ebook img

Researching in the Age of COVID-19 Vol. 3: Creativity and Ethics PDF

136 Pages·2020·4.02 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Researching in the Age of COVID-19 Vol. 3: Creativity and Ethics

RESEARCHING IN THE AGE OF COVID-19 Volume 3: Creativity and Ethics EDITED BY HELEN KARA SU-MING KHOO Book cover guidelines 14 Monogram and bookmark TaPdgtrheilhervlelea seebistri ngi Mosoc n otnlboha.k snresT ahcos hncioipgifdrsivr ec t aeioraasmer tt stigitvo h ohaaene arn e dfPswcnrle heosbheosulieildcsrrseeeo yton d mebPf dnoibr naeesoo fsustkfohsior gkeec rbn d ocaPerevao odsednvl tr ietdrcbsoor.y y na k rgeee p Monogram Portrait covers Landscape covers TicPnoho tverhte remra bdiotoe nbtsootioggomrnka mscrhiog omvheutur ldcss ota ralnllowewra ayfosn rdb t ehe iadsc.ishp blaoyoekd 11b00ot mmt8ommm% fhroe mighh etde agnie gda nphdlat ce TTthhhaeen mM7o%onno ooggfr ratahmme s bmhoouousklt d ca obpvepe e1r’a0srm hnmeoi g lhehesti.sg ht. Landscape book covers 170 %mm hheieghit ganhdt place 10mm from edge and bottom TTthhhaeen mM8o%onno ooggfr ratahmme s bmhoouousklt d ca obpvepe e1r’a0srm hnmeoi g lhehesti.sg ht. Ribbon Portrait covers Landscape covers RTRbRtoheieipbb esl bbi romRoioguniinbhtrec tbs dechos ootn oaru innsltdeh du re a sCsalewesod arpi enytuo dsTb ieibclnixacedtta siepct dioaao.sntneidst ia osolnlhn eLolydeu.a liTdnrnh tiehn eg 81pl0a% mcem a t hh teoiepghitg ahndt 1at0 t8mopm% he ighhte aingd hplatce RAPID RESPONSE Researching in the Age of COVID- 19 Volume 3: Creativity and Ethics Edited by Helen Kara and Su- ming Khoo All use subject to https://about.jstor.org/terms First published in Great Britain in 2020 by Policy Press, an imprint of Bristol University Press University of Bristol 1- 9 Old Park Hill Bristol BS2 8BB UK t: +44 (0)117 954 5940 e: bup- [email protected] Details of international sales and distribution partners are available at policy.bristoluniversitypress.co.uk © Editorial selection and matter and conclusion @ Helen Kara and Su-m ing Khoo. Introduction © Su-m ing Khoo and Helen Kara. Individual chapters © their respective authors, 2020. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978- 1- 4473- 6042- 1 ePub ISBN 978- 1- 4473- 6043- 8 ePdf The right of Helen Kara and Su- ming Khoo to be identifed as editors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1998 All rights reserved: no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of Bristol University Press. Every reasonable effort has been made to obtain permission to reproduce copyrighted material. If, however, anyone knows of an oversight, please contact the publisher. The statements and opinions contained within this publication are solely those of the editors and contributors and not of the University of Bristol or Bristol University Press. The University of Bristol and Bristol University Press disclaim responsibility for any injury to persons or property resulting from any material published in this publication. Bristol University Press and Policy Press work to counter discrimination on grounds of gender, race, disability, age and sexuality. All use subject to https://about.jstor.org/terms Contents List of fgures v Notes on contributors vii Introduction 1 Su- ming Khoo and Helen Kara Part I: Creative approaches 1. The creative translation of design methods into social research contexts 9 Ricardo Sosa and Lisa Grocott 2. ‘Crafting during Coronavirus’: Creative diary approaches for participant- centred research 19 Naomi Clarke and Debbie Watson 3. Decolonizing writing: Situating insider– outsider researchers in writing about COVID- 19 29 Duduzile S. Ndlovu 4. Pandemic tales: Using story completion to explore sense- making around COVID-1 9 lockdown restrictions 39 Virginia Braun, Victoria Clarke and Naomi Moller Part II: Exploring ethics 5. Conceptualizing research ethics in response to COVID- 19: Moral and economic contradictions 51 Vanessa Malila 6. COVID- 19 research crisis management for a human research ethics research project in Fiji and Tonga 61 Etivina Lovo iii All use subject to https://about.jstor.org/terms iv 7. Forced displacement of migrants from countries of origin and their transit migration through Mexico to the US 70 Nancy Rios- Contreras 8. Transforming culturally relevant research amid a COVID- 19 pandemic 80 Eboni Anderson, Daryl Traylor, Carolee Dodge Francis, Megan Murphy- Belcaster, Melva Thompson- Robinson, Johanna E. Andrews, Tristesse Burton, Kristina Ricker and Sutton King Part III: Approaching creativity and ethics through collaboration and co- creation 9. Using photovoice to explore students’ study practices 93 Emma Waight 10. Scicurious as method: Learning from GLAM young people living in a pandemic about cultivating digital co- research- creation spaces that ignite curiosity and creativity 102 Kathryn Coleman, Sarah Healy, Niels Wouters, Jenny Martin, Lea Campbell, Sam Peck, Amanda Belton and Rose Hiscock 11. Doing design research with youth at/ from the margins in pandemic times: Challenges, inequalities and possibilities 112 Rafael Szafr Goldstein, Rosana Aparecida Vasques and Maria Cecilia Loschiavo dos Santos 12. Conclusion 120 Helen Kara and Su- ming Khoo All use subject to https://about.jstor.org/terms List of fgures Figure 2.1: French knots 22 Figure 9.1: Example of photovoice imagery 97 Figure 11.1: A view from