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Resistance to Political Violence in Latin America Documenting Atrocity Edited by oriana bernasconi Resistance to Political Violence in Latin America Oriana Bernasconi Editor Resistance to Political Violence in Latin America Documenting Atrocity Editor Oriana Bernasconi Departamento de Sociología Alberto Hurtado University Santiago, Chile ISBN 978-3-030-17045-5 ISBN 978-3-030-17046-2 (eBook) https://doi.org/10.1007/978-3-030-17046-2 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland A cknowledgements This book is the product of three years of interinstitutional, interdis- ciplinary, and transnational collaborative work. It has come to frui- tion thanks to the involvement of social actors, human rights activists, researchers, post-graduate students, governmental entities, civil society organisations, and universities. On behalf of the authors, I wish to thank the sponsorship of the Universidad Alberto Hurtado (Chile), the Latin American Centre at University of Oxford (UK), and the Fundación de Documentación y Archivo de la Vicaría de la Solidaridad—FUNVISOL (Documentation and Archival Foundation of the Vicaría de la Solidaridad, Chile), as well as joint funding from the Newton Fund and the National Commission for Scientific and Technological Research of the government of Chile. The research team also received much appre- ciated support from the Fundación para la Protección de la Infancia Dañada por los Estados de Emergencia—PIDEE (Foundation for the Protection of Childhood Harmed by States of Emergency); Fundación de Ayuda Social de las Iglesias Cristianas—FASIC (Christian Churches Social Assistance Foundation); Corporación de Promoción y Defensa de los Derechos del Pueblo—CODEPU (Corporation for Promotion and Defence of People’s Rights); Museo de la Memoria y los Derechos Humanos—MMDDHH (Museum of Memory and Human Rights); Corporación Parque por la Paz Villa Grimaldi (Villa Grimaldi Peace Park Corporation) and Londres 38 Espacio de Memorias (Londres 38 Site of Memories), all in Chile. v vi ACKNOwLEDGEMENTS The people who participated in our interviews during the information- gathering stage at the different archives have been indispensable for our understanding of human rights violation registry and documentation. Conversations with former administrative and professional staff of vari- ous human rights organisations enabled us not only to grasp the rationale behind the production and systematisation of the human rights archives we were studying but also to appreciate the importance of intellectually reclaiming the registries. Our interviews permitted former human rights organisation employees to re-visit, re-evaluate and re-signify their work more than 30 years later. All of them expressed great appreciation for the experience, underscoring the intergenerational and interdisciplinary dimensions of this work. María Luisa Sepúlveda, Argentina Valenzuela, Gloria Lepe, Gloria Cruz, Victoria Baeza, Ángela Cofré, Catalina Tapia, Mario González, Roberto Garretón, Gustavo Villalobos, Mónica Silva, Álvaro Varela, Jaime Esponda, Carmen Garretón, Héctor Contreras, Gilda Gnecco, Daniela Sánchez, Eugenio Ahumada, María Paz Vergara, and Ramiro Olivares were interviewed for this project. From them, we gained impor- tant insights about their work at the Comité de Cooperación para la Paz en Chile—COPACHI (Committee for Cooperation for Peace in Chile), the Vicaría de la Solidaridad, and the Fundación de Documentación y Archivo de la Vicaría de la Solidaridad—FUNVISOL (Documentation and Archival Foundation of the Vicariate of Solidarity). Viviana Díaz, a historical leader of the Agrupación de Familiares de Detenidos Desaparecidos—AFDD (Association of Relatives of the Disappeared), which began at the Comité’s headquarters, was also interviewed. Graciela Acuña, Nancy Nicholls, Elizabeth Lira K., Rosa González, and Claudio González described their work at FASIC and that insti- tution’s archives. At the Museo de la Memoria y los Derechos Humanos, we found invaluable support from María Luisa Ortíz, walter Roblero, Vilma Ruiz, Rodolfo Ibarra, and Juan Carlos Vega. Macarena Arias and Ximena Díaz explained the inner workings of the Servicio Médico Legal (Legal Medical Service, Chile’s chief coroner and forensic institution) and wally Kunstmann described the conversion of the National Stadium into the country’s largest detention, interrogation, and torture center in the months after the military coup, as well as its subsequent recov- ery as a space of memory. Juanita Méndez from CODEPU, Juan René Maureira from Londres 38 Espacio de Memorias, and Omar Sagredo from Corporación Parque por la Paz Villa Grimaldi shared their experience regarding the creation of testimonial audiovisual archives. ACKNOwLEDGEMENTS vii A symposium held at Alberto Hurtado University in 2016 brought together government agencies (such as the National Administration of Libraries, Archives and Museums and the National Human Rights Institute, university archives (University of Santiago Heritage Archive and the University of Chile Central Archive); archives of human rights organ- isations that arose during dictatorship (FASIC, CODEPU, FUNVISOL, and PIDEE); and oral archives sites of memory Corporación Estadio Nacional Memoria Nacional (Corporation “National Stadium National Memory”), Londres 38 Espacio de Memorias, and Corporación Parque por la Paz Villa Grimaldi. The symposium providing a venue for discussing Chilean human rights archives, their maintenance, preservation, and value for achieving truth, justice, reparation, strengthening democracy, and promoting citizen education and research.1 During the discussion phase, involving methodological analysis and revision of the initial drafts of this book’s chapters, distinguished scholars other than the chapter authors offered critique and insightful reflection that strengthened the final version. we are also grateful for