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Respect for Acting PDF

243 Pages·2009·1.17 MB·English
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ffirs.qxd 5/7/08 12:54 PM Page vi ffirs.qxd 5/7/08 12:54 PM Page i respect for acting ffirs.qxd 5/7/08 12:54 PM Page ii Respect for Actingwas first published in 1973 with the cover above. This edition reprints the original without alteration. ffirs.qxd 5/7/08 12:54 PM Page iii respect for acting uta hagen with haskel frankel John Wiley & Sons, Inc. ffirs.qxd 5/7/08 12:54 PM Page iv Copyright © 1973 by Uta Hagen. All rights reserved Foreword copyright © 2008 by David Hyde Pierce Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropri- ate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies con- tained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages. For general information about our other products and services, please contact our Customer Care Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. For more infor- mation about Wiley products, visit our web site at www.wiley.com. Library of Congress Cataloging-in-Publication Data: Hagen, Uta, date. Respect for acting / Uta Hagen, with Haskel Frankel. p. cm. Originally published: New York : Macmillan, 1973. Includes index. ISBN 978-0-470-22848-7 (cloth) 1. Acting. I. Frankel, Haskel. II. Title. PN2061.H28 2008 792.02'8—dc22 2008016843 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ffirs.qxd 5/7/08 12:54 PM Page v To Herbert who revealed and clarified and has always set me a soaring example ffirs.qxd 5/7/08 12:54 PM Page vi ftoc.qxd 5/7/08 12:55 PM Page vii Contents Foreword by David Hyde Pierce ix Acknowledgments xiii PART ONE The Actor Introduction 3 1 Concept 11 2 Identity 22 3 Substitution 34 4 Emotional Memory 46 5 Sense Memory 52 6 The Five Senses 60 7 Thinking 65 8 Walking and Talking 69 9 Improvisation 73 10 Reality 75 vii ftoc.qxd 5/7/08 12:55 PM Page viii viii contents PART TWO The Object Exercises Introduction 81 11 The Basic Object Exercise 91 12 Three Entrances 95 13 Immediacy 102 14 The Fourth Wall 106 15 Endowment 112 16 Talking to Yourself 119 17 Outdoors 124 18 Conditioning Forces 129 19 History 134 20 Character Action 139 PART THREE The Play and the Role Introduction 145 21 First Contact with the Play 147 22 The Character 152 23 Circumstances 158 24 Relationship 165 25 The Objective 174 26 The Obstacle 180 27 The Action 184 28 The Rehearsal 192 29 Practical Problems 201 30 Communication 213 31 Style 217 Epilogue 222 Index 224

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In my parents' home, creative instincts and expression were considered worthy dramatic action, the audience will be riveted on a cat, sit- ting quietly in a chair, . person. To become aware of usually subconscious and intuitive
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