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Rocking Your Music Business: Run Your Music Business at Home and on the Road Simon Cann Course Technology PTR A part of Cengage Learning Australia . Brazil . Japan . Korea . Mexico . Singapore . Spain . UnitedKingdom . UnitedStates RockingYourMusicBusiness:RunYour ©2009CourseTechnology,apartofCengageLearning. MusicBusinessatHomeandon ALLRIGHTSRESERVED.Nopartofthisworkcoveredbythecopyright theRoad hereinmaybereproduced,transmitted,stored,orusedinanyformorby SimonCann anymeansgraphic,electronic,ormechanical,includingbutnotlimitedto PublisherandGeneralManager,Course photocopying,recording,scanning,digitizing,taping,Webdistribution, TechnologyPTR:StacyL.Hiquet informationnetworks,orinformationstorageandretrievalsystems,except aspermittedunderSection107or108ofthe1976UnitedStatesCopyright AssociateDirectorofMarketing: Act,withoutthepriorwrittenpermissionofthepublisher. SarahPanella ManagerofEditorialServices: HeatherTalbot Forproductinformationandtechnologyassistance,contactusat CengageLearningCustomer&SalesSupport,1-800-354-9706 MarketingManager:MarkHughes AcquisitionsEditor:OrrenMerton Forpermissiontousematerialfromthistextorproduct, submitallrequestsonlineatwww.cengage.com/permissions ProjectEditor/CopyEditor: Furtherpermissionsquestionscanbee-mailedto CathleenD.Small [email protected] PTREditorialServicesCoordinator: JenBlaney Alltrademarksarethepropertyoftheirrespectiveowners. InteriorLayoutTech:ICCMacmillanInc. CoverDesigner:LukeFletcher LibraryofCongressControlNumber:2007939366 Indexer:LarrySweazy ISBN-13:978-1-59863-466-2 Proofreader:KeziaEndsley ISBN-10:1-59863-466-6 eISBN-10:1-59863-730-4 CourseTechnology 25ThomsonPlace Boston,MA02210 USA CengageLearningisaleadingproviderofcustomizedlearningsolutionswith officelocationsaroundtheglobe,includingSingapore,theUnitedKingdom, Australia,Mexico,Brazil,andJapan.Locateyourlocalofficeat: international.cengage.com/region CengageLearningproductsarerepresentedinCanadabyNelson Education,Ltd. Foryourlifelonglearningsolutions,visitcourseptr.com Visitourcorporatewebsiteatcengage.com Printed in the United States of America 1 2 3 4 5 6 7 11 10 09 Acknowledgments I would like to thank everyone involved with the production of this book, especially Stacy Hiquet and Mark Hughes, and all the good people at Course Technology. Iwouldparticularly liketosingleoutforthanksOrren MertonandCathleenSmall:Orren, for his vision and patience and for many conversations…many of which went nowhere (as well as being the guy who gets me hired), and Cathleen, for steering the book through the production process so smoothly and speedily, in addition to performing editing duties. Thank you both. iii About the Author SimonCannisawriterbasedinLondon.Heistheauthorofanumberofmusic-relatedand business-related books. His music-related books include How to Make a Noise, Cakewalk Synthesizers: From Presets to PowerUser,BuildingaSuccessful21stCenturyMusicCareer,SampleThis!(withKlausP.Rausch), and Project5 Power! His business-related books include the Made It In… series of books, whichfeaturetheexperiencesofinternationalentrepreneurswhohavebuiltsuccessfulcom- panies in the hottest business locations around the world. You can read more about Simon at his website, simoncann.com, and check out his other music-related books at his Noise Sculpture website, noisesculpture.com. Further informa- tion about the Made It In… series of books can be found at madeitin.com. iv Contents Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x Chapter 1 Your Music Business 1 Music Business History. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Reality Check: This Is How You Earn Money Today. . . . . . . . . . . . . . . . . . . . . 4 What Is Your Business?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 So WhatIs Your Business? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 But Why Do I Care about All of This Business? I Just Want to Make Music! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 The Principles of Business . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Business and Money . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Breakeven Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Cost and Value. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Increasing Your Income. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Increasing Your Top Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Decreasing Your Middle Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Infrastructure and Implementation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Infrastructure: Stuff You Need. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Implementation: Making It Happen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 How to Set Up a Business . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Sole Trader (Sometimes Called Sole Proprietor). . . . . . . . . . . . . . . . . . . . . .27 Partnership . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Limited Liability Partnership . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Corporation (with Limited Liability). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Doing Business As . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Other Liability Issues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Location, Location, Location. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 v vi RockingYourMusicBusiness:RunYourMusicBusinessatHomeandontheRoad Chapter 2 Setting Up Your (Virtual) Office 33 When Physical Location Is Important . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Choosing the Right Tools—But First…. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37 Physical Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38 Electronic Storage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40 The Written Word . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 Sums. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Coordination . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 Choosing the Right Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 Hardware: What Tool Will You Use to Do Your Work? . . . . . . . . . . . . . . . . . .48 Desktop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 Laptop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49 Ultra Portable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 PDA/Cell Phone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 Internet Cafe´ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 Cloud Computing: What Is It and Why Does It Matter?. . . . . . . . . . . . . . . . . . .53 Cloud Computing: What Is It?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 Why Is This Different? Why Is This a Step Forward?. . . . . . . . . . . . . . . . . .55 To Synchronize or Not to Synchronize . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 Email and the Cloud. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59 Calendars and the Cloud. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 VoIP: Cloud Computing for Phones? . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70 Who Offers These Sorts of Cloud Services?. . . . . . . . . . . . . . . . . . . . . . . . .71 Hardware Costs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80 Why Hasn’t Everyone Else Done This Already?. . . . . . . . . . . . . . . . . . . . . .80 Desktop Computing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 What’s Good about Desktop Computing?. . . . . . . . . . . . . . . . . . . . . . . . . .82 What’s Bad about Desktop Computing? . . . . . . . . . . . . . . . . . . . . . . . . . . .82 Making the Choice between the Cloud and the Desktop. . . . . . . . . . . . . . . . . . .83 File Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84 Which File Formats Should I Use? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 Which File Formats Should I Avoid?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87 So How Do I Get Set Up?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87 Making the Choice between Cloud Providers. . . . . . . . . . . . . . . . . . . . . . . .88 Setting Up the Cloud Office: How’s It Done? . . . . . . . . . . . . . . . . . . . . . . .90 Contents vii First Steps: Sign Up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91 Setting Up Easy URLs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92 Setting Up Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96 Setting Up New Users. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96 What’s Next?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101 Chapter 3 Working with Other People 103 Band Partnership Agreement: Considerations. . . . . . . . . . . . . . . . . . . . . . . . . .105 When Do You Need a Band Agreement?. . . . . . . . . . . . . . . . . . . . . . . . . . 105 When Don’t You Need an Agreement?. . . . . . . . . . . . . . . . . . . . . . . . . . . 107 The Band Partnership Agreement in Detail . . . . . . . . . . . . . . . . . . . . . . . . 108 Band Partnership Agreement: Example Wording . . . . . . . . . . . . . . . . . . . . . . .114 Gigs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .120 Example Gig Contract. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Working with Other Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .121 Live Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Recordings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123 Money. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Obligations and Duties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 Term of the Contract . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Post-Term Payments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Staff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Remote Workers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Hiring Individuals in Person . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Chapter 4 Running Your Business Online 133 Website. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135 Selling. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 Mailing List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Embedded Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 Syndicated Feeds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Forums . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Contact. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Setting Up Your Website. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .162 viii RockingYourMusicBusiness:RunYourMusicBusinessatHomeandontheRoad Getting a URL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 Finding the Right Host . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 Dedicated IP Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 Creating Content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Bad Habits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 Getting onto Google. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175 Social Networking Sites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .177 Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .178 Local Advertising/Specifically Targeted Advertising . . . . . . . . . . . . . . . . . . 178 Online Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 Wider/National Advertising. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 Search Engine Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Google AdWords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Go Do It Now. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 A Warning about Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Chapter 5 Accounts, Records, and All Those Pieces of Paper You Need to Keep 193 Why Do We Care about Accounts and Records? . . . . . . . . . . . . . . . . . . . . . . .193 Paper Trail, Audits, and Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .195 Paper Trail and Records . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195 Audits. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198 Drawing Up Accounts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .199 Elements in Accounts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199 Cash Flow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201 Balance Sheet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Valuing Assets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 Accounting Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .204 Chapter 6 Government and Officialdom: You Ain’t Gonna Fight the Law 205 Tax. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .205 Personal Taxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 Social Charges (Including National Insurance Contributions) . . . . . . . . . . . 206 Corporate Taxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 Contents ix Capital Taxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 Sales Tax. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209 Tax Avoidance and Tax Evasion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210 Vehicle Tax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210 Insurance and Public Liability . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .210 Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .211 Criminal Records Bureau. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .212 Age, Gender, Disability, and Race Discrimination . . . . . . . . . . . . . . . . . . . . . .212 U.S. Copyright. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .212 Performing Rights/Mechanical Rights Organizations . . . . . . . . . . . . . . . . . . . .213 BMI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214 American Society of Composers, Authors and Publishers . . . . . . . . . . . . . . 214 SESAC. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214 Harry Fox Agency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214 MCPS-PRS Alliance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214 Society of Composers, Authors and Music Publishers of Canada. . . . . . . . . 214 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

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You've got the musicians together, you've written the songs, you've rehearsed, you've spent weeks in the studio, you can gig, and you have produced an album. So what's next? The business. If you don't deal with the business, you won't generate any income and you won't have a career. "Rocking Your Mu
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