the dedi- cation and commitment to this project of Leigh Payne, Anne Pérotin- Dumon, Vikki Bell, Beatrice Fraenkel, Maria Tamboukou, Fredy Mora Gámez, Gabriel Pereira, Steven Brown, Peter winn, David Zeytlin, and Cath Collins. Preliminary versions of the book’s chapters were pre- sented in the United Kingdom at the Institute of Social and Cultural Anthropology, Saint Antony’s College and the Latin American Centre at Oxford University, and Leicester University Department of Critical Management Studies. In continental Europe, our findings have been discussed in France, Belgium, and Sweden: at the French institutes Anthropological writing Laboratory and the Ecole des Hautes Etudes en Sciences Sociales (EHESS); and the Institut Langage et Communication, Centre de recherche Valibel—Discours et Variation of the Catholic University of Leuven, both of Belgium. In Sweden, the project was presented at Stockholm University’s Latin American Studies Institute. Our project was shared in various Latin American venues as well: in Colombia, at the Pontifical Javeriana University and the National University of Colombia; in Argentina, at Cuyo National University, Memoria Abierta, the Memory Studies Group CIS/CONICET-IDES. It was also presented at Latin American Studies Association Annual Conferences in various countries of the Americas. In Chile it was pre- sented at La Frontera University, Pontifical Catholic University of Chile, Andrés Bello University, and Valparaiso University. viii ACKNOwLEDGEMENTS Those who attended the International Conference “Registering Political Violence: Technologies, Uses and Effects” that we organised in January 2018 at the Museo de la Memoria y los Derechos Humanos helped us think through the Chilean case from a comparative perspective. we are also indebted to everyone (survivors, filmmakers, writers, professors, activists, and others) who since March 2016 has participated in more than 27 activities held by our Programa Interdisciplinar de Investigación en Memoria y Derechos Humanos (Interdisciplinary Research Programme on Memory and Human Rights).2 From all of them, we gleaned deeper knowledge about this field of study and action. Ana María Risco and Sebastián Vidal, our colleagues at Universidad Alberto Hurtado School of Art, collaborated with great profession- alism to make our study more interdisciplinary. They formed part of the selection team that chose visual artist Nicolás Franco to produce a work of art that would extend appreciation for the significance of human rights violation documentation to a much wider and more var- ied public than the academic world. The result was his creation of “The Sheet” (2017), which has been exhibited at the Santiago’s Museum of Contemporary Art, at La Frontera University in Temuco, at the Museum of Contemporary Art in Valdivia, at the Modern Art Museum of Chiloé and in Espacio Confluencia in Mendoza, Argentina (Fig. 1). Our hope is that “The Sheet” can travel the world over and enter other education, museographic, cultural, and artistic spaces that share a commitment to the promotion of unconditional respect for human rights (see Epilogue). Filmmaker Nicolás Acuña, director of the television series Los Archivos del Cardenal (2011–2014), based on cases contained in the Vicaría’s archives, oriented us about venturing into the relationship between reg- istry of political violence and popular culture. with tremendous dedica- tion, care, and respect, Héctor Fernández and Luis Renato Hermosilla accompanied us with their photographic and audiovisual registries of the project throughout the entire period. Anthropologist Daniela Mansilla and sociologists Rodrigo Suárez and Javiera Correa did a splendid job as research assistants and coor- dinators of the myriad activities associated with the project during its three years in operation. Their deep commitment with each activity, and their strength and humour in the face of the most challenging periods of our work, proved key for bringing this project to good term. The three of them are currently in Masters’ programmes working on theses on issues related to the project, which fills us with pride and hope that ACKNOwLEDGEMENTS ix future generations will disseminate and develop new lines of research on the documentation of state terrorism, from their respective biographical, political, and intellectual perspectives. To Maxine Lowy, we owe the patient translation of the manuscript to English and to Cath Collins, its stylistic review. The two readers for Palgrave Macmillan Press also deserve special thanks for their comments and suggestions, which have made this book more tightly woven. Lastly, we are most thankful for the editorial work of Palgrave Macmillan, espe- cially as represented by Alina Yurova and Mary Fata, who believed in this project, allowing our reflections to contribute to the enrichment of the field of human rights studies and to resonate with the ongoing work of its experts and activists. August 2018 Oriana Bernasconi Former Archbishop’s Residence (Palacio Arzobispal), Santiago, Chile notes 1. https://memoriayderechoshumanosuah.org/2016/04/13/equi- po-uah-organisa-conversatorio-actualidad-de-los-archivos-de-derechos-hu- manos-en-chile/. 2. See https://memoriayderechoshumanosuah.org/. c ontents 1 Introduction: A Civilian Response to State Terror 1 Oriana Bernasconi 2 Political Technologies of Registration and Denunciation of State Violence 13 Oriana Bernasconi 3 How to Sustain a Human Rights Organisation Under State Violence 41 Oriana Bernasconi, Manuel Gárate, Rodrigo Suárez and Daniela Mansilla 4 Professions and Profiles: Epistemic Communities and the Registration of Human Rights Violations 79 María Soledad Del Villar, Boris Hau, María Teresa Johansson and Manuel Guerrero Antequera 5 Making State Violence Visible: Documenting, Investigating and Denouncing Atrocities 117 Oriana Bernasconi and Elizabeth Lira K. xi

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