COOPAMARE with some waste pickers 117 v All use subject to https://about.jstor.org/terms All use subject to https://about.jstor.org/terms Notes on contributors Eboni Anderson, African American researcher, is Professor at A.T. Still University, US. Johanna E. Andrews, African American researcher, is based at the Center for Health Disparities Research, University of Nevada, Las Vegas, US. Virginia Braun is Professor of Psychology at University of Auckland, New Zealand. She is a critical health and feminist psychologist, who researches around gendered bodies, sex and health/ wellbeing, and writes around qualitative research including thematic analysis, qualitative surveys and story completion. Tristesse Burton, PhD, African American researcher, at University of Nevada, Las Vegas, US. Naomi Clarke is an ESRC-f unded PhD student at the University of Bristol, UK. She has utilized creative, visual and narrative approaches both within her academic work and through her own freelance work as a designer and crafter. Victoria Clarke is a psychologist researching gender, sexual- ity, appearance, embodiment, family and relationships, based at the University of the West of England, UK. She writes around qualitative research including thematic analysis, qual- itative surveys and story completion. Carolee Dodge Francis, WI Oneida Tribe, is Professor, University of Wisconsin, Madison (UW- Madison), US. vii All use subject to https://about.jstor.org/terms viii Lisa Grocott is a design researcher who thrives on collaborat- ing with learning scientists and creative methodologists. After a decade at Parsons in New York, she is currently Director of WonderLab and leading a research program around the Future of Work and Learning in the transdisciplinary Emerging Technologies Lab at Monash University, Australia. Helen Kara FAcSS has been an independent researcher since 1999 and an independent scholar since 2011. She is the author of Creative Research Methods: A Practical Guide (Policy Press, 2nd edn 2020) and Research Ethics In The Real World: Euro- Western and Indigenous Perspectives (Policy Press, 2018). Su- ming Khoo is Lecturer in Political Science and Sociology, and leads the Environment, Development and Sustainability (Whitaker Institute) and Socio-E conomic Impact (Ryan Institute) Research Clusters at the National University of Ireland, Galway. Her research is on human rights, human development, public goods, development alternatives, deco- loniality, global activism and higher education. Sutton King, MPH, Menominee/O neida Tribes, is Executive Director of the Urban Indigenous Collective, US. Maria Cecilia Loschiavo dos Santos is a philosopher and full professor of design at the School of Architecture and Urbanism, University of São Paulo, Brazil. She was a visit- ing scholar in postdoctoral programs at fve other universities. At the SEEYouth Project, she is the Principal Investigator in Brazil. Etivina Lovo is a PhD candidate at the James Cook University, Australia. Her background is in research bioeth- ics, medical ethics and public health. She works as a Research Fellow at the College of Medicine, Fiji National University, Fiji Islands. Her research interest is in engaging indigenous and cultural ethical values and principles in the governance of research involving Pacifc Islanders. All use subject to https://about.jstor.org/terms Notes on contributors ix Vanessa Malila is Research & Development Offcer at the Humanitarian Academy for Development. She holds a PhD in Media and Communication Studies from the University of Leeds, UK. She began her career as an academic special- izing in media and citizenship in the South African context. In 2016, she moved to the civil society sector, working as a researcher for a South African NGO. Her areas of specializa- tion include the roles of journalism in promoting good gov- ernance, citizenship, civil society and citizens in development, and research ethics. Naomi Moller is a counselling psychologist and Senior Lecturer at the Open University, UK, whose research spans topics related to counselling and psychotherapy, and relation- ships and infdelity. She also writes on qualitative methods for counselling and psychotherapy research. Megan Murphy- Belcaster, Oglala Lakota Tribe, is a medical student at the School of Medicine, University of Wisconsin- Madison, US. Duduzile S. Ndlovu is a postdoctoral fellow at the University of the Witwatersrand, South Africa, and holds a Newton Advanced Fellowship attached to the University of Edinburgh, Centre for African Studies (CAS) (2018– 2020) exploring arts-b ased research methods as a form of decolo- nizing knowledge production, interrogating intersectionality through narrative work and analysing the gendered politics of memory. Kristina Ricker is a PhD student at University of Nevada, Las Vegas, US. Nancy Rios- Contreras is a PhD candidate in criminology at the University of Delaware, US. Her research explores international transit migration to the United States using legal violence and disaster concepts of social vulnerability and resiliency. She also investigates social movement organ- izing, race-b ased cultural programs and perceived police- community relations. Nancy is a Bill Anderson Fund Fellow All use subject to https://about.jstor.org/terms

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.