMusicalLanguage MartinIddon JohnCageandDavidTudor:CorrespondenceonInterpretationandPerformance MartinIddon NewMusicatDarmstadt:Nono,Stockhausen,Cage,andBoulez AlastairWilliams MusicinGermanysince1968 BenEarle LuigiDallapiccolaandMusicalModernisminFascistItaly ThomasSchuttenhelm The Orchestral Music of Michael Tippett: Creative Development and the CompositionalProcess MarilynNonken TheSpectralPiano:FromLiszt,Scriabin,andDebussytotheDigitalAge JackBoss Schoenberg’sTwelve-ToneMusic:SymmetryandtheMusicalIdea DeborahMawer FrenchMusicandJazzinConversation:FromDebussytoBrubeck PhilipRupprecht BritishMusicalModernism:TheManchesterGroupandtheirContemporaries AmyLynnWlodarski MusicalWitnessandHolocaustRepresentation CarolaNielinger-Vakil LuigiNono:AComposerinContext ErlingE.GuldbrandsenandJulianJohnson TransformationsofMusicalModernism DavidCline TheGraphMusicofMortonFeldman RussellHartenberger PerformanceandPracticeintheMusicofSteveReich JoannaBullivant ModernMusic,AlanBush,andtheColdWar:TheCulturalLeftinBritainandthe CommunistBloc NicholasJones PeterMaxwellDavies,SelectedWritings J.P.E.Harper-Scott IdeologyinBritten’sOperas JackBoss Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function ’ Schoenberg s Atonal Music Musical Idea, Basic Image, and Specters of Tonal Function Jack Boss UniversityofOregon UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,NY10006,USA 477WilliamstownRoad,PortMelbourne,VIC3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 79AnsonRoad,♯06–04/06,Singapore079906 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781108419130 DOI:10.1017/9781108296991 ©JackBoss2019 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2019 PrintedintheUnitedKingdombyTJInternationalLtd,PadstowCornwall AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData Names:Boss,JackForrestauthor. Title:Schoenberg’satonalmusic:musicalidea,basicimageandspectersoftonalfunction/ JackBoss. Description:NewYork,NY:CambridgeUniversityPress:Cambridge,UnitedKingdom, 2019.|Series:Musicsince1900|Includesbibliographicalreferencesandindex. Identifiers:LCCN2019008714|ISBN9781108419130(alk.paper) Subjects:LCSH:Schoenberg,Arnold,1874–1951–Criticismandinterpretation.|Music– 20thcentury–Historyandcriticism.|Music–20thcentury–Analysis,appreciation.| Atonality. Classification:LCCML410.S283B662019|DDC780.92–dc23 LCrecordavailableathttps://lccn.loc.gov/2019008714 ISBN978-1-108-41913-0Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. ForSunHwa

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