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Rhythms of Race: Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960 PDF

322 Pages·2015·3.51 MB·English
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Rhythms of Race envisioning cuba Louis A. Pérez Jr., editor Envisioning Cuba publishes outstanding, innovative works in Cuban studies, drawn from diverse subjects and disciplines in the humanities and social sciences, from the colonial period through the post– Cold War era. Featuring innovative scholarship engaged with theo- retical approaches and interpretive frameworks informed by social, cultural, and intellectual perspectives, the series highlights the exploration of historical and cultural circumstances and conditions related to the development of Cuban self- defi nition and national identity. Rhythms of Race Cuban Musicians and the Making of Latino New York City and Miami, 1940– 1960 christina d. abreu The University of North Carolina Press / Chapel Hill © 2015 The University of North Carolina Press All rights reserved Set in Miller by Westchester Publishing Ser vices Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. The University of North Carolina Press has been a member of the Green Press Initiative since 2003. Cover illustration: La Musica, painting by Dania Sierra, 2007. www.sierrafi neart.com. Used by permission of the artist. Library of Congress Cataloging- in- Publication Data Abreu, Christina D., author. Rhythms of race : Cuban musicians and the making of Latino New York City and Miami, 1940-1960 / Christina D. Abreu.—1st edition. pages cm. — (Envisioning Cuba) Includes bibliographical references and index. ISBN 978-1-4696-2084-8 (pbk. : alk. paper)—ISBN 978-1-4696-2085-5 (ebook) 1. Music—Cuba—History and criticism. 2. Cuban Americans—New York (State)— New York—Music—History and criticism. 3. Cuban Americans—Florida— Miami—Music—History and criticism. I. Title. ML480.A27 2015 780.89'68729107471—dc23 2014034895 For my parents, Rosendo and Teresa Abreu, for their unconditional love This page intentionally left blank Contents Acknowledgments, xi Introduction, 1 1 / Race and the Roots/Routes Traced by Latin Musicians, 20 2 / Cuban Musicians and New York City’s Cuban Social Clubs, 56 3 / A Place for Nation in the Diaspora, 82 4 / La Prensa’s Musical Popularity Contests and Fund- Raising Festivals, 110 5 / Real and Imagined Repre sen ta tions of (Afro-)Cubanness and Latinness, 141 6 / Cubans in Miami’s Pan- American Paradise, 184 Conclusion, 219 Notes, 227 Bibliography, 269 Index, 289 This page intentionally left blank Illustrations Mario Bauzá, Marco Rizo, and Dizzy Gillespie, 42 Members of El Club Cubano Inter- Americano, ca. 1960, 64 Young girls performing at a Cuban cultural pre sen ta tion, 86 Desi Arnaz at the La Conga nightclub with Errol Flynn and Patricia Byrnes, 150 Miguelito Valdés and Rolando Laserie, 157 Rhumba dancers at the Roney Plaza Hotel, 187

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Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Ch
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