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Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland PDF

279 Pages·2004·1.52 MB·English
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Riot and Great Anger Irish Studies in Literature and Culture      Riot and Great Anger Stage Censorship in Twentieth-Century Ireland Joan FitzPatrick Dean THE UNIVERSITY OF WISCONSIN PRESS The University of Wisconsin Press 1930 Monroe Street, 3rd Floor Madison, Wisconsin 53711-2059 uwpress.wisc.edu 3 Henrietta Street London WC2E 8LU, England eurospanbookstore.com Copyright © 2004 The Board of Regents of the University of Wisconsin System All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any format or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a Web site without written permission of the University of Wisconsin Press, except in the case of brief quotations embedded in critical articles and reviews. 3 5 4 2 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Dean, Joan FitzPatrick. Riot and great anger: stage censorship in twentieth-century Ireland / Joan FitzPatrick Dean. p. cm.—(Irish studies in literature and culture) Includes bibliographical references and index. ISBN 0-299-19660-7 (cloth: alk. paper) 1. Theater—Censorship—Ireland—History—20th century. I. Title. II. Series. PN2044.I73D43 2004 363.31´09417´0904—dc22 2003022354 ISBN 978-0-299-19664-6 (pbk.: alk. paper)   As an Irishwoman, I desire to enter a most emphatic protest against Mr. J. M. Synge’s new comedy, “The Playboy of the Western World.” —A Western Girl 2 Freeman’s Journal,28 January 1907 I am an 18-year-old UCD student who was shocked and dis- appointed to discover that the play Barbaric Comedies is staged in our National Theatre. —Aisling Murray Irish Times,20 October 2000 Table of Contents Acknowledgments xi List of Abbreviations xiii Introduction 3 1 Theatrical Censorship and Disorder in Ireland 11 2 Theatre, Art, and Censorship 34 3 “The Evil Genius” 60 4 “The Boom of the Ban” 86 5 The Riot in Westport; or, George A. Birmingham at Home 100 6 The Freedom of the Theatre in the Irish Free State, 1922–1929 114 7 Irish Stage Censorship from Salome through Roly Poly 127 8 The Fifties 146 9 New Theatrical Economies 177 Conclusion 198 Notes 203 Selected Bibliography 237 Index 253 ix

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Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards.  Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confro
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