Romanticism and caricature

242 Pages·2013·16.306 MB·English

by  Haywood, Ian

Romanticism and caRicatuRe
ian Haywood explores the ‘Golden age’ of caricature through the close read-
ing of key, iconic prints by artists including James Gillray, George and Robert
cruikshank and Thomas Rowlandson. This approach both illuminates the vis-
ual and ideological complexity of graphic satire and demonstrates how this art
form transformed Romantic-era politics into a unique and compelling spectacle
of corruption, monstrosity and resistance. new light is cast on major Romantic
controversies including the ‘revolution debate’ of the 1790s, the impact of Thomas
Paine’s ‘infidel’ Age of Reason, the introduction of paper money and the resulting
explosion of executions for forgery, the propaganda campaign against napoleon,
the revolution in spain, the Peterloo massacre, the Queen caroline scandal and
the Reform Bill crisis. overall, the volume offers important new insights into
the relationship between art, satire and politics in a key period of history.
ian Haywood is Professor of english and co-director of the centre for
Research in Romanticism at the university of Roehampton. He co-edited, with
John seed, The Gordon Riots: Politics, Culture and Insurrection in Late Eighteenth-
Century Britain (cambridge, 2012).

CAMBRIDGE STUDIES IN ROMANTICISM
Founding editor
Professor marilyn Butler, University of Oxford
General editor
Professor James chandler, University of Chicago
Editorial Board
John Barrell, University of York
Paul Hamilton, University of London
mary Jacobus, University of Cambridge
claudia Johnson, Princeton University
alan Liu, University of California, Santa Barbara
Jerome mcGann, University of Virginia
david simpson, University of California, Davis
This series aims to foster the best new work in one of the most challenging fields within
english literary studies. From the early 1780s to the early 1830s a formidable array of
talented men and women took to literary composition, not just in poetry, which some of
them famously transformed, but in many modes of writing. The expansion of publishing
created new opportunities for writers, and the political stakes of what they wrote were
raised again by what wordsworth called those ‘great national events’ that were ‘almost daily
taking place’: the French Revolution, the napoleonic and american wars, urbanisation,
industrialisation, religious revival, an expanded empire abroad and the reform movement
at home. This was an enormous ambition, even when it pretended otherwise. The
relations between science, philosophy, religion and literature were reworked in texts such
as Frankenstein and Biographia Literaria; gender relations in A Vindication of the Rights of
Woman and Don Juan; journalism by cobbett and Hazlitt; poetic form, content and style
by the Lake school and the cockney school. outside shakespeare studies, probably no
body of writing has produced such a wealth of comment or done so much to shape the
responses of modern criticism. This indeed is the period that saw the emergence of those
notions of ‘literature’ and of literary history, especially national literary history, on which
modern scholarship in english has been founded.
The categories produced by Romanticism have also been challenged by recent historicist
arguments. The task of the series is to engage both with a challenging corpus of Romantic
writings and with the changing field of criticism they have helped to shape. as with other
literary series published by cambridge, this one will represent the work of both younger and
more established scholars, on either side of the atlantic and elsewhere.
For a complete list of titles published see end of book.

Romanticism and

ca RicatuRe

ian Haywood
university Printing House, cambridge cB2 8Bs, united Kingdom
Published in the united states of america by cambridge university Press, new york
cambridge university Press is part of the university of cambridge.
it furthers the university’s mission by disseminating knowledge in the pursuit of
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www.cambridge.org
information on this title: www.cambridge.org/9781107044210
© ian Haywood 2013
This publication is in copyright. subject to statutory exception
and to the provisions of relevant collective licensing agreements,
no reproduction of any part may take place without the written
permission of cambridge university Press.
First published 2013
Printed and bound in the united Kingdom by cPi Group Ltd, croydon CR0 4yy
A catalogue record for this publication is available from the British Library
Library of Congress Cataloguing in Publication data
Haywood, ian.
Romanticism and caricature / ian Haywood.
pages cm. – (cambridge studies in Romanticism)
includes bibliographical references and index.
isBn 978-1-107-04421-0 (hardback)
1. Romanticism. 2. caricature in literature. 3. english literature – 18th century – History and
criticism. 4. english literature – 19th century – History and criticism. i. title.
PR447.H38 2013
820.9′145–dc23
2013013493
isBn 978-1-107-04421-0 Hardback
cambridge university Press has no responsibility for the persistence or accuracy of
uRLs for external or third-party internet websites referred to in this publication,
and does not guarantee that any content on such websites is, or will remain,
accurate or appropriate.
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