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SAMUEL JOHNSON AND THE JOURNALS OF THE ROMANTIC PERIODS HIS REPUTATION AS A LITERARY CRITIC A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural, and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Dorothy George B*A«, Louisiana State Normal College, .1936 M.A., Louisiana State University* 19Yl May 9 1950 UMi Number: DP69348 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69348 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 MANUSCRIPT THESES Unpolished theses submitted for the master’s end doctor’s degrees and deposited in the Louisiana State University Library are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted, but passages may not be copied unless the author has given permission* Credit must be given in subsequent written or published work. A library which borrows this thesis for use by its clientele is expected to make- sure that the borrower is aware of the above restrictions. LOUISIANA STATE UNIVERSITY LIBRARY S9419 ACKNOWLEDGMENT I wish to express bqt sincere gratitude to Dr. A. J. Bryan for his guidance in the writing of this dissertation. Also« I am much Indebted to Dr* R. B. Hellmanv now of the Dniversity of Vashington9 because of whose encouragement and assistance the study was begun* 3ll.lL U d* W 5 D (* L o . fc. 4 3 2 6 4 5 TABLE OF CONTENTS ABSTRACT................................ . iv TABLE OF ABBREVIATIONS . . . . ........ .. Ix I THE PURPOSE AND SCOPE OF THE STOTT , . . 1 II THE EDITOR AND CRITIC OF SHAKESPEARE * * 17 The Function of Critics and Criticism 18 The Materials of Literature » . . • • 39 The Handling of the Materials • . . . 65 Ill THE BIOGRAPHER AND CRITIC OF MILTON • . 89 The Bases of Prejudice * < > • « * « » 91 The Minor Poems » • . 104 Paradise Igs.tj . . . . 111 IV THE AUTHOR OF Tg£ LIVES OF THE POETS 131 The General Reputation ..........* . 132 The Metaphysical Poets • • • • • • « » 159 The Authors of the Neoclassical Spirit 174 The Eighteenth-century Poets of the Romantic Spirit • • • • .......... 224 V THE ATTITUDES OF THE INDIVIDUAL JOURNALS 250 T h e _______ 251 The Scots Macasing 261 The Monthly Beylew • • • e e 264 British Critic • • . • • 271 • • 275 The Quarterly SfiYjfiJE • • « 281 The atofftiqjj-najey Review « ® 285 Blafc pood ,j M n l wgh • • * « s 287 The Loydtan Magflz: • • 9 <* » 295 Fraser *9 ttegasloai tsat. I s m S M SfiMrtag • e 9 301 The Hunt Publications * • * • * • « • « 9 tf 302 The Literary fltftatttf . . . . . . . . . . 306 71 COSCUBIOH............ .................. 309 BIBLIOGRAPHY « s « « s s ( « e s « * i > * s » * 317 AUTOBIOGRAPHY . . . . . . . . . . . . . * • 323 ill ABSTRACT Prevalent among students of literary criticism today are two assumptions about the reputation of Dr. Samuel Johnson during the Romantic period. The first is that, after having occupied the position of virtual literary dictator in his own age, Johnson mas either condemned or Ignored In the fol­ lowing one* This assumption is based on the belief that the antagonism exhibited toward his by the major critics between 1800 and I832 — Coleridge, Wordsworth, Haxlitt, BeQuincey — was shared by the rest of the literary world* The second assumption, one which actually contradicts the first, is that the periodicals of those years, as survivors of eighteenth- century habits of thought, accepted Johnson unquestioningly merely because he was commonly considered the standard-bearer of traditional neoclassicism. Since to hold completely to either of the two assumptions would mean necessarily an over­ simplification of the picture, It Is to be expected that the truth lies somewhere between the two extremes* And it was the purpose of this study to examine the hitherto unexplored body of evidence In the journals of the homentic period and to de­ termine Johnson*® position as a literary critic in them* The periodicals investigated were limited to sixteen of the most representative ones of the time* They were iv representative In that some were quarterly# som monthly# and some meekly publications; in that some ware conservative and others liberal in religion# politics# and literature; In that some followed the traditional pattern of the magazine# others that of the review# and still others that of the journal of teU&HLi&l£££> Th« list included the Oentlenmn'a Magazine, tta» Saatl jfBOSiaft* the Monthly Review, the British C£lti£» MinfrWfll fitXiSMt the Qaarterly Review, the Weatalnater MliSMt Blackwood1 s Edinhawh Magazine, the London -ifagazlne. yraser'a