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Ritual Worship of the Great Goddess: The Liturgy of the Durga Puja With Interpretations PDF

434 Pages·2003·40.089 MB·English
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Ritual Worship of the Great Goddess McGill Studies in the History of Religions, A Series Devoted to International Scholarship Katherine K. Young, editor Ritual Worship of the Great Goddess THE LITURGY OF THE DURGÅ PU¯JÅ WITH INTERPRETATIONS Hillary Peter Rodrigues STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2003 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Diane Ganeles Marketing by Fran Keneston Library of Congress Cataloging-in-Publication Data Rodrigues, Hillary, 1953– Ritual worship of the great goddess : the liturgy of the Durgå Pºjå with interpretations / Hillary Peter Rodrigues. p. cm. — (McGill studies in the history of religions) Includes index. ISBN 0-7914-5399-5 (alk. paper) — ISBN 0-7914-5400-2 (pbk. : alk. paper) 1. Durgå (Hindu deity)—Cult. 2. Durgå-pºjå (Hindu festival) I. Title. II. Series. BL1225.D82 R63 2002 294.5'38—dc21 2001049444 10 9 8 7 6 5 4 3 2 1 To my mother Contents Illustrations ix Acknowledgments xi Abbreviations xiii A Note on Transliteration and Pronunciation xv Chapter 1: Introduction 1 Genesis of this Study 3 The Durgå Pºjå 7 PART I: CONTEXT AND OVERVIEW Chapter 2: The Setting 15 Which Navaråtra? 15 Which Goddess? 16 Which Durgå Pºjå? 17 Durgå Pºjå in Bengal 18 Durgå Pºjå in Banåras 21 Bengali Bråhmaœas in Banåras 24 The Ritual Performer (Purohita) 27 The Audience 28 Ritual Manuals 30 English Literature on the Durgå Pºjå 31 This Description of the Durgå Pºjå 31 Chapter 3: Overview of the Durgå Pºjå 35 General Comments on Pºjå 35 Overview of the Ritual 37 vii viii Contents PART II: DESCRIPTION OF THE DURGÅ PU¯JÅ Chapter 4: The Durgå Pºjå 71 4.1: Preliminaries 71 4.2: Bodhana 84 4.3: Adhivåsa 120 4.4: Saptamª 132 4.5: Mahå߆amª 194 4.6: Sandhi Pºjå 210 4.7: Mahånavamª 224 4.8: Vijayå DaÍamª 236 PART III: INTERPRETATIONS Chapter 5: The Nature of Pºjå 251 Chapter 6: The Nature of the Great Goddess 261 Gynomorphic Forms of the Goddess 262 Yantric Forms of the Devª 267 The Devª as Elemental Substances 273 The Devª as Life Forms 276 Chapter 7: Functions of the Durgå Pºjå 287 Cosmic Rejuvenation 287 Empowerment: Personal, Sovereign, Communal, Political, Economic 288 Controlled Fertility 296 Religious Ritual as Illustrated by the Durgå Pºjå 303 Notes 313 Glossary 357 Bibliography 363 Index 385 Contents ix Illustrations Figure 1.1. Commercial lithograph of the Great Goddess Durgå slaying the Buffalo Demon, Mahißa. Figure 1.2. Pandit Hemendra Nath Chakravarty, scholar and ritualist. (All unacknowledged photos are by the author). Figure 1.3. A traditional Bengali clay image complex. Durgå, her lion, and the demon, as well as the attendant deities, are grouped in a single arrangement topped with a painted arch. Figure 1.4. Large clay images installed in a community (sårvajanªna) group’s temporary shrine (paœ˚al). Figure 2.1. Priests (purohita) perform the Durgå Pºjå at the site of the oldest celebration in Banåras, the Mitra family’s home in Chaukhamba. (Photo: Ruth Rickard) Figure 3.1. The Lahiris’ ritualist, Pandit Nitai Bhattacharya, performs yogic breath control (pråœåyåma) as part of the bhºta Íuddhi, an internal purification rite. Figure 3.2. An artisan ensnares the demon Mahißa with Durgå’s snake noose in his workshop, as he puts the finishing touches on the clay images prior to their delivery to the pºjå sites. Figure 4.2.1. The jar form of the Goddess is established atop the sarvatobhadra maœ˚ala at the purohita’s home. Figure 4.2.2. The purohita assumes the dhyåna/yoni mudrå, a ritual gesture that accompanies the meditative visualization of a deity. Figure 4.2.3. The purohita performs årati by ringing a bell and passing an honorific flame before Durgå during the awakening (bodhana) rite. Figure 4.3. The purohita prepares to perform the anointing (adhivåsa) rite of the clay image complex at the patron’s home. Figure 4.4.1. The purohita is formally commissioned by the patron (yajamåna). Figure 4.4.2. The purohita bathes the Cluster of Nine Plants (navapatrikå). ix

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