SAINT FRANCIS AND THE SULTAN This page intentionally left blank SAINT FRANCIS AND THE SULTAN THE CURIOUS HISTORY OF A CHRISTIAN-MUSLIM ENCOUNTER JOHN TOLAN 1 1 GreatClarendonStreet,Oxfordox26dp OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwidein Oxford NewYork Auckland CapeTown DaresSalaam HongKong Karachi KualaLumpur Madrid Melbourne MexicoCity Nairobi NewDelhi Shanghai Taipei Toronto Withofficesin Argentina Austria Brazil Chile CzechRepublic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore SouthKorea Switzerland Thailand Turkey Ukraine Vietnam OxfordisaregisteredtrademarkofOxfordUniversityPress intheUKandincertainothercountries PublishedintheUnitedStates byOxfordUniversityPressInc.,NewYork ©JohnTolan2009 Themoralrightsoftheauthorhavebeenasserted DatabaserightOxfordUniversityPress(maker) Firstpublished2009 Allrightsreserved.Nopartofthispublicationmaybereproduced, storedinaretrievalsystem,ortransmitted,inanyformorbyanymeans, withoutthepriorpermissioninwritingofOxfordUniversityPress, orasexpresslypermittedbylaw,orundertermsagreedwiththeappropriate reprographicsrightsorganization.Enquiriesconcerningreproduction outsidethescopeoftheaboveshouldbesenttotheRightsDepartment, OxfordUniversityPress,attheaddressabove Youmustnotcirculatethisbookinanyotherbindingorcover andyoumustimposethesameconditiononanyacquirer BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressCataloginginPublicationData Tolan,JohnVictor,1959– SaintFrancisandthesultan:thecurioushistoryofaChristian-Muslimencounter/JohnTolan. p.cm. Includesbibliographicalreferences(p. )andindex. ISBN978-0-19-923972-6 1. Francis,ofAssisi,Saint,1182–1226.2. Malikal-KamilMuhammad,SultanofEgyptandSyria, 1180?–1238.3. MissionstoMuslims—Egypt—Historiography.4. Christianhagiography. 5. Francis,ofAssisi,Saint,1182–1226—Art.6. Christianartandsymbolism.I. Title. BX4700.F6T562009 261.2’709022—dc22 2008053082 TypesetbyLaserwordsPrivateLtd,Chennai,India PrintedinGreatBritain onacid-freepaperby CPIAntonyRowe,Chippenham,Wiltshire ISBN978–0–19–923972–6 135 7 91086 4 2 For my mother, Sally Tolan, a woman of peace and of dialogue. This page intentionally left blank Epoiche,perlasetedelmartiro, nellapresenzadelSoldansuperba predico` Cristoelialtriche’lseguiro, epertrovareaconversioneacerba troppolagente,personstareindarno, reddissialfruttodell’italicaerba, nelcrudosassointraTeveroeArno daCristopresel’ultimosigillo, chelesuemembradueanniportarno. (DanteAlighieri,Paradiso,XI.100–8) L’histoireesthabite´eparl’e´trangete´ qu’ellecherche,etelleimposesaloiaux re´gionslointainesqu’elleconquiertencroyantleurrendrelavie. (MicheldeCerteau,E´crirel’histoire,58) This page intentionally left blank Acknowledgements It would have been impossible for me to complete this book without the help of the National Endowment for the Humanities, which accorded me a fellowship in 2005. Much of the book was written at the Center for the Humanities at Oregon State University, where I was a visiting research fellow from January to June, 2005; my thanks to the staff and members of the Center for their interest and support of my work, and for creating an atmosphere propitious for reflection and research. Particular thanks to the director of the Center, David Robinson. My thanks also to the personnel ofthevariouslibrariesIusedwhileresearchingthisbook: theBibliothe`que Nationale de France, the Vatican Libary, the Biblioteca Nazionale of Rome, the Biblioteca Communale of Assisi, the libraries of the American AcademyofRomeandtheEcoleFranc¸aisedeRome,andthoseofOregon State University and the Universite´ de Nantes. Various parts of this book have been presented at conferences and seminars: to the conference ‘Between Empires: Orientalism before 1600’, at Trinity College, Cambridge; to the Dublin Medieval Society; to the Se´minaire Commun des Me´die´vistes de l’Universite´ Lyon II; to the medieval seminar of the University of California-Riverside; to the Maison des Sciences de l’Homme Ange Gue´pin in Nantes; to the Medieval Studies Workshop of the University of California-Santa Cruz; to the HistorySeminarofSantaClaraUniversity;toBrownUniversity’sMedieval Workshop. My thanks to all those who invited me to these events and who shared their comments and suggestions, in particular to Alfred Hiatt, Ananya Kabir, Nicole Be´riou, Jacques Berlioz, Piotr Gorecki, Sharon Kinoshita, Fabio Lopez La´zaro, and Amy Remensnyder. For information concerning paintings by Paolo Gaidano at the Holy Saviour Convent in Jerusalem, my thanks to Brother Peter Vasko of the Terra Sancta College in Jerusalem and to Brother Michele Piccirillo of the Studium Biblicum Francescanum of Jerusalem. I received helpful
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