(continued from front flap) $15.95/$19.50 Can. Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the “Early in the spring of 1750, in the village of dock in Annapolis where his great-great-great-great- PULITZER Juffure, four days upriver from the coast of grandfather was taken ashore on September 29, 1767. PRIZE The Gambia, West Africa, a man-child was Now he has written the monumental two-century WINNER born to Omoro and Binta Kinte.” drama of Kunta Kinte and the six generations who So begins Roots, one of the most important and came after him—slaves and freedmen, farmers and influential books of our time. When originally blacksmiths, lumber mill workers and Pullman porters, published thirty years ago, it galvanized the lawyers and architects—and one author. nation and created an extraordinary political, But Haley has done more than recapture the Alex racial, social, and cultural dialogue that had Alex history of his own family. As the first black American “in all of us there is not been seen in this country since the publication of Uncle Tom’s Cabin. writer to trace his origins back to their roots, he has told a hunger, marrow deep, HAley the story of 39 million Americans of African descent. Roots has lost none of its emotional power and to know our heritage. . . . He has rediscovered for an entire people a rich cultural HAley drama, and its message for today’s and future heritage that slavery took away from them, along with Without this enriching The 30Th generations is even more vital and relevant their names and their identities. Roots speaks, finally, knowledge, there is anniverSary ediTion than it was thirty years ago. not just to blacks, or to whites, but to all peoples and a hollow yearning no matter all races everywhere, for the story it tells is one of W what our hen he was a boy in Henning, Tennessee, the most eloquent testimonials ever written to the Alex Haley’s grandmother used to tell him indomitability of the human spirit. attainments in life.” The 30Th anniverSary ediTion stories about their family—stories that went back to her grandparents, and their grandparents, down through Experience ROOTS on DVD from Warner Home Video —alex haley The Saga of an american the generations all the way to a man she called “the family African.” She said he had lived across the ocean near what he called the “Kamby Bolongo” and had been out in the forest one day chopping wood to make a drum NATIONAL PULITZER when he was set upon by four men, beaten, chained PRIZE BOOK AWARD and dragged aboard a slave ship bound for Colonial WINNER WINNER America. Still vividly remembering the stories after he grew up and became a writer, Haley began to search for documentation that might authenticate the narrative. It took ten years and a half a million miles of travel across continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not $15.95/ $19.50 Can. only the name of “the African”—Kunta Kinte—but The Saga of an american family Cover photography: © Warner Bros. Ent. Inc. ISBN-13 978-1-59315-449-3 the precise location of Juffure, the very village in The ISBN-10 1-59315-449-6 51595 Gambia, West Africa, from which he was abducted Vanguard Press Special inTroducTion by in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter. A Member of the Perseus Books Group 9 781593 154493 michael eric dySon www.Perseusbooks.com Vanguard Press (continued on back flap) 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page i ROOTS The 30th Anniversary Edition 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page ii ROOTS: The 30th Anniversary Edition PUBLISHER’S STATEMENT One of the most important books and television series ever to appear, Roots, galvanized the nation, and created an extraordinary political, racial, social and cultural dialogue that hadn’t been seen since the publication of Uncle Tom’s Cabin. The book sold over one million copies in the first year, and the miniseries was watched by an astonishing 130 million people. It also won both the Pulitzer Prize and the National Book Award. Roots opened up the minds of Americans of all colors and faiths to one of the darkest and most painful parts of America’s past. Over the years, both Roots and Alex Haley have attracted controversy, which comes with the territory for trailblazing, iconic books, particularly on the topic of race. Some of the criticism results from whether ROOTSis fact or fiction and whether Alex Haley confused these two issues, a subject he ad- dresses directly in the book. There is also the fact that Haley was sued for pla- giarism when it was discovered that several dozen paragraphs in Roots were taken directly from a novel, The African, by Harold Courlander, who ulti- mately received a substantial financial settlement at the end of the case. But none of the controversy affects the basic issue. Roots fostered a re- markable dialogue about not just the past, but the then present day 1970s and how America had fared since the days portrayed in Roots. Vanguard Press feels that it is important to publish Roots: The 30th Anniversary Edi- tion to remind the generation that originally read it that there are issues that still need to be discussed and debated, and to introduce to a new and younger generation, a book that will help them understand, perhaps for the first time, the reality of what took place during the time of Roots. Vanguard Press A Member of the Perseus Books Group 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page iii A LEX H A LEY ROOTS The 30th Anniversary Edition THE SAGA of an AMERICAN FAMILY with a Special Introduction by MICHAEL ERIC DYSON and ALEX HALEY on the writing of Roots Vanguard Press A Member of the Perseus Books Group 1593154496-text:1593154496-Haley.qxd 7/14/09 4:05 PM Page iv A condensed version of a portion of this work first appeared in Reader’s Digest in the May and June 1974 