Magazine fa£ town Country. the Literary Gazette, the BTflner, the Xadleator. the Liberal* the Literary R m ^ y . and the Companione The material resulting from the investigation of these sources was organised according to Johnson9s chief contribu­ tions to literary criticism — his Shakespearean analyses (Chapter ID# his Miltonic criticism (Chapter III)# and the views expressed in the remaining Lives of the Poets (Chapter IV) • Chapter V had a two-fold purpose — the presentation of general comments about Johnson as a critic# and a summary of the attitudes of the individual journals toward his criticism. Chapter VI presented the general conclusions ©merging from the study* One of these was that# although it must be admitted that there were fewer references to Johnson between 1800 and 1832 than there were in the period immediately fol­ lowing his death# still his name occurred more frequently than that of any other English critic of the past or the contemporary period! this situation was true in the face of such new literary forms as pross fiction and of a new attitude toward authority and of a nev conception of criticism as apprecia­ tion rather than evaluation. Actually» very few of the reviewers followed the example of Coleridge, whose policy was one of accepting absolutely nothing in Johnson's criticism* On the other hand, very few of them manifested a passive acceptance of his views* The general tone was that of an effort to determine what part of his criticism was still valid and useful and whet part must be rejected. More attention was directed to the negative than the positive portions of it; the praise he awarded was for the most part accepted as a matter of course, but unfavorable com­ ments were meticulously weighed. This attitude accounted for the fact that the general criticism of his work in Shakespeare and of The Lives of the Poets was favorable at the same time that Qualifications end exceptions were defined. Some of the qualifications arose from the conviction that Johnson had allowed personal or religious or political prejudice to enter into fcis criticism — notably that of Milton ard Gray. Others arose from the fact that almost with­ out exception the reviewers saw in Johnson an exponent of the vague and the general as the proper material of literature and considered him incapable of making minute sensuous distinctions. Similarly, they considered erroneous his definition of genius as a general power of the mind. vi On the question of shethe? Johnson was deficient in the kind of imagination and sublimity of spirit necessary to the full comprehension of Shakespeare and 111ton» opinion was not unanimous* Although to many reviewers Johnson's sober and modest praise of their idols represented a cold* inade­ quate appreciation, others singled him out as the critic who had paid noblest tribute to them* On still other points the periodicals unanimously ac­ cepted him — his repudiation of the unities of tine and place, his insistence on probability of action and character* and his definition cf the purpose of poetry* Furthermore, almost all grunted his supremacy in the realm of human motives and passions; his discerning interpretations of character won that position for hia. Finally, this study demonstrated that, consciously or unconsciously, the Journals of the Homantic period recognized the diversity and breadth of Johnson's criticism and paid hira tribute because of those qualities. After all the objections had been raised and all the qualifications defined and all the unacceptable portions of his criticism sifted out, there was still much that was urilversally considered valuable. It was not only that periodicals with avowedly conservative lean­ ings — the Gentleman*s» the Scots* the ffirltish Critic, the Quarterly, and the literary Gazette -- that manifested an attitude predominantly favorable to Johnson5 such liberal or­ gans as the Monthly, the Edinburgh* Blackwood'ft. and the vil London shared their approval of him* And even those periodi­ cals evincing most antagonism — the Westminster. Fraser*s* and the Ry»*al nay in the latter part of the period — found occasionally something in him to commend* In other words/ it cannot be said that the antagonism shown Johnson by the major figures of the Romantic period was imitated by the journals* nor can it be said that his reputation was the result of servile admiration in journals still adhering to eighteenth-century neoclassical standards* viil

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