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Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America PDF

292 Pages·1997·8.19 MB·English
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Scenes of Subjection Scenes of Subjection TERROR, SL.AVERY, AND SELF-MAKING IN NINETEENTH-CENTURY AMERICA Saidiya V. Hartman NewYork Oxford OXFORD UNIVERSITY PRESS 1997 'dUniversity Press NewYork Auckland Bangkok Bogota Bombay BuenosAires a CapeTown DaresSalaam Delhi Florence HongKong .I Knrnchi KualaLumpur Madras Madrid Melbourne )City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw rociatedcompaniesin Ibudan right© 1997 bySaidiyaV. Hartman ledbyOxfordUniversityPress,Inc. adisonAvenue.NewYork,NewYork10016 i isItregisteredtrademarkofOxfordUniversityPress :htsreserved. Nopartofthispublicationmaybereproduced, inaretrievalsystem,ortransmitted,inanyformorbyanymeans, mic,mechanical,photocopying.recordlng;orotherwise, ItthepriorpermlsslonofOxfordUniversityPress. yofCongressCataloging-ln-PubllcntlonData IanISaidiyaV. sofsubjection:terror,slavery.andself-makingin enth-ccnturyAmericaIbySaidiyaV.Hartman. clll.-(RaccandAmericanculture) lesindex. 0-19-508983-9(cloth) 0-1-9-508984-7(pbk.) ivcs-i-UnitedStates-c-Soclalconditions. 2. Slaves-UnitedStates-Sociallifcandcustoms. wery-UnitedStates-Psychological aspects. 4.Arro-Amcricans-History-To 1863. wet(Socialsciencesj-i-UnitedStatcs-HislorY-19thcentury. If-HistorY-J9thcentury. 1.Title. II.Series. .H37 1997 0496073-dc2I 97~5808 To Gilbert Acknowledgments T hisbookowesagreatdealtosomany.TheCharlotteNewcombeFoun dation, the Rockefeller Foundation,and the University of CaliforniaHumanities Research Institute provided financial supportand time off, which helped in the developmentandcompletionofthisproject. ThelateGeorgeBassprovidedsupport .and enthusiasm duringtheearlystagesoftheproject,seeingpromisewhenthings were still quite vaguely defined. I would like to thank the members of the FeminismandDiscourseofPowergroupforrigorouscriticismand lively debate: WendyBrown, JudithButler,NancyCampbell,ReyChow,NancyFraser,Angela Harris,JennySharpe,JacquelineSiapno,andIreneWei.Iwouldespeciallyliketo thankJudithButler,whohasextended herselfin innumerableways to supportmy work.Iamalsogratefultomyteachers.HazelCarbyprovidedamodelofscholarly integrity, encouraged myinterdisciplinary pursuits, and was an exactingreader. AlanTrachtenberg sharedhispassion forthestudy ofculture,providedinvaluable criticism, andcontinuedtolendhissupportevenaftermyofficialstudentdayswere over. JohnSzwedsupplied.me withendlesscitationsandsharedmany instructive anecdotes. Othersread the manuscript and offeredvaluablecomments: Barbara Christian,VeVeClark, MichaelDavidson,JulieEllison,MaeHenderson, George Lipsitz, EricLou, ArnoldRampersad, DavidRoediger,and Michael Rogin. My research assistant, Hershini Bhana, provided immensely valuable labor on this project;herdedication,enthusiasm,andcommitment mademyowntasksomuch easier.JanAndersonhelpedmetocompletethebibliography. GlendaCarpiopre.. paredtheindex~ The support of friends and colleagues has been invaluable: Elizabeth Abel, Elizabeth Alexander, Lindon Barrett, Rhakesh Bandari, Tobe Correal, Aya de Leon,RosaLindaFregoso,HermanGrey,TeraHunter,DonnaJones,LataMani, Ruth Frankenberg, Sharon Holland, Lisa Lowe, David Lloyd, Michael Rogin, Acknowledgments renKaplan,AbdulJanMohamed,HarryetteMullen,DonnyWebster,andWendy lite,SpecialthankstoUlaTaylorforbeingthebestcolleagueIcouldhopetohave Ia good friend. NannaAlarcon provided a modelof intellectualpassion and nrnitment under fire. bell hookshas alwaysbeen a reminder thatcourage is a ural ingredientofintellectual work.AngelaHarris,PaulRogers,andRobertSt. utinWestleyreadthe"chapters thoroughly, sharedmany importantinsights,and edmany an afternoonwithstimulatingconversation. ~arahJasmineGriffinandDonnaDanielswerethemidwivesofthisbook,helping through many difficult moments..providing inspiration when I desperately ~ded it, and givinggenerouslyof their time. Bill andJulia Lowe havebeen an .ndingsourceofinspirationandloveinmylife.Ithankthemforbelievingthata]1 19S arepossible,evenwhenIdidnot.Myparents,BeryleandVirgilioHartman, te generously of their love even when they did not understand my choices. rally, IthankGilbert,withoutwhoselove,support,andsteadfastcommitmentthis )k wouldnothave beenpossible. .s. kland, California V. H. nember 1996 Contents Introduction 3 FORMATIONS OF TERROR AND ENJOYMENT Innocent Amusements: TheStageofSufferance 17 2 Redressing thePained Body: Toward aTheory of Practice 49 3 Seductionand the Ruses of Power 79 II THE SUBJECT OF FREEDOM 4 TheBurdened Individuallty ofFreedom 115 5 Fashioning Obligation: Indebted Servitude andtheFettersof Slavery 125 6 InstinctandInjury: BodilyIntegrity,NaturalAffinities t andtheConstitution of Equality 164 Notes 207 SelectedBibliography 255 Index 277

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In this provocative and original exploration of racial subjugation during slavery and its aftermath, Saidiya Hartman illumines the forms of terror and resistance that shaped black identity. Scenes of Subjection examines the forms of domination that usually go undetected; in particular, the encroachm
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