issues. Copyright © 1974 by Reader’s Digest Association. Copyright renewed 2002 by Myran Haley, Cynthia Haley, Lydia Haley and William Haley. Copyright © 1974 Alex Haley. Copyright renewed 2004 by Myran Haley, Cynthia Haley, Lydia Haley and William Haley. Alex Haley on the writing of Roots. Reprinted by permission from Reader’s Digest. Special contents of this edition Copyright © 2007 The Roots Venture, c/o IPW LLC, 2049 Century Park East, Suite 2720, Los Angeles, CA 90067 Published by Vanguard Books All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. For information and inquiries, address Vanguard Books, 387 Park Avenue South, 12th Floor, NYC, NY 10016, or call (800) 343-4499. Designed by Brent Wilcox Set in 11.25 point Adobe Caslon Library of Congress Cataloging-in-Publication Data Haley, Alex. Roots : the saga of an American family : the 30th anniversary edition / Alex Haley. p. cm. Originally published: Garden City, N.Y. : Doubleday, 1976. ISBN-13: 978-1-59315-449-3 ISBN-10: 1-59315-449-6 1. Haley, Alex. 2. Haley, Alex—Family. 3. Haley family. 4. Kinte family. 5. African Americans—Biography. 6. African American families. I. Title. E185.97.H24A33 2007 929'.20973—dc22 [B] 2007008822 Vanguard books are available at special discounts for bulk purchases in the U.S. by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call (800) 810-4145, extension 5000, or e-mail [email protected]. 10 9 8 7 6 5 4 3 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page v DEDICATION It wasn’t planned that Roots’ researching and writing finally would take twelve years. Just by chance it is being published in the Bicentennial Year of the United States. So I dedicate Roots as a birthday offering to my country within which most of Rootshappened. 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page vi 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:52 AM Page vii ACKNOWLEDGMENTS I owe deep gratitude to so many people for their help with Roots that pages would be required simply to list them all. The following are pre-eminent: George Sims, my lifelong friend from our Henning, Tennessee, boyhood, is a master researcher who often traveled with me, shar- ing both the physical and emotional adventures. His dedicated combing through volumes by the hundreds, and other kinds of documents by the thousands—particularly in the U. S. Library of Congress and the U. S. National Archives—supplied much of the historical and cultural material that I have woven around the lives of the people in this book. Murray Fisher had been my editor for years at Playboy maga- zine when I solicited his clinical expertise to help me structure this book from a seeming impassable maze of researched materials. After we had established Roots’ pattern of chapters, next the story line was developed, which he then shepherded throughout. Fi- nally, in the book’s pressurized completion phase, he even drafted some of Roots’ scenes, and his brilliant editing pen steadily tight- ened the book’s great length. The Africa section of this book exists in its detail only because at a crucial time Mrs. DeWitt Wallace and the editors of the Reader’s Digestshared and supported my intense wish to explore if vii 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:53 AM Page viii viii — ACKNOWLEDGMENTS my maternal family’s treasured oral history might possibly be doc- umented back into Africa where all black Americans began. Nor would this book exist in its fullness without the help of those scores of dedicated librarians and archivists in some fifty- seven different repositories of information on three continents. I found that if a librarian or archivist becomes excited with your own fervor of research, they can turn into sleuths to aid your quests. I owe a great debt to Paul R. Reynolds, doyen of literary agents—whose client I have the pleasure to be—and to Doubleday Senior Editors Lisa Drew and Ken McCormick, all of whom have patiently shared and salved my frustrations across the years of pro- ducing Roots. Finally, I acknowledge immense debt to the griots of Africa— where today it is rightly said that when a griot dies, it is as if a li- brary has burned to the ground. The griots symbolize how all human ancestry goes back to some place, and some time, where there was no writing. Then, the memories and the mouths of an- cient elders was the only way that early histories of mankind got passed along ... for all of us today to know who we are. 1593154496-HaleyRev:1593154496-Haley.qxd 7/1/09 11:53 AM Page ix HALEY ’S COMET By Michael Eric Dyson From the very beginning, Alex Haley’s Roots counted as much more than a mere book. It tapped deeply into the black American hunger for an African ancestral home that had been savaged by centuries of slavery and racial dislocation. More than the sum of its historical and literary parts—some of which have been rigor- ously criticized and debunked—Haley’s quest for his roots changed the way black folk thought about themselves and how white America viewed them. No longer were we genealogical no- mads with little hope of learning the names and identities of the people from whose loins and culture we sprang. Haley wrote black folk into the book of American heritage and gave us the confi- dence to believe that we could find our forebears even as he shared his own. Kunta and Kizzy—and Chicken George too—became members of our black American family. That’s why no flaw or shortcoming in Haley’s tome could dim the brilliant light he shed on the black soul. Haley’s monumental achievement helped con- vince the nation that the black story is the American story. He also made it clear that black humanity is a shining beacon that mirac- ulously endured slavery’s brutal horrors. I was a seventeen-year-old boarding school student when Haley’s comet of a book hit the nation’s racial landscape. It immediately ix